List_of_horror_films_set_in_academic_institutions

List of horror films set in academic institutions

List of horror films set in academic institutions

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Academic institutions, including high schools, boarding schools, colleges, and university campuses, have historically been recurring settings for horror films. Film scholars have noted the prominence of educational institutions in the development of horror cinema, particularly in the subgenre of the slasher film. Critics such as Andrew Grunzke have cited the themes of bullying, sexuality, social acceptance, parent-child relationships, academic performance, and the development of morality during teenage and young adult life as primary reasons that many horror films have historically used the backdrop of high schools and colleges.[2] Additionally, the universalization of education during the twentieth century, which coincided with the development of the horror film, helped foster a public audience for films set amongst students.[3]

Monster on the Campus (1958) is one of the earlier horror films set on a college campus.[lower-alpha 1]

Colleges and universities

Campuses

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Fraternities and sororities

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Secondary institutions

Academies

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Boarding schools

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High schools

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See also

Notes

  1. Film scholar Andrew Grunzke notes the influence of Monster on the Campus as both a rendition of Dr. Jekyll and Mr. Hyde as well as a college-set horror film.[1]
  1. Black Christmas (1974) is primarily set inside the confines of a sorority house, though there are several scenes set on the college campus.[31]
  2. Though the primary setting of Hell Night (1981) is a manor, the film's broader set is within a university context among college students, and the plot points are rooted in college culture.[35]

