List_of_compositions_by_Charles_Ives

List of compositions by Charles Ives

List of compositions by Charles Ives

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The compositions of American composer Charles Ives (1874–1954) are mostly modern classical music. Ives was prolific, revised works multiple times, and left ambiguous fragments with no title or notes. A chronology of works is especially difficult because of missing and sometimes misleading dates;[1] as Elliott Carter put it in 1939: "[Ives] has rewritten his works so many times, adding dissonances and polyrhythms, that it is impossible to tell just at what date the works assumed the surprising form we know now."[2]

Ives as a teenager

This list follows James B. Sinclair's A Descriptive Catalogue of the Music of Charles Ives.[3] It does not include fragments or projected works.

Orchestra

Symphonies

Sets

For orchestra
For chamber orchestra
  • Set No. 1 (1912); includes Calcium Light Night
  • Set No. 2 (1912); includes Gyp the Blood, or Hearst? Which Is Worst?
  • Set No. 3 (At Sea – Luck and Work – Premonitions, 1917)
  • Set No. 4, Three Poets and Human Nature – projected only
  • Set No. 5, The Other Side of Pioneering, or Side Lights on American Enterprise – projected only
  • Set No. 6, From the Side Hill – projected only
  • Set No. 7, Water Colors – projected or lost
  • Set No. 8, Songs Without Voices – projected only
  • Set No. 9 of Three Pieces (The Last Reader – The See'r – The Unanswered Question, 1934)
  • Set No. 10 of Three Pieces (Like a Sick Eagle – Luck and Work – The Indians, 1934)
  • Set for Theatre Orchestra (1915)

Overtures

  • Alcott Overture (1904, inc., but re-used for the third movement of Piano Sonata No.2)
  • Emerson Overture for Piano and Orchestra or Emerson Concerto (1911–12, incomplete, but re-used for the first movement of Piano Sonata No.2)
  • Matthew Arnold Overture (1912, inc.)
  • Overture and March: 1776 (1904, rev. 1910; re-used in "Putnam's Camp" from Three Places in New England and Holidays Symphony)
  • Overture in G Minor (1899, inc.)
  • Overture: Nationals (1915, inc. sketches; adapted from Overture and March: 1776; )
  • Robert Browning Overture (1914, rev. 1942)

Marches

  • Holiday Quickstep (1887)
  • Country Band March ((Sketched 1903), rev. 1912, inc. – used in "Putnam's Camp")
  • March No. 2, with Son of a Gambolier (1895?)
  • March No. 3 in F and C (1893?, inc.)
  • March No. 3, with My Old Kentucky Home (1895?)
  • March No. 4 in F and C (1894?, inc.)
  • The Circus Band (1898)

Others

  • Hymn: Largo cantabile, from A Set of Three Short Pieces (1904)
  • Central Park in the Dark (1906, rev. 1936)
  • Chromâtimelôdtune (1923?)
  • Quarter-Tone Chorale for Strings (1914, lost)[4]
  • The General Slocum (1910?, inc.)
  • The Gong on the Hook and Ladder or Firemen's Parade on Main Street (1911)
  • Piece for Small Orchestra and Organ (1905?, mostly lost)
  • The Pond (1906, rev. 1913)
  • Postlude in F (1899?)
  • Three Ragtime Dances (1911, mostly lost)
  • Four Ragtime Dances (?)
  • Nine Ragtime Pieces (1902?, mostly lost)
  • The Rainbow (1914)
  • Skit for Danbury Fair (1909, inc.)
  • Take-Off No. 7: Mike Donlin–Johnny Evers (1907, inc.)
  • Take-Off No. 8: Willy Keeler at Bat (1907, inc.)
  • Tone Roads et al. (1915?)
  • The Unanswered Question (1908, rev. 1935)
  • Yale–Princeton Football Game (1899, inc.)

Band

  • Fantasia on Jerusalem the Golden (1888)
  • March in F and C, with Omega Lambda Chi (1896)
  • March Intercollegiate, with Annie Lisle (1892)
  • Runaway Horse on Main Street (1908, inc.)
  • Schoolboy March in D and F, Op. 1 (1886, mostly lost)

