Teresa_Font
Teresa Font
Spanish film editor
Teresa Font Guiteras (born 30 March 1956) is a Spanish film editor from Catalonia. She is a recurring collaborator in films directed by Imanol Uribe and Vicente Aranda.
Teresa Font | |
|---|---|
At the 12th Gaudí Awards in 2020 | |
| Born | Teresa Font Guiteras (1956-03-30) 30 March 1956 (age 68) Gallifa, Spain |
| Occupation | Film editor |
.jpg){kind=link}
Teresa Font Guiteras was born on 30 March 1956 in Gallifa,[1][2][3] in the province of Barcelona.
She become acquainted with cinema as a teenager.[4] She briefly worked as secretary in Sabadell.[4] She moved to London at age 17, getting to know films from popular directors.[4][5] Upon her return to Catalonia, she decided to become a film editor.[5] She worked from 1977 to 1988 as editor at TVE, first in Barcelona and from 1984 onward in Madrid.[6] In 1988, she asked for leave from TVE.[6]
She was married to Vicente Aranda, which whom she had two daughters.[7] She was honoured with the 'Ricardo Franco' career award at the 2016 Málaga Film Festival.[4]
 |
- El Lute I: camina o revienta (El Lute: Run for Your Life) (1987)[6]
- El Lute II: mañana seré libre (El Lute II: Tomorrow I'll be Free) (1988)[6]
- Berlín Blues [ca][8] (1988)
- Jamón, jamón[4] (1992)
- Amantes (Lovers)[4] (1991)
- La pasión turca (The Turkish Passion)[8] (1994)
- Días contados[8] (1994)
- El día de la bestia (The Day of the Beast)[4] (1995)
- Libertarias (1996)[6]
- Bwana (1996).[6]
- Perdita Durango (1997)[6]
- La mirada del otro (The Naked Eye) (1998)[6]
- Celos (Jealousy) (1999)[6]
- Muertos de risa (Dying of Laughter)[6] (1999)
- António, Um Rapaz de Lisboa [pt] (1999)[6]
- Extraños (1999)[6]
- Plenilunio (Plenilune) (2000)[6]
- Juana la Loca (Mad Love)[4] (2001)
- Piedras (Stones) (2002)[6]
- El viaje de Carol (Carol's Journey) (2002)[6]
- Carmen[8] (2003)
- 20 Centímetros (20 Centimeters) (2005)[6]
- Canciones de amor en Lolita's Club (Lolita's Club) (2007)[6]
- La carta esférica [es] (The Nautical Chart) (2007)[6]
- Luna Caliente (2009)[6]
- Acantilado[4] (The Cliff') (2016)
- Las furias (The Furies) (2016)[9]
- The Man Who Killed Don Quixote (2018)[10]
- La enfermedad del domingo (Sunday's Illness) (2018)[11]
- Dolor y gloria (Pain and Glory) (2019)[12]
- Madres paralelas (Parallel Mothers) (2021)
- El sustituto (The Replacement) (2021)
|
She has won twice the Goya Award for Best Editing: for Días contados and for Pain and Glory.[13]
- "El Terra Gollut reconeixerà la trajectòria de la muntadora de cinema Teresa Font, amb dos Goya". Nació Digital. 28 October 2020.
- Serra, Xavi (23 March 2019). "Teresa Font, la muntadora dels silencis de 'Dolor y gloria'". Ara.
- Prieto Souto, Xose; Doménech González, Gabriel, eds. (2018). Respirar con la imagen. Conversaciones sobre montaje con Teresa Font (PDF). Universidad Carlos III de Madrid. p. 17. ISBN 978-84-09-07487-7.
- Pereda, Olga (26 June 2016). "Teresa Font: "La sala de montaje es un confesionario"". El Periódico de Catalunya.
- García, Salvi; Artacho, Juan Luis (10 March 2016). "Teresa Font, Premio Ricardo Franco - Academia de Cine del 19 Festival de Málaga" (PDF). Festival de Málaga. Retrieved 8 February 2022.
- Riambau, Esteve (2018). "Lecciones de vida y montaje". In Prieto Souto, Xose; Doménech González, Gabriel (eds.). Respirar con la imagen. Conversaciones sobre montaje con Teresa Font (PDF). Universidad Carlos III de Madrid. p. 17. ISBN 978-84-09-07487-7.
- Rivera, Alfonso (21 February 2018). "Crítica: La enfermedad del domingo". Cineuropa.
- Riambau 2018, p. 11.
- "Teresa Font gana el Goya al mejor montaje, en su primera colaboración con Pedro Almodóvar". Audiovisual451. 27 January 2020.