In his review for AllMusic, Sean Westergaard states "The whole performance is practically a non-stop series of highlights, although the title track alone might be worth the price of admission. The interplay between these players is simply amazing; improvised music doesn't get much better than this."[2]
The All About Jazz review by Glenn Astarita notes that "On these extended workouts, the trio exposes its force with hypnotically engineered Latin grooves, African rhythms and expansive ostinatos. In addition, Anderson sets himself apart from many of his peers, navigating the avant-garde with melodic phrasings which serve as improvisational forays."[3]
The JazzTimes review by Chris Kelsey says "Each of Anderson’s stream-of-consciousness phrases is unique unto itself. His elliptical lines move in, around, above and below the rhythm section, engaging then disengaging the rhythm and harmony with a gruff capriciousness. With Bankhead in the bass chair, this is one of the best trios going."[4]
The PopMatters review by Daniel Spicer claims "This is breathtaking stuff" and notes that "Anderson may be 77 years old but his is a powerful, thrashing, muscular tone that’s not afraid to take risks. You get the feeling that, here in his own club, he’s comfortable enough to just blow."[5]
