Fastenrath_Award

Fastenrath Award

Fastenrath Award

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Two institutions grant the Fastenrath Awards: Fundación Premio Fastenrath awards writers of Spanish nationality and their Spanish works and Premi Fastenrath for Catalan works. Both were instituted with the posthumous legacy of Johannes Fastenrath Hürxthal.[1]

Background

Luise Goldmann (1858-1914), widow of the publicist and hispanophilian Johannes Fastenrath Hurxthal (Remscheid , 1839 - Cologne, 1908), at the death of her husband, who occurred in Cologne, on March 18, 1908, wanted to institute with her legacy a series of actions in favor of writers in Spanish and Catalan, having two foundations:

a. For the «Fastenrath Prize», with a founding capital of 70,000 pts. (in 1908), he conferred on King Alfonso XIII the power to proceed in the best way he considered, always under a foundation that instituted a prize for Spanish writers, with the requirement that he be named Juan Fastenrath as tribute.

b. For the "Premi Fastenrath", with a foundational capital of 14,000 pts. (in 1908), he gave the City Council of Barcelona the power to proceed in the best way he considered, instituting an award at the Floral Games in Barcelona, a literary institution closely linked with her and her late husband, with the requirement of to bear the name of Juan Fastenrath as a tribute.

Fundación Premio Fastenrath (1909-2003)

History

Luise Goldmann addressed a letter to King Alfonso XIII to show the founding objective of the institution and the means it has for the economic support of the same.[2]

In order to carry out Luise Goldmann's task, King Alfonso XIII constituted the Fastenrath Prize Foundation, on May 12, 1909, dependent on the Royal House, with a founding capital of 70,000 pts., assigning to the Spanish Royal Academy the administration of the foundation,[3] and therefore, the faculty to submit to the monarch the proposals for the awarding of said prizes, after discussion and voting, being the monarch the one who would ultimately grant them.

In June 1935, the Fundación Premio Fastenrath became dependent on the Ministry of Public Education and Fine Arts[4] and in September 1935 it was declared "a private charity",[5] under the protectorate of the Government of the Republic, and administrated by the then Spanish Academy.

In a similar way to the Fastenrath Prize Foundation, the Royal Spanish Academy has been administering, on the basis of legacies instituted by individuals or private funds, a series of foundations with similar prize objectives. In mid-November 2003, it merged eleven of its dependent foundations, one of which is the "Fundación Premio Fastenrath", to form the Fundación Premios Real Academia Española.[6]

Organization

The prize was awarded annually. It was always awarded to a work, in the Spanish language and carried out by writers of Spanish nationality, of literary or scientific creation, with the requirement that it had been published previously. Initially, the work submitted should have been published in the same year as the competition, but when it was split up and awarded in successive rounds in various forms, up to five, the number of years preceding publication also changed, so that all published works had the same opportunity to be submitted and awarded, regardless of the form of the award. In the case of the plays, in the first specific calls for entries, they had to have been premiered beforehand, a requirement that was later changed. Therefore, for the "Fastenrath Prize", the last call was for the "Fastenrath Prize 2002", awarded in 2003. The economic amount of the prize came from the income of the instituted legacy, and varied over time, from 2,000 pts. (1909-1946), 4,000 pts (1947-?), 8,000 pts. (1955, 1958), 5,000 pts. (1963), 6,000 pts (1956-1957, 1959–1962, 1964–1991), 500,000 pts (1992-1998), to 2,000,000 pts or the equivalent of €12,020 (1999-2002). It can be seen that the maintenance of the same economic endowment without any increase, twice over extremely long periods of up to thirty-five years, gave the prize during those years a value more symbolic and testimonial than real, and contributed only because it was considered the dean of the prizes for writers in the Spanish language.

Calls and awards "Fundación Premio Fastenrath" (1909-2003)

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Premi Fastenrath (1909-1983)

History and organization

The Fastenrath couple's connection with the Barcelona Floral Games ("Jocs Florals de Barcelona") was close and long-lasting. Fastenrath's passion for the Hispanic world and its literature led him to move some of the literary traditions of Hispanic culture, and particularly Catalan culture, to Cologne, the German city where he lived. Thus, in 1898, he established in Cologne some floral games (1898-1914), in imitation of the Barcelona Floral Games (1859- ), which he personally directed until his death and his widow continued, until her subsequent death in 1914. Luise Goldmann, who always maintained her husband's interests and memory, had already been appointed Queen of the Barcelona Floral Games in 1889.

So, in order to carry out Luisa Goldmann's task, Barcelona City Council arranged for the creation of the Premi Fastenrath, with the income from municipal debt securities acquired with the founding capital provided, and assigned the administration and organisation of the prizes to the Consistori dels Jocs Florals de Barcelona, in accordance with regulations approved by the plenary session of the municipal corporation in November 1908.[20]

The annual calls were always made by awarding a single prize, which rotated in triennial cycles between three modalities, novel, poetry and dramatic work. The first call for entries for the "Premi Fastenrath" was in 1909, and it remained in force until 1936, during the entire period in which the Barcelona Floral Games were held, before they were interrupted by the Spanish Civil War.

