François-Louis_Henry

François-Louis Henry

François-Louis Henry

French opera singer

François-Louis(-Ferdinand) Henry (12 May 1786 – 22 February 1855) was a French baritone, who sang for about 35 years with the Opéra-Comique in Paris, where he created numerous leading roles. His stage name was Henri (or Henry).[1] He has also been referred to as François-Louis Deshayes.[2]

Henri as Aboul-y-far in Le caïd, 1849

Birth and identity

He was born in Versailles with the family name of Deshayes. Relatively little is known about his life, and during his career at the Opéra-Comique he was only identified as Henry or Henri. However, it is as good as certain that he is identical with François-Louis Henry, who attended, and later taught at, the Conservatoire de Paris.[1]

Paris Conservatory

Henry first attended the conservatory as a supernumerary, beginning on 13 May 1803. He became a coach (répétiteur) without pay on 23 May 1808 and professor of singing preparation (préparation au chant) on 1 July, again without pay.[3] He was a student of Charles Simon Catel, a professor of harmony, and won a second prize in harmony in 1810.[4]

On 1 April 1816 Henry was appointed to a paid position as professor of vocalization (vocalisation).[3] Among his students were Julie Dorus (c. 1821) and Cornélie Falcon (c. 1827–1828), who both later became leading sopranos at the Paris Opera.[5] He became a professor of singing (chant) for a two-year trial (prior to 9 June 1835) and received his permanent position as professor of singing on 1 January 1837. He retired on 15 November 1842.[3]

Opéra-Comique

Henri as Sulpice (1840) and Euphrasie Borghèse as Marie in Donizetti's La fille du régiment

The first record of Henry having sung at the Opéra-Comique is on 29 June 1813 in the premiere of Boieldieu's opera Le nouveau seigneur de village. The singer's most noteworthy creations there included Gaveston in Boieldieu's La dame blanche (1825) and Sergeant Sulpice in Donizetti's La fille du régiment (1840). He also sang at the premiere of George Onslow's opera Le duc de Guise. He continued to appear regularly with the company until 1849.[1]

On 6 December 1846 Henry sang Brander in the premiere of Berlioz's La damnation de Faust, a concert performance at the Opéra-Comique conducted by the composer. He also sang the role under Berlioz on 15 March 1847 at the Mikhaylovsky Theatre in Saint Petersburg, 18 April 1847 at the Maly Theatre in Moscow, and 10 June 1847 at the Neues Königliches Schauspielhaus in Berlin.[6]

After about 1845 Henry was also active as a stage director at the Opéra-Comique.[1] His stagings included the premieres of Halévy's 3-act Les mosquetaires de la reine on 3 February 1846, Xavier Boisselot's 3-act Ne touchez pas à la reine! on 16 January 1847, Halévy's 3-act Le val d'Andorre on 11 November 1848, and Armand Limnander's 3-act Les Monténégrins on 31 March 1849.[6][7]

Henry's farewell performance was in 1850 (after his official retirement), when he performed Fortunatus in Auber's L'ambassadrice.[1]

He died in Paris.[3]

Roles created

More information Date, Role ...

