Teruyo_Nogami

Teruyo Nogami

Teruyo Nogami

Japanese Script Supervisor (born 1927)


Teruyo Nogami (Japanese: 野上照代, born 24 May 1927) is a Japanese film script supervisor and author.[1] She is best known for her work on many of Akira Kurosawa's films, a partnership that began in 1950.

Quick Facts Born, Education ...

Life and career

Nogami was born in Tokyo as the daughter of Iwao Nogami, a scholar of German literature and professor at Kobe University after the war. In 1943, she graduated from the Metropolitan Girls' School of Home Economics. She entered the library training school.[2] In 1944, she graduated from the Library Training Institute, and took up a position at the former Yamaguchi High School Library in Yamaguchi Prefecture. After the war she returned to Tokyo and in 1946 she joined the People's Daily and in 1947 she joined Yakumo Shoten.[3]

When she was a student circa 1941, she saw Mansaku Itami's Akanishi Kakita (1936) and wrote a fan letter to him.[4] She became pen pals with the director.[4] After Itami's death, Nogami became an apprentice script supervisor at Daiei's Kyoto Studio in 1949.[1] She began her career as a script supervisor on Akira Nobuchi's Fukkatsu (1950).[1] That year, she also participated in Akira Kurosawa's Rashomon as a script supervisor.[4] In 1951, she moved to Toho and participated in all Kurosawa films after Ikiru as recording, editing and production assistant.[5] In the meantime, she has also been enrolled in Sun Ad since 1966, and has also worked on commercial production. In 1979 she left the company.[6] In 1984, she won the Yomiuri Human Documentary Award for Excellence for Requiem for Father, which depicts her childhood. In 2008, director Yoji Yamada turned this into a movie called Kabei: Our Mother.[7]

Filmography

Awards


References

  1. "35th TIFF Announces Lifetime Achievement Award Recipient Nogami Teruyo". Tokyo International Film Festival. Retrieved 2023-05-27.
  2. Brode, Douglas; Deyneka, Leah (2012-06-14). Myth, Media, and Culture in Star Wars: An Anthology. Scarecrow Press. ISBN 978-0-8108-8512-7.
  3. Nogami, Teruyo (2006-09-01). Waiting on the Weather: Making Movies with Akira Kurosawa. Stone Bridge Press, Inc. ISBN 978-1-933330-09-9.
  4. Russell, Catherine (2011-06-16). Classical Japanese Cinema Revisited. A&C Black. ISBN 978-1-4411-3327-4.
  5. Nollen, Scott Allen (2019-03-14). Takashi Shimura: Chameleon of Japanese Cinema. McFarland. ISBN 978-1-4766-7013-3.
  6. Berra, John (2012-01-09). Directory of World Cinema: Japan 2. Intellect Books. ISBN 978-1-84150-598-5.
  7. Davis, Blair; Anderson, Robert; Walls, Jan (2015-11-06). Rashomon Effects: Kurosawa, Rashomon and their legacies. Routledge. ISBN 978-1-317-57464-4.
  8. Juan, Eric San (2018-12-15). Akira Kurosawa: A Viewer's Guide. Rowman & Littlefield. ISBN 978-1-5381-1090-4.
  9. IV, Stuart Galbraith (2008-05-16). The Toho Studios Story: A History and Complete Filmography. Scarecrow Press. ISBN 978-1-4616-7374-3.
  10. Conrad, David A. (2022-04-26). Akira Kurosawa and Modern Japan. McFarland. ISBN 978-1-4766-4637-4.
  11. Berra, John (2012). Directoyr of World Cinema: Japan 2. Intellect Books. ISBN 978-1-84150-551-0.
  12. Welsh, James M.; Phillips, Gene D.; Hill, Rodney F. (2010-08-27). The Francis Ford Coppola Encyclopedia. Scarecrow Press. ISBN 978-0-8108-7651-4.
  13. Yoshimoto, Mitsuhiro (2000). Kurosawa: Film Studies and Japanese Cinema. Duke University Press. ISBN 978-0-8223-2519-2.
  14. Morefield, Kenneth R. (2011-07-13). Faith and Spirituality in Masters of World Cinema: Volume II. Cambridge Scholars Publishing. ISBN 978-1-4438-3279-3.
  15. Richie, Donald (1996). The Films of Akira Kurosawa. University of California Press. ISBN 978-0-520-20026-5.
  16. Cinemaya. A. Vasudev. 1999.
  17. 愛媛大学法文学部論集: 人文学科編 (in Japanese). 愛媛大学法文学部. 2008.
  18. "公益財団法人川喜多記念映画文化財団 川喜多賞". www.kawakita-film.or.jp. Retrieved 2023-05-27.

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