References

  1. Grunzke 2015, pp. 58–61.
  2. Joshi, S. T. (2007). Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares. Vol. 2. Greenwood Publishing Group. p. 716. ISBN 978-0-313-33782-6.
  3. Muir 2012, p. 21.
  4. Grunzke 2015, pp. 1–3.
  5. Nowell 2010, p. 224.
  6. "Pieces". Film Society of Lincoln Center. Archived from the original on 5 February 2024.
  7. Grunzke 2015, pp. 118, 190.
  8. Joshi, S. T. (2011). Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture. ABC-CLIO. p. 119. ISBN 978-0-313-37833-1.
  9. Grunzke 2015, pp. 120–21.
  10. James, Caryn (4 October 1995). "FILM REVIEW;A Philosophy Student Who Bites". The New York Times. Retrieved 30 July 2017.
  11. Newman 2011, pp. 389–90.
  12. Newman 2011, p. 394.
  13. Newman 2011, p. 395.
  14. "Ripper: Letter from Hell". TV Guide. Retrieved 30 July 2017.
  15. Meyer, Carla (8 September 2001). "REVIEW / Abominable teen horror film / 'Soul Survivor' is pure nonsense". San Francisco Chronicle. Retrieved 30 July 2017.
  16. Newman 2011, p. 317.
  17. "Decoys (2004)". Arrow in the Head. Retrieved 29 July 2017.
  18. Condit, Jon (20 December 2005). "House of the Dead 2: Dead Aim (2005)". Dread Central. Archived from the original on 24 September 2009. Retrieved 30 July 2017.
  19. Travers, Peter (4 February 2011). "The Roommate". Rolling Stone. Retrieved 30 July 2017.
  20. "'Kristy' Is A Nerve Shredding, Nail-Biting, Fight For Survival Thriller". Movie Pilot. 11 August 2014. Retrieved 29 July 2017.
  21. Couch, Aaron (13 October 2017). "'Happy Death Day' Director Had Just 2 Days to Shoot Key Scene Over and Over". The Hollywood Reporter. Archived from the original on 7 February 2018.
  22. Horwitz, Jane (12 April 2018). "'Truth or Dare' is a humorless horror flick about college kids trapped in a deadly game". The Salt Lake Tribune. Salt Lake City, Utah. Archived from the original on 27 January 2020.
  23. Wirt, John (8 February 2019). "Déjà vu: 'Happy Death Day' sequel returns cast and crew to Loyola New Orleans campus". Nola.com. Archived from the original on 27 January 2020.
  24. Keetley, Dawn; Hofmann, Gwen (2016). "Thirteen Women (1932): An Unacknowledged Horror Classic". Journal of Film and Video. 68 (1). University of Illinois Press: 31–47. doi:10.5406/jfilmvideo.68.1.0031. ISSN 0742-4671. S2CID 190843193.
  25. Nowell 2010, pp. 73–77.
  26. Grunzke 2015, pp. 118, 128.
  27. Rockoff 2002, pp. 119–20.
  28. Muir 2012, p. 253.
  29. Muir 2012, p. 396.
  30. Maslin, Janet (1 June 1985). "'Silent Madness," Sorority House Horror". The New York Times. Archived from the original on 27 January 2020.
  31. Harper 2004, p. 121.
  32. Darnton, Nina (August 23, 1986). "'Creeps,' Horror Tale". The New York Times. Archived from the original on September 18, 2023.
  33. Newman 2011, p. 208.
  34. "Blood Sisters". Tucson Weekly. Tucson, Arizona. Archived from the original on 27 January 2020.
  35. Variety Staff (March 1994). "Rush Week". Variety Television Reviews 1991–1992. n.p.: Taylor & Francis. ISBN 978-0-824-03796-3 via Google Books.
  36. Harper 2004, p. 107.
  37. "The Hazing". AllMovie. Archived from the original on 27 January 2020.
  38. Newman 2011, p. 406.
  39. Leydon, Joe (26 December 2006). "Review: 'Black Christmas'". Variety. Retrieved 30 July 2017.
  40. Newman 2011, p. 407.
  41. Myers, Kimber (12 December 2019). "Review: 'Black Christmas' decks the patriarchy and slashes expectations with glee". Los Angeles Times. Los Angeles, California. Archived from the original on 27 January 2020.
  42. Newman 2011, p. 145.
  43. Nelson, Rob (31 October 2008). "Review: 'The Haunting of Molly Hartley'". Variety. Retrieved 30 July 2017.
  44. "Diabolique". The New Yorker. Revivals. Vol. 70, no. 27–35. p. 31.
  45. Muir 2007, pp. 270–2.
  46. Castillo, Monica (27 July 2017). "Three Reasons to Watch 'Picnic at Hanging Rock'". The New York Times. Retrieved 30 July 2017.
  47. Grunzke 2015, pp. 100–1.
  48. Rockoff 2002, pp. 98–99.
  49. Newman 2011, p. 148.
  50. Kay, Glenn (2012). Zombie Movies: The Ultimate Guide. Chicago Review Press. p. 156. ISBN 978-1613744222.
  51. Martel, Ned (17 September 2005). "Privileged Youth Is Served". The New York Times. Retrieved 29 July 2017.
  52. Gingold, Michael (2006). "Ghastly Review: The Woods". Fangoria. Archived from the original on 8 September 2006. Retrieved 28 December 2007.
  53. Holden, Stephen (16 August 2012). "Ghosts and Memories Haunting a House". The New York Times. Retrieved 4 September 2017.
  54. Adams, Nathan (20 April 2012). "Review: 'The Moth Diaries' Realistically Recreates How Boring Reading a 16-Year-Old Girl's Diary Is". Film School Rejects. Retrieved 9 July 2017.
  55. Antrim, Taylor (29 March 2017). "Boarding School Has Never Been Scarier Than in The Blackcoat's Daughter". Vogue. Archived from the original on 5 February 2024.
  56. Newman 2011, p. 240.
  57. Nowell 2010, pp. 89–90.
  58. Newman 2011, p. 389.
  59. Grunzke 2015, pp. 100–2.
  60. Nowell 2010, p. 149.
  61. Buckley, Tom (6 February 1981). "Fear No Evil". The New York Times. Archived from the original on 25 January 2018.
  62. Newman 2011, p. 210.
  63. Muir 2012, pp. 178–9.
  64. Muir 2012, p. 187.
  65. Grunzke 2015, pp. 123, 131.
  66. Muir 2012, p. 541.
  67. Muir 2012, p. 579.
  68. Newman 2011, p. 384.
  69. Newman 2011, p. 393.
  70. Newman 2011, p. 391.
  71. Piepenburg, Erik (13 October 2013). "Each Generation Gets a Carrie It Deserves". The New York Times. Retrieved 30 July 2017.
  72. Fraser, Emma (20 October 2019). "Why Cherry Falls And Its Final Girl Are Still Relevant 20 Years Later". SyFy. Archived from the original on 11 October 2020.

Sources

Further reading


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