Roger_Spottiswoode

Roger Spottiswoode

Roger Spottiswoode

Canadian-British film director


John Roger Spottiswoode[2] (born 5 January 1945) is a Canadian-British director, editor and writer of film and television.

Quick Facts Born, Nationality ...

Early life

He was born in Ottawa, Ontario, Canada, and was raised in Britain.[3] His father Raymond Spottiswoode was a British film theoretician[4] who worked at the National Film Board of Canada during the 1940s, directing short films such as Wings of a Continent.

Career

In the 1960s, Spottiswoode entered the British film industry as a trainee editor where he apprenticed under editor John Bloom. In the early 1970s Spottiswoode edited several films for Sam Peckinpah.[5]

He wanted to direct and Walter Hill advised him the best way in was to write a script. Hill and Spottiswoode collaborated on the scripts for 48 Hours and the never-made The Last Gun. [6]

Spottiswoode turned to directing in the early 1980s and has since directed a number of notable films and television productions, including Under Fire (1983)[7] and the 1997 James Bond film Tomorrow Never Dies starring Pierce Brosnan.[8] Spottiswoode was a member of the writing team responsible for 48 Hrs. starring Eddie Murphy and Nick Nolte.[9] In 2000, he directed the science fiction action thriller The 6th Day starring Arnold Schwarzenegger.[10]

Filmography

Film

More information Year, Title ...

As editor

As writer

Television

More information Year, Title ...

TV movies

Awards and nominations

Won

Nominated


References

  1. Roger Spottiswoode's bio at www.northernstars.ca
  2. Spottiswoode, John Roger. "Directors Guild of Canada". dgc.ca.
  3. "Spottiswoode's 'Terror Train'" by John Corry (original context from October 3, 1980, Section C, Page 10) at www.nytimes.com
  4. The Pursuit of D.B. Cooper Review - "Begun by director John Frankenheimer, continued by director Buzz Kulik and finally finished by Spottiswoode" at variety.com
  5. "Film: 'Best of Times,' Football Story" by Walter Goodman (original context from January 31, 1986, Section C, Page 20) at www.nytimes.com
  6. Mesmer review by Leonard Klady at variety.com



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