Modernist_film
Modernist film
Film genre
Modernist film is related to the art and philosophy of modernism.
Early modernist film came to maturity in the era between WWI and WWII, with characteristics such as montage and symbolic imagery, manifesting itself in genres as diverse as expressionism and surrealism (as featured in the works of Fritz Lang and Luis Buñuel)[1] while postmodernist film – similar to postmodernism as a whole – is a reaction to modernist works, and to their tendencies (such as nostalgia and angst).[2] Modernist cinema has been said to have "explored and exposed the formal concerns of the medium by placing them at the forefront of consciousness."[3] The auteur theory and idea of an author creating a work from their singular vision became a central characteristic of modernist filmmaking. It has been said that "To investigate the transparency of the image is modernist but to undermine its reference to reality is to engage with the aesthetics of postmodernism."[4][5] The modernist film has more faith in the author, the individual, and the accessibility of reality itself (and generally has a more sincere tone[6]) than the postmodernist film.
- Funeral Parade of Roses (1969; also called a postmodernist film)
- A Story of Floating Weeds (1934)
- Day for Night (1973; also called a postmodernist film)
- Hiroshima mon amour (1959; also been called a postmodernist film)
- A Matter of Life and Death (1946)
- The Girl Can't Help It (1956)
- Symbiopsychotaxiplasm: Take One (1968; also called a postmodernist film))
- Lonesome Lenny (1946)
- Black Panthers (1968)
- The Murder of Fred Hampton (1971)
- Singin' in the Rain (1952)
- Persona (1966; also called a postmodernist film)
- Allures (1961)
- In the Year of the Pig (1969)
- Thugs with Dirty Mugs (1939)
- Gay Purr-ee (1962)
- The Jaywalker (1956)
- Tale of Tales (1979)
- The Tale of Tsar Durondai (1934)
- La notte (1961)
- Zabriskie Point (1970)
- Daffy Duck and Egghead (1938)
- The Heckling Hare (1941)
- Now Hear This (1962)
- Breakaway (1966)
- Bubble Bath (1979)
- Medium Cool (1968)
- Gimme Shelter (1970)
- Monterey Pop (1968)
- Punishment Park (1971)
- The Holy Mountain (1973; also been called a postmodernist film)
- W.R.: Mysteries of the Organism (1971)
- Sunset Boulevard (1950)
- Rashomon (1950)
- Son of Paleface (1952)
- L'Avventura (1960; also been called a postmodernist film)
- Un Chien Andalou (1929)
- Battleship Potemkin (1925)
- The Fall of the House of Usher (1928)
- Magical Maestro (1952)
- L'age d'Or (1930)
- Detour (1945)
- Shock Corridor (1963)
- Experiment in Terror (1962)
- High Noon (1952)
- Mr. Smith Goes to Washington (1939)
- Leave Her to Heaven (1945)
- The Lodger (1927)
- Out of the Past (1947)
- Artists & Models (1955)
- Accident (1967)
- Gilda (1946)
- The Passion of Joan of Arc (1928)
- Steamboat Bill Jr. (1928)
- Sunrise (1927)
- The Cameraman (1928)
- Sherlock Jr. (1924)
- Pierrot Le Fou (1965, also been called a postmodernist film)
- The Killers (1946)
- The Great Dictator (1940)
- The Hand (1965)
- Ballet Mecanique (1923)
- Duck Amuck (1953; also been called a postmodernist film)
- The Color of Pomegranates (1969; also been called a postmodernist film)
- Report (1967)
- Man with a Movie Camera (1929)
- The Cabinet of Dr. Caligari (1920)
- Cat People (1942)
- Last Year at Marienbad (1961; also been called a postmodernist film)
- Meshes of the Afternoon (1943)
- Rome Open City (1945)
- The Crowd (1928)
- The Apu trilogy (1955-1959)
- Metropolis (1927)
- Vertigo (1958)
- Citizen Kane (1941)
