Modus Operandi, directed by Frankie Latina, is an independent feature film shot in Milwaukee, Wisconsin and Tokyo, Japan. Latina examines the exploitation film genre through a revenge tale about a desperate C.I.A. agent on a mission to find the man who murdered his wife.[1]
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The film stars Danny Trejo (Machete, Heat, Predators), Mark Borchardt (American Movie), Michael Sottile (Reservoir Dogs), and Randy Russell (American Job) as Agent Stanley Cashay.
Modus Operandi was produced by Frankie Latina Motion Pictures, Special Entertainment and Reign Supreme Entertainment, and was distributed on DVD, Video On Demand, Netflix, and Redbox by Kino on February 14, 2012.[2]
Two briefcases with mysterious contents are stolen from top Presidential candidate Squire Parks, setting off a deadly series of double-crosses and betrayals. Desperate warring factions of subterranean organizations will stop at nothing to gain possession of the sensitive material. A covert branch of the CIA calls on notorious Black Ops agent Stanley Cashay, who has been barely existing in a semi-comatose twilight since the murder of his wife. Cashay is offered the identity of his wife's killer in exchange for locating and returning the cases.
Agent Cashay uses the most dangerous weapons at his command, the telephone and his reputation, to unleash a bizarre assortment of operatives, including the deliciously sleazy Casey Thunderbird and exotic Tokyo-based special agent Black Licorice. Along with scores of other beguiling rogues, they initiate a horrifying chain of events, including ruthless torture and brutal killings. When Cashay is finally in possession of the stolen materials, the contents of the briefcases shock even him, and he makes a decision that will change the course of history. Cashay then sets the wheels in motion for bitter revenge and harsh justice, but not before the entire operation is nearly derailed as merciless underworld forces fight back. The final chapters play out as an increasingly surreal vision of modern reality, skirting the edge of sanity and culminating with the wrath of the powerful Director Holiday, a man who would put the fear of God into God Himself.