During the period 1941–1977, in which the celebrations of the Catalan language were suspended by the municipal institutions, and the floral games were held in Barcelona in a private way, the "Premi Fastenrath" was called by the organization of the "Jocs Florals de la Llengua Catalana", which kept the annual celebrations in an itinerant way in different cities of the world.[21] In this period the prize money will be given away in various currencies depending on the edition, such as Mexican pesos or dollars.

Once the "Jocs Florals de Barcelona" were officially reinstated by the Barcelona City Council, during a first stage (1978-1983) the inherited prize system was maintained. Later, in a second stage (1984-2005), the system will be reduced and only the three awards with which the Barcelona Floral Games began in 1859 will be maintained, only the exclusively poetic awards ("Englantina", "Viola" and "Flor natural"), so the "Premi Fastenrath" will disappear; and from 2006, only one poetry award will be granted, the "Premi de Poesia Jocs Florals de Barcelona".

Premi Fastenrath winners

Barcelona Floral Games (1909-1936)

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Catalan Language Floral Games (1941-1977)

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Barcelona Floral Games (1978-1983)

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References

  1. "Johannes Fastenrath | enciclopèdia.cat". Enciclopedia catalana. Retrieved 2019-12-25.
  2. "Gaceta de Madrid. Diario Oficial de la República, n. 165, Ref. 1935/05609" (PDF). B.O.E. (in Spanish). 1935-06-14. pp. 2174–2175. Retrieved 2020-01-01.
  3. REAL ACADEMIA ESPAÑOLA. «Noticias y acuerdos de la Academia». At: Boletín de la Real Academia Española, feb. 1915, vol. 2, n. 6, p. 113, as. [7]. ISSN 0210-4822.
  4. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». En: Boletín de la Real Academia Española, feb. 1918, vol. 3, n. 9, p. 137, as. [3]. ISSN 0210-4822.
  5. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias de la Academia». At: Boletín de la Real Academia Española, feb. 1917, vol. 4, n. 16, p. 128, as. [5]. ISSN 0210-4822.
  6. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias de la Academia». At: Boletín de la Real Academia Española, feb. 1918, vol. 5, n. 21, p. 114, as. [10]. ISSN 0210-4822.
  7. Fifteen works submitted to the competition. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». At: Boletín de la Real Academia Española, feb. 1919, vol. 6, n. 26, p. 136, as. [4] «Premio Fastenrath». ISSN 0210-4822.
  8. As indicated in the announcement of the following convocatoria Fastenrath 1920, the prize for the call Fastenrath 1919 is declared void.
  9. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». En: Boletín de la Real Academia Española, feb. 1920, vol. 7, n. 32, p. 125, as. [6] «Competition considered as void». ISSN 0210-4822.
  10. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». At: Boletín de la Real Academia Española, abr. 1920, vol. 7, n. 33, p. 264, as. [2] «Nueva convocatoria para el Premio Fastenrath». ISSN 0210-4822.
  11. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». En: Boletín de la Real Academia Española, oct. 1920, vol. 7, n. 35, p. 558, as. [4] «Nueva convocatoria para el Premio Fastenrath». ISSN 0210-4822.
  12. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». En: Boletín de la Real Academia Española, feb. 1921, vol. 8, n. 36, pp. 137-138, as. [2] «Premio Fastenrath». ISSN 0210-4822.
  13. REAL ACADEMIA ESPAÑOLA. «Acuerdos y noticias». At: Boletín de la Real Academia Española, oct. 1921, vol. 8, n. 39, p. 614, as. [5] «Premio Fastenrath». ISSN 0210-4822.
  14. "ABC (Madrid)". ABC, Hemeroteca. 1970-06-06. p. 63. Retrieved 2020-01-13.
  15. "Jocs Florals de Barcelona | enciclopèdia.cat". Enciclopedia Catalana. Retrieved 2019-12-25.
  16. "Premis |Víctor Català". Associació d'Escriptors en Llengua Catalana. Retrieved 2019-12-25.
  17. "Premis Joan Maragall". Associació d'Escriptors en Llengua Catalana. Retrieved 2019-12-25.
  18. Gallén, Enric; Nosell, Dan (2011). Guimerà i el Premi Nobel: Història d'una candidatura [Guimerà and the Nobel Prize: History of a candidature] (in Catalan and French). Punctum. p. 96. ISBN 9788493925222.
  19. "Narcís Oller i Moragas". Gran Enciclopedia Catalana. Retrieved 2020-01-12.
  20. "Num 294". Catalunya (in Catalan). 1913-06-13. p. 275. Retrieved 2020-01-16.
  21. González Canales, Mari Luz (2016-02-17). "Rusiñol: El catalán de La Mancha". ABC (in Spanish). Retrieved 2021-05-17.
  22. Molas i Batllori, Joaquim (2009). Miquel del Sants Oliver i Tolrà. Semblança biogràfica (PDF) (in Catalan). Barcelona: Institut d'estudis Catalans. p. 7. ISBN 9788492583294.
  23. "Joan Alcover i Maspons". Associació d'Escriptors en Llengua Catalana (in Catalan). Retrieved 2021-05-18.
  24. "August Pi i Sunyer". Enciclopèdia Catalana. Retrieved 2020-10-30.
  25. Aznar Soler, Manuel (1998). "El exilio literario español de 1939 : actas del Primer Congreso Internacional (Bellaterra, 27 de noviembre- 1 de diciembre de 1995). Volumen 2". Biblioteca Virtual Miguel de Cervantes (in Spanish). Retrieved 2020-06-09.
  26. Does not appear in the list of prizes (Faulí i Olivella, 2002).
  27. Agustí, Lluís. "Odó Hurtado". LletrA (in Catalan). Universitat Oberta de Catalunya.
  28. Bruguera, Jordi (2019-11-20). "L'escollit". Ajuntament de Palafrugell (in Catalan). Retrieved 2020-03-29.
  29. "Patrimoni Literari de la Universitat de Girona". Patrimoni literari (in Catalan). Retrieved 2020-01-17.
  30. Communication of the award Archived 2018-06-02 at the Wayback Machine by the "Jocs Florals de la Llengua Catalana". Paris, 1965.
  31. She was awarded several prizes in the editions of 1970 and 1971. It does not appear in the list of prizes (Faulí i Olivella, 2002).
  32. "Poetas galardonados" (PDF). La Vanguardia. 3 May 1977. Retrieved 14 January 2014.
  33. "Premis literaris". Fundació Miquel Martí i Pol. Retrieved 1 December 2019.
  34. "Premis". Jaume Cabré webpage. Retrieved 1 December 2019.