- The Last Laugh (1924)
- Berlin: Symphony of a City (1927)
- Breathless (1960)
- Andrei Rublev (1966)
- Blowup (1966; also been called a postmodernist film)
- La Strada (1954)
- All That Heaven Allows (1955; also been called a postmodernist film)
- The Bicycle Thieves (1949)
- Gerald McBoing Boing (1950)
- The Boy with Green Hair (1948)
- Mr. Klein (1976)
- The Servant (1963)
- Wild Strawberries (1957)
- The Seventh Seal (1956)
- Kiss Me Deadly (1955)
- The Asphalt Jungle (1950)
- The Naked City (1948)
- Double Indemnity (1944)
- Two Happy Hearts (1932)
- Manhatta (1921)
- The Life of Emile Zola (1937)
- A Woman Under the Influence (1974)
- Confessions of a Nazi Spy (1939)
- Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
- 8½ (1963; also been called a postmodernist film)
- The Mirror (1975)
- Au Hasard Balthazar (1966)
- Apple in the River (1974)
- Dead Mountaineer's Hotel (1979)
- Rebel Without a Cause (1955)
- La dolce vita (1960)
- Magnificent Obsession (1954)
- Two Weeks in Another Town (1962)
- The 400 Blows (1959)
- The Loneliness of the Long Distance Runner (1961)
- Play Time (1967; also been called a postmodernist film)
- Stagecoach (1939)
- The Third Man (1949)
- Rebecca (1940)
- Marnie (1964)
- Olympia (1938)
- Intolerance (1916)
- Cabiria (1914)
- 2001: A Space Odyssey (1968; also been called a postmodernist film)
- Dracula (1931)
- Frankenstein (1931)
- Time Piece (1965)
- The Pop Show (1966)
- Surogat (1961)
- N.Y., N.Y. (1957)
- Here Is Your Life (1966)
- My Name Is Oona (1969)
- Mass for the Dakota Sioux (1964)
- God Respects Us When We Work, But Loves Us When We Dance (1968)
- Arabesque (1975)
- Diary (1974)
- Will Success Spoil Rock Hunter? (1957)
- Screwball Squirrel (1944)
- Who Killed Who (1943)
- Voyage to Italy (1954)
List of notable modernist filmmakers
- Chantal Ackerman
- Agnes Varda (also been called a postmodernist filmmaker)
- Roberto Rossellini
- Shirley Clarke
- Ida Lupino
- Yasujiro Ozu
- Satyajit Ray
- Maya Deren
- William Greaves (also been called a postmodernist filmmaker)
- Sam Fuller
- Alain Renais (also been called a postmodernist filmmaker)
- Robert Aldrich
- Nicholas Ray
- Douglas Sirk (also been called a postmodernist filmmaker)
- Luis Bunuel
- Orson Welles (also been called a postmodernist filmmaker)
- Alfred Hitchcock (also been called a postmodernist filmmaker)
- Andrei Tarkovsky
- Akira Kurosawa
- Robert Bresson
- Federico Fellini (also been called a postmodernist filmmaker)
- Ingmar Bergman (also been called a postmodernist filmmaker)
- Jules Dassin
- Jean-Luc Godard (also been called a postmodernist filmmaker)
- Stan Brakhage
- Fritz Lang
- Buster Keaton
- Norman McLaren
- Carl Theodore Dreyer
- Len Lye
- Oscar Micheaux
- Jacques Tourneur
- François Truffaut (also been called a postmodernist filmmaker)
- Tony Richardson
- John Ford
- Tex Avery (also been called a postmodernist filmmaker)
- John and Faith Hubley
- Joseph Losey
- Jacques Tati (also been called a postmodernist filmmaker)
- John Cassavetes (also been called a postmodernist filmmaker)
- Blake Edwards
- Rainer Werner Fassbinder
- Michelangelo Antonioni (also been called a postmodernist filmmaker)
- Vincente Minnelli
- Dziga Vertov
- Bruce Conner (also been called a postmodernist filmmaker)
- Stanley Kubrick (also been called a postmodernist filmmaker)
- Emile de Antonio
- Jordan Belson
- Chris Marker (also been called a postmodernist filmmaker)
- John Whitney
- William Klein
- Frank Tashlin
- Chuck Jones (also been called a postmodernist filmmaker)
- Jiri Trnka
- Edward D. Wood Jr.
