Where_Did_Our_Love_Go

Where Did Our Love Go

Where Did Our Love Go

1964 song by the Supremes


"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.

Quick Facts Single by the Supremes, from the album ...

Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number one position[3] on the Billboard Hot 100 pop singles chart in the United States, a spot it held for two weeks, from August 16 to August 29, 1964.[4][5] It was also the first of five Supremes songs in a row to reach number one (the others being "Baby Love", "Come See About Me", "Stop! In the Name of Love", and "Back in My Arms Again"). It also reached No. 1 on the Cash Box R&B singles chart.[6]

The Supremes' version is ranked number 472 on Rolling Stone's 500 Greatest Songs of All Time in 2004 and number 475 in 2010 and was selected for preservation in the National Recording Registry in 2016 due to its "cultural, historic, or artistic significance."[7][8] Billboard named the song number 4 on its list of 100 Greatest Girl Group Songs of All Time.[9] The BBC ranked "Where Did Our Love Go" at number 59 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all time UK downloads and streams.[10]

History

Overview

According to Brian Holland, "Where Did Our Love Go" was written with the Supremes in mind.[11] Though Supremes member Mary Wilson later wrote that the song had been originally given to the Marvelettes, Holland denied that claim, as did the Marvelettes themselves. Marvelettes member Katherine Anderson-Schnaffer later said that the song did not fit her group's repertoire because it was produced with a slower beat, whereas their music was more uptempo.[11] When the Supremes were eventually given the song, the group members were not pleased with the song. Supremes member Florence Ballard later stated that they had wanted a stronger single, similar to the Marvelettes' "Please Mr. Postman".[12][13] Another objection from the group was that it sounded too "kiddie-ish."[14] Although the group felt the song did not have the hook needed to make it successful, they decided that they had no choice and prepared to record it.[15]

Initially, the producers argued over who should sing the song, because it had been cut in the same key as Mary Wilson's voice. The lead vocal was ultimately assigned to Diana Ross because, according to Allmusic's Ed Hogan, "she had a unique, sensuous sound."[14] She sang it in her usual high register in the recording studio on April 8. As a result, Ross was told to sing the song in a lower register and begrudgingly complied with Holland/Dozier/Holland's "to the letter" formula. Mary Wilson and Florence Ballard's vocal contribution was significant in bringing a fresh yet smooth tone to the overall sound of the song, while remaining true to the backup arrangements that Lamont Dozier had set down.

After hearing the song's playback, an excited Ross rushed to Gordy's office and told him to come to the studio to listen. At the end of the playback, a satisfied Gordy nodded, telling the producers and the group that the song had the potential to be a top ten hit.

Release and reaction

"Where Did Our Love Go" was released as a single on June 17, 1964, and entered the Hot 100 at number 77. Six weeks later, while the Supremes were on tour as part of Dick Clark's "American Bandstand Caravan of Stars", the song made it to number one[3] for two weeks, spending a total of nine weeks in the Billboard Top Ten. The girls began the tour at the bottom of the bill; by the conclusion of the tour, they were at the top. They performed the song on the NBC variety program, Hullabaloo! on Tuesday, January 26, 1965.[16]

The song became the focal point and title track of the group's second album, Where Did Our Love Go, released later that year. A German language version of it titled "Baby, Baby, wo ist unsere Liebe" was recorded by the Supremes for German-speaking markets overseas and released as the b-side to their German recording of "Moonlight and Kisses" in April 1965.

The song struck a chord in the United States, with a group which would become the most successful chart-topping American popular music group of the 1960s. Billboard described the song as having an "unbeatable beat" and a "true rockin'-blues groove."[17] Cash Box described it as "an infectious handclapping stomp'er...that the femmes and their instrumental support put over with telling teen effect."[18]

The first of their American chart toppers, the song peaked just weeks after the passage of the Civil Rights Act of 1964, critically remarked as capturing the spirit of an America reeling from the assassination of John F. Kennedy, racial tension, and a harbinger of the end of the early optimism of the 1960s.[19]

The song was transmitted to astronauts orbiting Earth in August 1965 during the Gemini 5 mission.[20]

Personnel

Cover versions

Charts

More information Chart (1964), Peak position ...

Certifications

More information Region, Certification ...

See also

Bibliography

  • Benjaminson, Peter (2008). "The Lost Supreme: The Life of Dreamgirl Florence Ballard". Chicago: Lawrence Hill Books. ISBN 1556527055.
  • Chin, Brian and Nathan, David (2000). Reflections Of...The Supremes [CD box set]. New York: Motown Record Co./Universal Music.
  • Posner, Gerald (2002). "Motown : Music, Money, Sex, and Power". New York: Random House. ISBN 0-375-50062-6.
  • Wilson, Mary and Romanowski, Patricia (1986, 1990, 2000). "Dreamgirl: My Life As a Supreme". New York: Cooper Square Publishers. ISBN 0-8154-1000-X.