Notes

  1. [1]
    Kutsch & Riemens 2003, pp. 2038–2039.
  2. [2]
    data - B.N.F..
  3. [3]
    Pierre 1900, p. 446 in Personnel administratif et enseignant (Administrative and teaching personnel).
  4. [4]
    Pierre 1900, p. 521, Liste des prix accordés dans le cours d'études de 1810 / École de Musique (List of prizes awarded in the course of study of 1810 / School of Music). This entry reverses his first names, listing him as "HENRY (Louis-François)", and he is also listed as Henry (Louis-François)" on p. 773, Dictionnaire des Lauréats (Dictionary of Prize Winners), where the dates of birth and death are identical to those for "Henry* (François-Louis)" in the entry on p. 446. For Catel, see p. 439.
  5. [5]
    Pitou 1990, p. 381 ("Dorus-Gras, Julie Aimée Josephe"); Warrack and West 1992, p. 230 ("Falcon, Cornélie").
  6. [6]
    Casaglia 2005.
  7. [7]
    Wild & Charlton 2005, pp. 336–337, 339, 436.
  8. [8]
    Kutsch & Riemens 2003, p. 2038. These authors give the date of the premiere of La fête du village voisin as 8 March 1816. Wild & Charlton 2005, p. 254, give the date as 5 March 1816, as does the libretto at Google Books.
  9. [9]
    Leicester, libretto at Google Books.
  10. [10]
    Le maçon: Kutsch & Riemens 2003, p. 2038, give Henry's role as Rica; the libretto at Google Books lists M. Alphonse in this role and does not otherwise mention Henry.
  11. [11]
    La dame blanche, libretto at Google Books.
  12. [12]
    Marie: the libretto at Gallica does not list Henry.
  13. [13]
    Lestocq ou L'intrigue et l'amour Notice de spectacle at BnF. Libretto at Google Books.
  14. [14]
    Cosimo ou le peintre badigeonneur Notice de spectacle at Bnf.
  15. [15]
    Le postillon de Lonjumeau, libretto at Google Books.
  16. [16]
    Guise ou les états de Blois, Notice de spectacle at BnF.
  17. [17]
    Le perruquier de la Régence, Notice de spectacle at BnF.
  18. [18]
    Son of François-Adrien Boieldieu
  19. [19]
    Marguerite libretto at Gallica. Only 8 un-orchestrated measures were by Boildieu père (Wild & Charlton 2005, p. 319).
  20. [20]
    Le brasseur de Preston, Notice de spectacle at BnF.
  21. [21]
    Lady Melvil, ou Le joaillier de Saint-James (created at the Théâtre de la Renaissance at the Salle Ventadour), libretto at Google Books.
  22. [22]
    Le shérif, Notice de spectacle at BnF.
  23. [23]
    Camille ou le souterrain was premiered by the Théâtre Feydeau on 19 March 1791.
  24. [24]
    Camille ou le souterrain, Notice de spectacle at BnF.
  25. [25]
    La jeunesse de Charles-Quint, libretto at Google Books.
  26. [26]
    Le diable à l'école, libretto at Google Books.
  27. [27]
    Le duc d'Olonne, Notice de spectacle at BnF.
  28. [28]
    Le puits d'amour, libretto at Google Books.
  29. [29]
    Lambert Simnel, libretto at Google Books.
  30. [30]
    Cagliostro, libretto at Google Books.
  31. [31]
    Le ménétrier ou Les deux duchesses, libretto at Google Books.
  32. [32]
    Le trompette de Monsieur le Prince, Notice de spectacle at BnF. Casaglia 2005 lists Henri as Brassac.
  33. [33]
    Gibby la cornemuse, libretto at Google Books.
  34. [34]
    Le val d'Andorre, libretto at Google Books.
  35. [35]
    Le caïd, libretto at Google Books.

Bibliography

  • Casaglia, Gherardo (2005)."Henry Deshaynes". L'Almanacco di Gherardo Casaglia (in Italian).
  • Kutsch, K. J. and Riemens, Leo (2003). Großes Sängerlexikon (fourth edition, in German). Munich: K. G. Saur. ISBN 978-3-598-11598-1.
  • Pierre, Constant, editor (1900). Le Conservatoire national de musique et de déclamation. Documents historiques et administratifs. Paris: Imprimerie Nationale. 1031 pages. View at Google Books.
  • Pitou, Spire (1990). The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815–1914. New York: Greenwood Press. ISBN 978-0-313-26218-0.
  • Warrack, John and West, Ewan (1992). The Oxford Dictionary of Opera. Oxford: Oxford University Press. ISBN 978-0-19-869164-8.
  • Wild, Nicole; Charlton, David (2005). Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga. ISBN 978-2-87009-898-1.
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