Ben_Johnston_String_Quartet_No._7,_mov._2_just_tone_row.png
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Summary
| Description |
English:
Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2.
Each permutation contains a just chromatic scale, however, transformations (transposition and inversion) produce pitches outside of the primary row form, as already occurs in the inversion of P0. Note: I've used "E1" instead of an upside down "13". |
| Date | 25 January 2012 (original upload date) |
| Source |
( Original text: Created by Hyacinth ( talk ) 02:04, 17 October 2010 using Sibelius 5. Source: text version in Fonville, John (Summer, 1991). "Ben Johnston's Extended Just Intonation: A Guide for Interpreters", p.127, Perspectives of New Music , Vol. 29, No. 2, pp. 106-137. ) |
| Author | Created by Hyacinth ( talk ) 02:04, 17 October 2010 using Sibelius 5. |
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Permission
( Reusing this file ) |
PD-TONE ROW.
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Licensing
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This media depicts a tone row outside of a specific musical context. Rows consist of an ordering of the chromatic scale (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a tone row is a musical concept or technique, which is considered too simple to be eligible for copyright protection , or which consists only of technique, with no original creative input. |
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This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection , or which consists only of technique, with no original creative input. |
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Original upload log
The original description page was
here
. All following user names refer to en.wikipedia.
| Date/Time | Dimensions | User | Comment |
|---|---|---|---|
| 2012-01-25 19:35 | 1409×377× (19166 bytes) | Hyacinth | Created by [[User:Hyacinth|Hyacinth]] ([[User talk:Hyacinth|talk]]) 02:04, 17 October 2010 using Sibelius 5. Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Each permutation contains a just chromatic scale, however, |