Chamber/Instrumental

String quartet
Violin sonata
  • Pre-First Sonata for Violin and Piano (1913)
  • Violin Sonata No. 1 (1917?)
  • Violin Sonata No. 2 (1917?)
  • Violin Sonata No. 3 (1914?)
  • Violin Sonata No. 4: Children's Day at the Camp Meeting (1916)
Other
  • Decoration Day (1919)
  • From the Steeples and the Mountains (1901)
  • Fugue in B-flat (1895?, inc.)
  • Fugue in D (1895?, mostly lost)
  • Fugue in Four Greek Modes (1897, inc.)
  • Fugue in Four Keys on The Shining Shore (1903?, inc.)
  • Hymn: Largo cantabile, from A Set of Three Short Pieces (1904)
  • Hallowe'en (1914)
  • In Re Con Moto et al. (1916), for violin, viola, bass, and piano, world premiere given in February 1966 at Carnegie Hall[5]
  • Largo for Violin and Piano (1901)
  • Largo for Violin, Clarinet, and Piano (1934? arrangement of Largo for violin and piano)
  • Largo Risoluto No. 1 (1909)
  • Largo Risoluto No. 2 (1910)
  • An Old Song Deranged (1903)
  • Piece in G for String Quartet (1891?)
  • Polonaise (1887, inc.)
  • Practice for String Quartet in Holding Your Own! (1903)
  • Prelude on Eventide (1908)
  • Scherzo: All the Way Around and Back (1908)
  • Scherzo: Over the Pavements (1910)
  • Scherzo for String Quartet (1904)
  • A Set of Three Short Pieces (1935?)
  • Take-Off No. 3: Rube Trying to Walk 2 to 3!! (1909)
  • Trio for Violin, Violoncello, and Piano (1907, rev. 1915)

Keyboard

Works for piano

Sonatas

Studies

  • 27 Studies for piano, 8 lost[6][7][8]
    • Study No. 1: Allegro (incomplete)
    • Study No. 2: Andante moderato–Allegro molto (Varied Air and Variations)
    • Study No. 3: (lost)
    • Study No. 4: Allegro moderato (incomplete)
    • Study No. 5: Moderato con anima
    • Study No. 6: Andante (1907–1909)
    • Study No. 7: Andante cantabile (1907)
    • Study No. 8: Trio (Allegro moderato–Presto) (1907)
    • Study No. 9: The Anti-Abolitionist Riots in the 1830s and 1840s
    • Study No. 10 (mostly lost)
    • Study No. 11: Andante (incomplete)
    • Study No. 12: (lost)
    • Study No. 13: (lost)
    • Study No. 14: (lost)
    • Study No. 15: Allegro moderato (incomplete) (1907–1909; 1920s)
    • Study No. 16: Andante cantabile (incomplete) (1907–1909; 1920s)
    • Study No. 17: (lost)
    • Study No. 18: Sunrise Cadenza (Adagio) (incomplete)
    • Study No. 19 (incomplete) (1907–1909; 1920s)
    • Study No. 20: March (Slow allegro or Fast andante) (1910, 1920s)
    • Study No. 21: Some Southpaw Pitching (1918–19)
    • Study No. 22: Andante maestoso–Allegro vivace (1909)
    • Study No. 23: Allegro (1912–1914; 1920s)
    • Study No. 24: (lost)
    • Study No. 25: (lost)
    • Study No. 26: (lost)
    • Study No. 27: Chromâtimelôdtune (incomplete)

Marches

  • March No. 1 for Piano, with "Year of Jubilee" (c. 1894–95)
  • March No. 2 for Piano, with "Son of a Gambolier" [inc.] (1895)
  • March No. 3 for Piano, with "Omega Lambda Chi" (c. 1895–96)
  • March No. 5 for Piano, with "Annie Lisle" (c. 1895)
  • March No. 6 for Piano, with "Here's to Good Old Yale" (c. 1895–96)
  • March in G and C for Piano, with "See the Conquering Hero Comes" (1896–7)
  • March for Piano: The Circus Band (c. 1898–99)

Other works

  • The Celestial Railroad (c. 1922–25)
  • Three Improvisations (1938)
  • Invention in D (c. 1898)
  • Minuetto, Op. 4 (1886)
  • New Year's Dance (1887)
  • Piece in G Minor
  • Set of Five Take-Offs (c. 1909)
  • Four Transcriptions from "Emerson" (c. 1923–27)
  • Varied Air and Variations (1920–22)
  • Waltz–Rondo (1911)

Two pianos

  • Burlesque Storm
  • Drum Corps or Scuffle [mostly lost]
  • Three Quarter-Tone Pieces
  • Ragtime Dances for Two Pianos

Works for organ

  • Adagio in F
  • "Adeste Fideles" in an Organ Prelude (c. 1903)
  • Burlesque Postlude in B
  • Burlesque Postlude in C
  • Canzonetta in F (c. 1893–94)
  • Fugue in C Minor (c. 1898)
  • Fugue in E (c. 1898)
  • Interludes for Hymns (1898–1901)
  • Melody in E
  • Postlude for Thanksgiving Service [mostly lost]
  • Variations on "America", for organ (1891) (arranged for orchestra by William Schuman and also arranged for piano solo by Lowell Liebermann)
  • Voluntary in C Minor
  • Voluntary in F

Vocal

Songs

More information Title, (Incipit) ...