Notes

  1. Being unique and indivisible in each call, and the proposal presented by the Royal Spanish Academy to the king was from two works by two different authors, Alfonso XIII ordered the delivery of the two awards with their own money.
  2. In this edition it was presented, without success, El árbol de la ciencia, by Pío Baroja y Nessi.
  3. In this edition, Campos de Castilla, by Antonio Machado; and Melancolía, by Juan Ramón Jiménez, both advertised by Miguel Martínez Ruiz "Azorín", were presented unsuccessfully.
  4. Posthumous grant.
  5. The choice of the winning work required two sessions with several votes. The finalists were The leper bishop by Gabriel Miró; The seven columns by Wenceslao Fernández Flórez; and The center of souls and Holy new woman, both by Antonio Porras Márquez.
  6. The finalists were A song to the divine. Vida y pensamiento a San Juan de la Cruz, by Juan Domínguez Berrueta; La nueva literatura vol III. La evolución de la poesía (1917-1927) and La nueva literatura vol IV. La evolución de la Novel (1917-1927), by Rafael Cansinos Asséns; Las escritoras españolas by Margarita Nelken Mansberger; Documentos platónicos, by Emeterio Mazarriaga; and Un texto árabe occidental de la Leyenda de Alejandro según el manuscrito ár. XXVII of the Library of the Junta para Ampliación de Estudios, by Emilio García Gómez.
  7. The finalists were Tirano Banderas and La Corte de los Milagros, both by Ramón del Valle-Inclán; Semana de pasión, by Mariano Tomás López; El tesoro de los monfíes by Ángel Menoyo Portolés; and El convento de los reyes, by Guillermo Hernández Mir. In the first session, the first vote resulted in Tirano Banderas 11 votes, Semana de pasión 8 votes and El tesoro de los monfíes 6 votes. The second vote resulted in Passion Week 13 votes, Tirano Banderas 12 votes, and 1 blank vote. In the second session, the third vote resulted in The Court of Miracles 10 votes, Passion Week 5 (or 4) votes (depending on the source), Tirano Banderas 2 (or 3) votes (depending on the source), and 8 blank votes. After two sessions and three votes, by not obtaining any work the absolute majority of favorable votes, the prize was declared void. At: «Sobre el premio Fastenrath». En: ABC, 21 may. 1932, p. 31. ISSN 1136-0143; «El premio Fastenrath void». En: La Vanguardia, 21 may. 1932, p. 27. ISSN 1133-4835.
  8. Not summoned.
  9. Errata in the call. It should correspond to Fastenrath 1988.
  10. In the call, the period indicated covers exclusively that year.
  11. A first selection was made among ten works previously chosen in the sections of Poetry, Novel and Essays and studies. The finalists were: La Puerta del Sol, by Fernando Fernán Gómez; Tiempo de guerras, by José Manuel Caballero Bonald; and La última costa, by Francisco Brines Baño.
  12. A first selection was made among twenty-one works previously chosen in the sections of Poetry, Novel and Essays and studies. The finalists were: Vida de Galdós, by Pedro Ortiz Armengol; Lo raro es vivir, by Carmen Martín Gaite; and Nadie, by José María Valente.
  13. The finalists were: Himnos tardíos, by Jaime Siles; Melos melancolía, by Carlos Edmundo de Ory; and Verano inglés, by Guillermo Carnero Arbat.
  14. The dates of the years are inclusive.
  15. When declared void, the amount is used to increase the capital of the prize with the purchase of municipal debt securities .
  16. When declared void, the amount is used to increase the capital of the prize with the purchase of municipal debt securities .

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