The BFG (Original Motion Picture Soundtrack) is the score album for the 2016 film of the same name, directed by Steven Spielberg. It featured a musical score composed by Spielberg's regular collaborator John Williams and was released on July 1, 2016 (the same date as the film's release) by Walt Disney Records.^[1]

John Williams could not score for Spielberg's war drama film Bridge of Spies (2015), citing health issues and handed the scoring duties to Thomas Newman, but agreed to compose for The BFG.^[2][3] While writing the score, Williams compared the film to "a child's ballet where there are dances involved," elaborating that it "tries to capture dreams with his net and does something that almost looks like a Ray Bolger or Fred Astaire dance; it is an amazingly musical and choreographic sequence which required the orchestra to do things that are more associated with musical films."^[4] Williams found similarities with the scoring of Home Alone, due to the "lightheartedness and fun of it", further admitting that writing music for the film "was really an opportunity to compose and orchestrate a little children's fantasy for orchestra."^[5]

Williams began recording the score during February 2016 and completed that June.^[6][7] During the sessions, he apparently recorded 90 minutes of the score at the Sony Scoring Stage in California. 85-members from the Los Angeles Philharmonic performed the score, including the virtuosic parts for the flute section, as Williams "to animate these little dreams that flit about the screen with flutes and harps and wispy harmonies".^[5] At an interview published in the summer issue of D23's (Disney fan club) official magazine, Spielberg complimented Williams' score saying "Every moment is accompanied by a little bit of a musical reminder that there is another layer of story being told."^[8]

Critical reviews praised John Williams' musical score for its lightheartedness and being different from Williams' previous compositions implemented in his style.^[9] Several websites including Collider (Matt Goldberg)^[10] and Consequence Of Sound (Allison Shoemaker)^[11] called the score as "playful" and "Williams-esque".^[11]

Jonathan Broxton wrote "The BFG is delightful from start to finish: it has a strong and memorable main theme, with a palpable and appropriate sense of magic and wonderment, and a warm and nostalgic glow of friendship and tenderness. Not only that, the entire score is a master class in writing for woodwinds, which in and of itself should be wholly celebrated, especially considering the state of mainstream Hollywood film music these days."^[12] Mfiles.com wrote "As much as anything else, it's Williams' collaborative nature with the likes of Spielberg and others that has secured him as a legendary figure of music, a keen dramatist always respecting a filmmaker's vision yet always looking to enhance it as well. The BFG may be a relatively minor work as far as Williams is concerned, but its artistry, craft and sheer level of class put it in a completely different league to everything else."^[13]

James Southall of Movie Wave wrote "There’s no doubt whatsoever as to just how luxurious this music is – sheer class simply oozes from every pore, as ever with John Williams [...] Listening to an hour of new John Williams music in 2016 is a great thing to be able to do, something to be treasured, and even if it’s not an outstanding work by his standards, it’s still something to which the majority of his colleagues could only aspire to" and concluded "it’s impossible to deny its quality and the enjoyment inherent in hearing its unrelenting pleasantness."^[14] Filmtracks.com wrote "It's easy to understand why The BFG will leave some listeners cold, because it lacks the sections of elongated tonal resonance and powerful bass region presence that grace the maestro's best works. But it functions with masterful ambient precision for the occasion and is, at the very least, another reminder of Williams' immense technical superiority."^[15]

Credits adapted from CD liner notes^[19]