Samuel Winfield "Tommy" Thompson^[1] (1906–1967)^[2] was an American calligrapher, graphic artist and typeface designer. He was born Blue Point, New York. In 1944 he became the first designer to earn royalties for a type design, from Photo Lettering Inc. for his Thompson Quill Script. Previously, designers had worked in house for foundries or had sold the rights to their faces outright. He maintained a studio in Norwalk, Connecticut and was the author of several books on type and lettering.^[3]

Thompson designed all of these foundry types:^[4]

• Post Headletter (1943, Monotype), privately cast for the Saturday Evening Post.
• Collier Heading (1946, Monotype), privately cast for Collier's Magazine.
• Mademoiselle (1953, Baltimore Type Foundry), matrices cut by Herman Schnorr. Originally cast for Mademoiselle Magazine, but later offered for general sale.
• Baltimore Script (1955, Baltimore Type Foundry), matrices cut by George Battee.
• Additional weights of Futura for Intertype (1950s).
• Thompson Quill Script (1953, American Type Founders), this was also made available for phototypesetting by Photo Lettering Inc.

In addition, he prepared a version of Baskerville for the ATF Typesetter; this was the first 7-unit typeface for the machine, which previously used 5-unit typefaces similar to those used by the Justowriter on which it was built.^[5] (Later, in 1964, the ATF Typesetter Model B-8, offered an 18-increment system allowing further improved typesetting.)

• The script letter; its form, construction and application, New York, The Studio Publications Inc., 1939.
• The ABC Of Our Alphabet, 1945.
• How to render roman letter forms. A pattern for understanding and drawing roman letters and other styles of lettering and type faces related to them, New York, American Studio Books, 1946.
• Basic layout design; a pattern for understanding the basic motifs in design and how to apply them to graphic art problems, New York, Studio Publications, in association with Crowell, c. 1950.