1904,_Cézanne,_Mont_Sainte-Victoire.jpg
Summary
Paul Cézanne : Mont Sainte-Victoire | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q35548
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Title |
Français :
La Montagne Sainte-Victoire
English:
Mont Sainte-Victoire
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Series title | Mont Sainte-Victoire | ||||||||||||||||||||||||||
Object type |
painting
object_type QS:P31,Q3305213
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Genre | landscape painting | ||||||||||||||||||||||||||
Description |
English:
Cézanne first painted Mont Sainte-Victoire in 1870, beginning his decades-long fascination with the subject that ultimately yielded more than thirty paintings and watercolors of it. The peak played an important role in the ancient history of his native Aix-en-Provence. Its name refers to a Roman victory in 102 b.c. over Teutonic armies in the area. Cézanne created his later views of Sainte-Victoire, including this one, in his hillside studio at Les Lauves, where he was afforded a magnifi cent view of the soaring mountain from across the valley, with its farmland and distinctive olive and almond trees.
-gallery label from the Princeton University Art Museum
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Date |
circa 1904
date QS:P571,+1904-00-00T00:00:00Z/9,P1480,Q5727902
-06
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Medium |
oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
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Dimensions |
height: 65.1 cm (25.6 in); width: 83.8 cm (32.9 in)
dimensions QS:P2048,65.1U174728
dimensions QS:P2049,83.8U174728
frame: height: 86 cm (33.8 in); width: 102.5 cm (40.3 in); depth: 6 cm (2.3 in)
dimensions QS:P2048,86U174728
dimensions QS:P2049,102.5U174728
dimensions QS:P5524,6.0U174728
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Collection |
institution QS:P195,Q2603905
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Current location |
European art, Modern art
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Accession number |
L.1988.62.5
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Place of creation | Montagne Sainte-Victoire | ||||||||||||||||||||||||||
Object history |
English:
Estate of Paul Cézanne. [Ambroise Vollard (1867–1939), Paris, by ca. 1904]. Purchased (possibly from Vollard) by Sir Victor Schuster, London, by 1936 and sold by Schuster at Sotheby's, London, 26 July 1939, lot 75, as The Montagne Sainte-Victoire Seen from the Chemin des Lauves; sold to Hoffmann, possibly a pseudonym. [Dalzell Hatfield, Los Angeles, by 1949]. Acquired by Henry Pearlman, by 1952; Henry and Rose Pearlman Foundation, after 1974.
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Exhibition history |
Cézanne. Paris-Provence: National Art Center, Tokyo (28 Mar 2012 – 11 Jun 2012) Cézanne and Beyond: Philadelphia Museum of Art (22 Feb 2009 – 17 May 2009) Cézanne/Giacometti: Paths of Doubt: Louisiana Museum of Modern Art (16 Feb 2008 – 29 Jun 2008) Cézanne in Provence: National Gallery of Art, Washington D.C. (29 Jan 2006 – 7 May 2006); Musée Granet (9 Jun 2006 – 17 Sep 2006) Cézanne in Focus: Watercolors from the Henry and Rose Pearlman Collection: Princeton University Art Museum (19 Oct 2002 – 12 Jan 2003) Cézanne: Tate Gallery London (8 Feb 1996 – 28 Apr 1996); Philadelphia Museum of Art (30 May 1996 – 1 Sep 1996); Réunion des musées nationaux, Galeries nationales du Grand Palais (25 Sep 1995 – 7 Jan 1996) Cézanne: The Collections of the Henry and Rose Pearlman Foundation and Mrs. Rose Pearlman: Princeton University Art Museum (1 Feb 1992 – 5 Apr 1992) Art of Cézanne from the Henry & Rose Pearlman Foundation: Brooklyn Museum (2 May 1986 – 14 Jul 1986) Cézanne: Paintings, Watercolors, Drawings, and Prints from the Henry and Rose Pearlman Foundation and the Collection of Mrs. Rose Pearlman: Princeton University Art Museum (22 Sep 1984 – 4 Nov 1984) Paul Cézanne: The Collection of Mr. and Mrs. Henry Pearlman: Fine Arts Museums of San Francisco, California (26 Jun 1982 – 29 Aug 1982) Cézanne: The Late Work: The Museum of Modern Art, New York (7 Oct 1977 – 3 Jan 1978); Museum of Fine Arts, Houston (26 Jan 1978 – 19 Mar 1978); Réunion des musées nationaux, Galeries nationales du Grand Palais (20 Apr 1978 – 23 Jul 1978) An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation: Brooklyn Museum (22 May 1974 – 29 Sep 1974); Princeton University Art Museum (8 Dec 1974 – 14 Ma Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation: The Metropolitan Museum of Art (13 Jul 1971 – 7 Sep 1971) Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works by Cézanne, Van Gogh, Degas, Tolouse-Lautrec, Manet, Modigliani, Soutine, and Others: Wadsworth Atheneum Museum of Art (10 Jun 1970 – ?) New York Collects, 1968: The Metropolitan Museum of Art (3 Jul 1968 – 2 Sep 1968) Cézanne and His Contemporaries: The Mr. and Mrs. Henry Pearlman Collection: Detroit Institute of Arts (14 Jun 1967 – 1 Oct 1967) Summer Loan Exhibition, 1966: The Metropolitan Museum of Art (8 Jul 1966 – 6 Sep 1966) Collection of Mr. and Mrs. Henry Pearlman: Munson-Williams-Proctor Arts Institute (1972 – 1972) The Henry Pearlman Collection: Brooklyn Museum (22 May 1964 – 15 Oct 1964) Cézanne and Structure in Modern Painting: Solomon R. Guggenheim Museum (6 Jun 1963 – 1 Sep 1963) Paintings from Private Collections: Summer Loan Exhibition 1961: The Metropolitan Museum of Art (1961 – 1961) An Exhibition of 19th & 20th Century Painting and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman: Brooklyn Museum (29 Jun 1960 – 5 Sep 1960) Drawings, Watercolors, and Oils by Paul Cézanne Lent by an Anonymous Collector: Harvard Art Museums (1 Jul 1959 – 1 Sep 1959) A Loan Exhibition of Paintings, Watercolors and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman for the Benefit of Greenwich House: M. Knoedler & Company (27 Jan 1959 – 21 Feb 1959) Anonymous Collection: Baltimore Museum of Art (1 Jul 1958 – 1 Sep 1958) Cézanne: Rarely Shown Works: Fine Arts Associates (10 Nov 1952 – 29 Nov 1952) Modern French Masters: A Distinguished Group of Paintings from the Dalzell Hatfield Galleries of Los Angeles: Barbizon-Plaza Art Galleries (1 Nov 1949 – 30 Nov 1949) La Montagne Sainte-Victoire by Paul Cezanne (1839-1906): Dalzell Hatfield Galleries (1949 – 1949) Homage to Paul Cézanne: Wildenstein and Co., Inc. (Jul 1939 – Jul 1939) |
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Credit line | The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum | ||||||||||||||||||||||||||
Notes | Rewald (1996) 910 | ||||||||||||||||||||||||||
References |
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Source/Photographer | Henry and Rose Pearlman Collection | ||||||||||||||||||||||||||
Permission
( Reusing this file ) |
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