Hollywood is an American drama television miniseries starring an ensemble cast including David Corenswet, Darren Criss, Laura Harrier, Joe Mantello, Dylan McDermott, Jake Picking, Jeremy Pope, Holland Taylor, Samara Weaving, Jim Parsons, and Patti LuPone. Created by Ryan Murphy and Ian Brennan, it was released on Netflix on May 1, 2020.^[1]

The miniseries is about a group of aspiring actors and filmmakers during the Hollywood Golden Age in the post-World War II era trying to make their dreams come true.^[2] The series received mixed reviews from critics who praised the acting and production values, but criticized the tone, writing, and artistic license taken.^[3] The series received 12 nominations at the 72nd Primetime Emmy Awards, including acting nods for Pope, Taylor, McDermott, and Parsons, winning two.

The series explores Hollywood during the 1946-1949 period, following World War II where traditional power dynamics in the American film industry are systematically dismantled and racism and homophobia are assigned to the dustbin of history.

On Rotten Tomatoes, the series holds an approval rating of 59% based on 133 reviews, with an average rating of 6.10/10. The site's critical consensus reads: "With its heart on its sleeve and style to spare, Hollywood is anything but subtle – if only its good intentions were paired with a less convoluted story."^[12] On Metacritic, the series has a weighted average score of 56 out of 100, based on 35 critics, indicating "mixed or average reviews".^[13]

Writing for the Chicago Sun-Times, Richard Roeper gave the series two-and-a-half stars out of four, saying: "It's a fascinating blend of fact (or least stories based on factual characters) and fiction, and the performances from the cast of rising stars and reliable veterans are dazzling—but like many a motion picture, Hollywood can't overcome script problems that surface about midway through the story."^[14]

Conversely, Hugh Montgomery of the BBC described the series as "spineless and inert", giving it one out of five stars and saying "A show about Tinseltown that chose to confront and prod at these continuing, dispiriting realities rather than concoct its own vapid, hubristic fantasies would be worth 10 times this one."^[15] Similarly, The Guardian's Lucy Mangan criticized its "counterfactual history", giving the series a two out of five-star review, writing: "This should be the perfect set-up for a scabrous look at prejudice, corruption, the trading of sexual currency, coercion, the well-oiled machinations that underlie an industry and how it all shapes history—all through a #MeToo lens. But it becomes a mere wish-fulfilment fantasy that, whether it intends to or not, suggests that if a few people had just been that bit braver, then movies—and therefore the world!—would be a glorious, egalitarian Eden. It is a show that is smug and obtuse enough to believe la la land's self-regarding idea that celluloid art directly shapes our lives."^[16]

While FAULT Magazine praised the show for its beautiful work on costume design and career topping performances of Dylan McDermott, Jeremy Pope and Samara Weaving, they criticised the show's dangerous embellishment of systemic prejudice of post-war USA. "The only ones who benefit from the erasure of Hollywood's brutal history of racism and homophobia, are those that perpetrated it."^[17]

Feature articles in Vanity Fair,^[18] Esquire,^[19] Town & Country,^[20] and Rolling Stone^[21] covered the Netflix production as depicting the real-life story of Scotty Bowers, but no reference is made to Bowers or his tell-all book, Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars in the Netflix production's credits.