Mortem is a French experimental film directed by Eric Atlan and first screened at the Oaxaca International Film Festival in 2010 before receiving a limited theatrical release in 2012. Reminiscent of Persona and Mulholland Drive, the film follows a young woman who defies her own death.

Mortem generally received mixed to negative reviews from critics. The Village Voice stated that "The initial scenes, thick with creep-show ambiance, promise more fulfilling madness than what actually transpires once the out-of-nowhere second guest reveals who she is."^[1] The New York Times compared the film's aesthetic to that of Jean Cocteau, but gave a similarly lukewarm review as The Village Voice, stating that "Most often Mortem just lacks bite, and the dedicated leads seem at times a little slight for the staging of a struggle at eternity's edge."^[2] Time Out New York awarded the film one star out of five and described it as "excruciatingly bad".^[3] Slant Magazine gave the film a largely negative review, opining that the film "too readily abandons its noir framework for the sweeping meta-narrative about desire's link to thanatos, and in so doing, leaves too little room for guesswork."^[4] Film Journal International stated that "This initially bewitching throwback to the French New Wave and Cocteau turns into a turgid and frequently laughable pseudo-philosophical locked-room argument between a woman and her soul."^[5]