References

  1. Cosgrove, Stuart (2015). Detroit 67: The year that changed soul. Polygon. p. 72.
  2. Breihan, Tom (November 15, 2022). "The Supremes - "Where Did Our Love Go". The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music. New York: Hachette Book Group. pp. 58–59, 61.
  3. John, Gilliland. "Show 26 - The Soul Reformation: Phase two, the Motown story. [Part 5]". Digital Library. Retrieved 8 April 2018.
  4. "Billboard Hot 100". Billboard. Vol. 76, no. 34. Nielsen Company. 1964. p. 20. Retrieved 9 May 2011.
  5. "Billboard Hot 100". Billboard. Vol. 76, no. 35. Nielsen Company. 1964. p. 22. Retrieved 9 May 2011.
  6. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 558.
  7. "The RS 500 Greatest Songs of All Time". RollingStone.com. Retrieved 2008-06-19. [dead link]
  8. "The Top 100 Digital Motown Chart". BBC. Retrieved 1 January 2020.
  9. Unsung: The Marvelettes, TV One, 2012
  10. Benjaminson (2008), p. 65
  11. Unsung: Florence Ballard, TV One, 2010
  12. Hogan, Ed. "Where Did Our Love Go". AllMusic. Retrieved 2022-02-07.
  13. Hoffer, Jason; Mary Wilson. "Mary Wilson of the Supremes interview – Getting biographical with Mary Wilson (Part 2 of 2)" (audio). 1:52: Going Thru Vinyl Ltd. Retrieved 18 August 2012.{{cite web}}: CS1 maint: location (link)
  14. Host: George Hamilton (January 26, 1965). "Show #3". Hullabaloo. Season 1. Episode 3. Burbank, California. NBC. KNBC.
  15. "Singles Reviews" (PDF). Billboard. July 4, 1964. p. 18. Retrieved 2021-05-01.
  16. "CashBox Record Reviews" (PDF). Cash Box. July 4, 1964. p. 8. Retrieved 2022-01-12.
  17. Taraborrelli, J. Randy. Call Her Miss Ross ISBN 1-55972-006-9 pp 98
  18. Wilson, Mary (2018-04-02). "This interview with MARY WILSON was conducted by the Library of Congress on April 2, 2018" (PDF). U.S. Library of Congress. Retrieved 2019-10-19. People were playing it all over the world. Even NASA beamed it up to astronauts, Gordon Cooper and Peter Conrad, on Gemini 5, as they orbited around the earth.
  19. Liner notes. The Complete Motown Singles Vol. 4: 1964, Hip-O Select – B0005946-02, USA, 24 Feb 2006
  20. Flory, Andrew. ‘I Hear a Symphony: Motown and crossover R&B’, University of Michigan Press, 2017, USA, p222
  21. Leszczak, Bob (10 October 2013). Who Did It First?: Great Rhythm and Blues Cover Songs and Their Original Artists. Scarecrow Press. ISBN 9780810888678. Retrieved 8 April 2018 via Google Books.
  22. "RPM Top 100 Singles - January 8, 1972" (PDF). Collectionscanada.gc.ca.
  23. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 346. ISBN 1-904994-10-5.
  24. "Every Unique AMR Top 100 Single of the 1964". Top 100 Singles. Retrieved 31 December 2020.
  25. "Billboard HITS OF THE WORLD". Billboard. 7 November 1964. p. 28.
  26. "Billboard HITS OF THE WORLD". Billboard. 7 November 1964. p. 29.
  27. "CASH BOX Top 100 Singles". Cashbox. August 29, 1964. Retrieved 31 December 2020.
  28. "The CASH BOX Top 50 In R&B Locations". Cashbox. September 5, 1964. Retrieved 31 December 2020.
  29. "100 TOP POPS: Week of August 22, 1964" (PDF). Record World. worldradiohistory.com. August 22, 1964. Retrieved 29 January 2021.
  30. "TOP 40 R&B: Week of August 15, 1964" (PDF). Record World. worldradiohistory.com. August 15, 1964. p. 21. Retrieved 29 January 2021.
  31. "Jaaroverzichten 1964". Ultratop. Retrieved January 30, 2022.
  32. "FOREIGN HITS IN JAPAN 1960-1969". Billboard. December 19, 1970. p. J-32. Retrieved 2016-09-27.
  33. "Top 100 1964 - UK Music Charts". Uk-charts.top-source.info. Retrieved 8 January 2021.
  34. "TOP RECORDS OF 1964". Billboard. January 2, 1965. p. 6. Retrieved 2 January 2020.
  35. "TOP 100: CHART HITS OF 1964" (PDF). Cashbox. December 26, 1964. p. 12. Retrieved February 4, 2022.
  36. "Billboard Hot 100 60th Anniversary Interactive Chart". Billboard. Retrieved 10 December 2018.

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