Happy_Just_to_Be_Like_I_Am

<i>Happy Just to Be Like I Am</i>

Happy Just to Be Like I Am

1971 studio album by Taj Mahal


Happy Just to Be Like I Am is the fourth studio album by American blues artist Taj Mahal.[1]

Quick Facts Happy Just to Be Like I Am, Studio album by Taj Mahal ...
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Reception

Christgau's Record Guide said in their review: "this relaxed, witty survey of musical Afro-America is strongest when its compositions verge on interpretations".[2] Disc and Music Echo called it a "fine album, it's funky and it's gutsy, and there's splended brass on it".[5] Rolling Stone Magazine said it is a "loose riotous blues 'n roots album", and that Taj Mahal is "nearly alone carrying the torch of the country music blues for other young black musicians to hear".[5]

Eric Zoeckler wrote in the St. Louis Post-Dispatch that it is the "unconventional mixture of instruments, Taj's six-holed fife, a section of four tubas, gung-ko-gwees, flugelhorns and steel bodied guitars, that makes this recording the delight that it is".[6]

Track listing

All tracks composed by Taj Mahal; except where indicated

  1. "Happy Just to Be Like I Am" (3:49)
  2. "Stealin'" (Gus Cannon) (6:58)
  3. "Oh, Susannah" (Traditional) (5:19)
  4. "Eighteen Hammers" (5:45)
  5. "Tomorrow May Not Be Your Day" (4:14)
  6. "Chevrolet" (Ed Young, Lonnie Young) (2:45)
  7. "West Indian Revelation (AKA West Indian Reservation)" (6:09)
  8. "Black Spirit Boogie" (7:10)[1]

Personnel

Technical
  • Glen Kolotkin - engineer
  • John Simon, Taj Mahal - mixing[7]

References

  1. "Happy Just to Be Like I Am - Taj Mahal | Songs, Reviews, Credits". AllMusic. Retrieved May 24, 2021.
  2. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 8. MUZE. p. 26.
  3. McStravick, Summer; Roos, John (2001). "Taj Mahal". Blues-rock Explosion. Old Goat Publishing. pp. 170–171. ISBN 978-0-9701332-7-4.
  4. Zoeckler, Eric L. (February 24, 1972). "Happy Just to Be Like I Am". Record Reviews. St. Louis Post-Dispatch. p. 5D.

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