Sources:[7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38][39][40][41][42][43][44][45][46][47][48][49][50][51][52][53][54][55][56][57][58][59][60][61][62][63][64][65][66][67][68][69][70][71][72][73][74][75][76][77][78][79][80][81][82][83][84][85][86][87][88][89][90] [91][92][93][94][95][96][97][98] [99][100][101][102][103][104][105][106][107][108][109][110][111][112][113][114][115]
- Minimalist film
- Maximalist film
- European art cinema
- Film noir
- Classical Hollywood cinema
- Melodrama
- Arthouse animation
- B movie
- Art film
- Vulgar auteurism
- World cinema
- Golden age of American animation
- Independent animation
- Limited animation
- A Personal Journey with Martin Scorsese Through American Movies
- Beginning Postmodernism, Manchester University Press: 1999 by Tim Woods
- Dragan Milovanovic. "Dueling Paradigms: Modernist v. Postmodern Thought". American Society of Criminology.
- "Reading the Postmodern Image: A Cognitive Mapping," Screen: 31, 4 (Winter 1990) by Tony Wilson
- Perry, Ted (2006). Masterpieces of Modernist Cinema. Indiana University Press. ISBN 0253347718.
- Murphy, Richard (2007). "Modernism and the Cinema: Metropolis and the Expressionist Aesthetic". Comparative Critical Studies. 4 (1): 105–120. doi:10.3366/ccs.2007.4.1.105. S2CID 145016904.
- Kovács, András Bálint (2006). "Sartre, the Philosophy of Nothingness, and the Modern Melodrama". The Journal of Aesthetics and Art Criticism. 64 (1): 135–145. doi:10.1111/j.0021-8529.2006.00235.x. JSTOR 3700498.
- Evans, Victoria L. (2017). Douglas Sirk, Aesthetic Modernism and the Culture of Modernity. ISBN 9781474409391. JSTOR 10.3366/j.ctt1pwt8s4.
- Wolfgram Evans, Noell K. (26 April 2011). Animators of Film and Television: Nineteen Artists, Writers, Producers and Others. McFarland. ISBN 9780786448326.
- Hilliker, Lee (2002). "In the Modernist Mirror: Jacques Tati and the Parisian Landscape". The French Review. 76 (2): 318–329. JSTOR 3132711.
- Carney, Raymond (28 January 1994). The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Cambridge University Press. ISBN 9780521388153.
- McElhaney, Joe (February 2012). The Death of Classical Cinema: Hitchcock, Lang, Minnelli. State University of New York Press. ISBN 9780791481110.
- Hutcheon, Linda (1990). "An epilogue: Postmodern parody: History, subjectivity, and ideology". Quarterly Review of Film and Video. 12 (1–2): 125–133. doi:10.1080/10509209009361343.
- Simpson, Philip; Utterson, Andrew; Shepherdson, Karen J. (2004). Film Theory: Critical Concepts in Media and Cultural Studies. Taylor & Francis. p. 171. ISBN 9780415259750.
- Bashara, Dan (2 April 2019). Cartoon Vision: UPA Animation and Postwar Aesthetics. Univ of California Press. ISBN 9780520298132.
- Sollors, Werner (2008). Ethnic modernism (First Harvard University Press paperback ed.). Cambridge, Mass. p. 8. ISBN 9780674030916.
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: CS1 maint: location missing publisher (link) - Murray, Robin L. (2011). That's all folks? : ecocritical readings of American animated features. Lincoln: University of Nebraska Press. pp. 85–89. ISBN 9780803235120.