Helen_Tretbar

Helen Tretbar

Helen Tretbar

American author


Helen Dellenbaugh Tretbar[1] (May 16, 1835 – April 3, 1902)[2] was an American author,[3][4] librettist, and translator[5] who edited The Etude magazine in the late 1880s[6] and was fluent in French, German, and Italian.[7]

Early life and education

Tretbar was born in Buffalo, New York,[8] to Frederick and Magdalena Dellenbaugh.[1] She graduated from the Female Academy in Buffalo (today the Buffalo Seminary),[9] and married Charles F. Tretbar (1832-1909),[10] who worked for Steinway & Sons and also published at least 40 works, including many of his wife's translations.

Career

Tretbar translated From the Tone World. A Series of Essays by Louis Ehlert from German to English; her translation was published in 1884 by her husband. In 1887, she began working for The Etude magazine, eventually becoming the managing editor. In 1889, William A. Pond & Co. published Twenty-one New Song Vocalises, with music by Paolo La Villa and original texts by Tretbar.[11] A review in Frank Leslie's Sunday Magazine noted that. . . "Mrs Tretbar's words rise often to the dignity of real poems and not a few of the vocalises are worthy of being sung parlor songs."[12] In 1891, Tretbar adapted the original German libretto (by Moritz West and Ludwig Held) of Carl Zeller's operetta Der Vogelhandler for performance in America. Renamed The Tyrolean, it was performed 100 times at the Casino Theatre in New York. In 1947, it was performed in London as The Bird Seller.[13]

Tretbar translated the lyrics in songs by many composers:[14] Franz Abt, Reinhold Becker, Franz Behr, Theodore Bradsky, Frederick Brandeis, Jean-Baptiste Faure, Richard Genee, Friedrich Gernsheim, Victor Harris, Victor Herbert, Gustav Holzel, Rafael Joseffy, Bruno Oscar Klein, Erik Meyer-Helmund, Giacomo Batista Manzotti, Jules Massenet, Emanuel Moor, George Balch Nevin, Jean Louis Nicodé, Ignacy Paderewski, Johann Peters, Walter Petzet, Joachim Raff, Franz Ries, Martin Roeder, Louis Victor Saar, Xaver Scharwenka, Sebastian Bensen Schlesinger, Armin Schotte, Frank Van der Stucken, Robert Volkmann, and Carl Zeller.[15][16][2][17][18][19][20][21][22][23][24][25][26][27][28]


References

  1. Tretbar, Helen. "ancestry.com". Retrieved 5 June 2021.
  2. Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.{{cite book}}: CS1 maint: location missing publisher (link)
  3. Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
  4. Elson, Louis Charles (1904). The History of American Music. Macmillan.
  5. Tretbar, Helen (1890). "The Etude Magazine". Retrieved 5 June 2021.
  6. Laurence, Anya (1978). Women of Notes: 1,000 Women Composers Born Before 1900. New York: Richards Rosen Press Inc. p. 32.
  7. Frank Leslie's Sunday Magazine. Frank Leslie's Publishing House. 1889.
  8. "Carl Zeller". www.musicaltheatreguide.com. Retrieved 2021-06-06.
  9. Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.
  10. "143.011 - Nightingale Song from the Tyrolean. | Levy Music Collection". levysheetmusic.mse.jhu.edu. Retrieved 2021-06-06.
  11. Finck, Henry T. (1900). Songs and Song Writers. C. Scribner's Sons. ISBN 978-0-89341-439-9.
  12. Fleming, William Hansell (1897). The Looker-on: Musical, Dramatic, Literary ... Whittingham & Atherton.
  13. Krehbiel, Henry Edward (1902). Famous Songs: Standard Songs by the Best Composers. J. Church.
  14. North's Philadelphia Musical Journal. F.A. North & Company. 1887.
  15. "The tryst, op. 52". Library of Congress. Retrieved 2021-06-06.
  16. "Song of the Rhine". Library of Congress. Retrieved 2021-06-06.
  17. "An die Nacht, op. 3". Library of Congress. Retrieved 2021-06-06.
  18. Tretbar, Helen. "Maryland Sheet Music" (PDF). Retrieved 5 June 2021.

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