George_Tabori

George Tabori

George Tabori

Hungarian writer and theatre director (1914–2007)


George Tabori ( György Tábori; 24 May 1914 – 23 July 2007) was a Hungarian writer and theatre director.

Quick Facts Born, Died ...
Memorial tablet at Schiffbauerdamm 6/7 in Berlin

Life and career

Tabori was born in Budapest as György Tábori, a son of Kornél (Cornelius) and Elsa Tábori. He was raised as a Catholic, and was only told about his Jewish origin when he was seven years old. His father Kornél was murdered in Auschwitz in 1944, but his mother and his brother Paul Tabori (writer and psychical researcher), managed to escape the Nazis.[1] As a young man, Tabori travelled to Berlin but was forced to leave Nazi Germany in 1935 because of his Jewish background. He first went to London, where he worked for the BBC and received British citizenship. In 1947 he emigrated to the United States, where he became a translator (mainly of works by Bertolt Brecht and Max Frisch) and a screenwriter[2] including Alfred Hitchcock's movie I Confess (1953).

His first novel, Beneath The Stone, was published in America in 1945. In the late 1960s, Tabori brought his own and the work of Brecht to many colleges and universities. At the University of Pennsylvania he taught classes in dramatic writing which resulted in Werner Liepolt's The Young Master Dante and Ron Cowen's Summertree. His play The Niggerlovers debuted in 1967 starring Morgan Freeman and Stacy Keach.[3] Two of Tabori's plays in English -- The Cannibals and Pinkville—were produced by Wynn Handman at the American Place Theatre in New York City from 1968 through 1970. His play The Prince was filmed by John Boorman as Leo the Last (1970) with Marcello Mastroianni and Billie Whitelaw; the film won the Director's Prize at the Cannes Film Festival in that year.

During his period in America, Tabori married Viveca Lindfors. In addition to his own child, Lena, with Lindfors, Tabori adopted Lindfors' two sons (from her marriage to film director Don Siegel), John and Kristoffer. Kristoffer later became an actor and Lena a publisher.

In 1971, Tabori moved to Germany, where his new emphasis was theater work, and mainly worked in Berlin, Munich, and Vienna. His 1991 Goldberg Variations is a satirical farce based on Biblical stories which end in disaster.[4]

Grave of George Tabori, Dorotheenstadt cemetery in Berlin

He died in Berlin, aged 93.[2]

Screenplays

Film adaptations

  • Crisis (1950, based on the short story The Doubters)
  • Leo the Last (1970, based on the play The Prince)
  • My Mother's Courage [de] (1995, based on an autobiographical story)
  • Dawn of Evil: Rise of the Reich [de] (2009, based on the play Mein Kampf)

Awards and honors

Marriages

  • Hannah Freund (1942–1954; divorced)
  • Viveca Lindfors (1954–1972; divorced); 1 stepson (Kristoffer Tabori)
  • Ursula Grützmacher-Tabori (1976–1984; divorced)
  • Ursula Höpfner (1985–2007; his death)

References

  1. Feinberg, Anat (1999). Embodied Memory: The Theatre of George Tabori. Iowa City: University of Iowa Press. p. 4. ISBN 978-0-87745-686-5.
  2. "George Tabori: Die Goldberg-Variationen" (in German). Kiepenheuer Bühnenvertrieb. 22 June 1991. Retrieved 18 November 2018.

Further reading

  • Feinberg, Anat (1999). Embodied memory: the theatre of George Tabori. Iowa City: University of Iowa Press. ISBN 0-87745-686-0. OCLC 50416101.
  • Russell, Susan. Masters thesis: BEYOND ALL TEARS: THE HOLOCAUST DRAMA OF GEORGE TABORI (University of Wisconsin-Madison, 1989)
  • Weber, Carl (1996). DramaContemporary. Germany: plays by Botho Strauss, George Tabori, Georg Seidel, Klaus Pohl, Tankred Dorst, Elfriede Jelinek, Heiner Müller. Baltimore: Johns Hopkins University Press. ISBN 0-8018-5280-3. OCLC 33162893.
  • Martin Kagel, "Ritual Remembrance: George Tabori's The Cannibals in Transnational Perspective," in Martinson, Steven D. / Schulz, Renate A. (eds./Hrsg.), Transcultural German Studies / Deutsch als Fremdsprache: Building Bridges / Brücken bauen (Bern etc., Peter Lang, 2008) (Jahrbuch für Internationale Germanistik, Reihe A: Kongressberichte, 94).

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