WangShui

WangShui

WangShui

Artist


WangShui (1986)[1] is an American contemporary artist. They work across a range of media including film, installation, painting, and sculpture.[2][3][4] They are based in New York City.[1]

Notable exhibitions

In 2018, WangShui participated in In Practice: Another Echo at SculptureCenter in Queens.[5] That same year they presented a film project at Triple Canopy titled, From Its Mouth Came a River of High-end Residential Appliances that eventually went on to screen at New York Film Festival and International Film Festival Rotterdam.[6][7]

In 2019, WangShui presented their first solo exhibition at the Julia Stoschek Collection in Berlin.[3][8][9]

In 2021, WangShui participated in No Humans Involved at the Hammer Museum in Los Angeles and also presented their first series of aluminum paintings at Frieze New York. [10] [11]

In 2022, WangShui participated in the 2022 Whitney Biennial titled "Quiet as It's Kept" where they presented videos and paintings co-authored with AI. [12][13] Their work was also included in the Biennale De Lyon that same year. [14]

In 2023, WangShui opened their first solo museum exhibitions in China at the Rockbund Art Museum [15] and in Europe at Haus Der Kunst. [16]


References

  1. "WangShui". kunstaspekte.de (in German). Retrieved 2022-05-27. WangShui (born 1986, USA) based in New York, deals with queer spaces and world designs and uses art, film and architecture.
  2. Thomas, Skye Arundhati (2019-12-02). "'Deities Are Transgendered Corpses': the Transformative Power of WangShui". Frieze. No. 208. ISSN 0962-0672. Retrieved 2022-01-25.
  3. "Everything, All at Once, Through the Eyes of WangShui". Interview Magazine. 15 December 2020.
  4. "WangShui at JULIA STOSCHEK COLLECTION | Berlin". www.artforum.com. 25 November 2019. Retrieved 2022-04-05.
  5. Liou, Caroline Ellen (2021-11-29). "A More Expansive Understanding of What It Means to Be Human". Hyperallergic. Retrieved 2022-04-05.
  6. Mitter, Siddhartha (2022-01-25). "Whitney Biennial Picks 63 Artists to Take Stock of Now". The New York Times. ISSN 0362-4331. Retrieved 2022-01-25.

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