Choral works

Multi-movement sacred works

  • The Celestial Country (1898–1902)
  • Communion Service (c. 1894)
  • Three Harvest Home Chorales (c. 1902, c. 1912–15)

Psalms

  • Psalm 14 (1902, 1912–13)
  • Psalm 24 (1901, 1912–13)
  • Psalm 25 (1901, 1912–13)
  • Psalm 42 (1891–92)
  • Psalm 54 (1902)
  • Psalm 67 (1898–99)
  • Psalm 90 (1923–24)
  • Psalm 100 (1902)
  • Psalm 135 (1902, 1912–13)
  • Psalm 150 (1898–99)

Other sacred works

  • All-Forgiving, look on me
  • Anthem: With Hearts Rejoicing Ever
  • Be Thou, O God, Exalted High
  • Benedictus in E
  • Benedictus in G
  • Bread of the World
  • Nine Canticle Phrases
  • Chant, Op. 2, No. 2
  • Crossing the Bar
  • Easter Anthem
  • Easter Carol
  • Gloria in excelsis
  • Hymn, Op. 2, No. 1
  • I Come to Thee
  • I Think of Thee, My God
  • Kyrie
  • Life of the World
  • The Light That Is Felt
  • Lord God, Thy Sea Is Mighty
  • O God, My Heart Is Fixed
  • Processsional: Let There Be Light
  • Serenity [mostly lost]
  • Turn Ye, Turn Ye

Secular chorus with instrumental ensemble

  • December
  • An Election
  • General William Booth Enters into Heaven
  • He Is There!
  • Johnny Poe
  • Lincoln, the Great Commoner
  • The Masses (Majority)
  • The New River
  • Sneak Thief
  • They Are There! (A War Song March)
  • Two Slants (Christian and Pagan)
  • Walt Whitman

Partsongs

  • Age of Gold
  • The Bells of Yale
  • The Boys in Blue
  • For You and Me!
  • My Sweet Jeanette
  • O Maiden Fair
  • Partsong in A
  • Partsong in B
  • Partsong in E
  • Serenade
  • A Song of Mory's
  • The Year's at the Spring

Ballets to the music of Charles Ives

References

  1. [1]
    Maynard Solomon goes so far as to suggest Ives purposely misdated work in: "Charles Ives: Some Questions of Veracity", Journal of the American Musicological Society, XL/iii (1987), 443–470, goes so far as to suggest Ives did so purposely. Some responses are Carol Baron, "Dating Charles Ives's Music: Facts and Fictions", Perspectives of New Music, XXVIII (1990), 20–56; Gayle Sherwood, "Questions and Veracities: Reassessing the Chronology of Ives's Choral Works", The Musical Quarterly, LXXVIII/iii (1994), 429–447
  2. [2]
    Carter, Elliott, "The Case of Mr. Ives", Modern Music (March–April 1939): 172–176.
  3. [3]
    Sinclair, James B. (1999). A Descriptive Catalogue of the Music of Charles Ives. Yale University Press. ISBN 9780300076011.
  4. [4]
    Gardner Read: 20th-Century Microtonal Notation (New York, Greenwood Press, 1990) p. 76
  5. [5]
    "Evenings for New Music, Tuesday February 22, 1966". www.carnegiehall.org. Retrieved 2022-10-21.
  6. [6]
    "Charles Ives: List of Compositions". Archived from the original on 22 February 2015. Retrieved 2015-02-15.
  7. [7]
    "The Unknown Ives liner notes" (PDF). Archived from the original (PDF) on 1 July 2013. Retrieved 2015-02-15.
  8. [8]
    Henderson, Clayton W. (2008). The Charles Ives Tunebook. Indiana University Press. ISBN 9780253350909.
  9. [9]
    Anton Strelezki after 'Baroness Porteous'?
  10. [10]
    "The Woman behind 'The Greatest Man' " by Kyle Gann, October 22, 2011, kylegann.com
  11. [11]
    Ives, who had difficulties with Kipling's executors, identifies the text as a quotation from a lecture. The lines within the quote however originate in Kipling's The Fire
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