Demetrius is sometimes credited as composer or compiler of the first Russian opera, the lengthy Rostov Mysteries of 1705, though the exact nature of this work, as well as its place in history, is open to debate.[2]
During the 1680s, Demetrius lived mostly at the Kiev Pechersk Lavra, while his sermons against hard drinking and lax morals made his name known all over Russia. He was appointed hegumen (superior) of several major monasteries of Ukraine, but concentrated his attention upon the ambitious project of integrating all the lives of Russian saints into a single work, which he published as Monthly Readings (Четьи-минеи) or Menologion in 1684-1705. He also found time to study ecclesiastical history of the Russian Orthodox Church.
In 1701 Demetrius was appointed Metropolitan of Siberia but, pleading ill health, preferred to stay in Moscow until he was invested with the archbishopric of Rostov. During his life in Russia, Demetrius opposed both the Old Believers' and Peter the Great's ecclesiastical policies, gradually drifting towards the party of Eudoxia Lopukhina and Tsarevich Alexis. Shortly before his death he forged a document to undermine the Old Believers by portraying them as adherents of heresy. He also made invaluable contributions to the Russian education, opening a school and a small theatre in Rostov, where his own plays could be staged.
Work as composer
Demetrius was also active as a composer, although his musical education is undocumented aside from the standard music curriculum established by Feofan Prokopovich at the Kyiv-Mohyla Academy. Many of his Penitential Psalms achieved wide circulation, not only in the Ukraine but in the Balkans too, and many have become an integral part of Ukrainian folk-song tradition through the kobzari, itinerant blind singers.
Demetrius is credited as composer or compiler of the first Russian opera, the six-hour-long Rostov Mysteries of 1705. Though this has been staged, notably by Boris Pokrovsky's Moscow Chamber Musical Theatre, in Moscow and at the Brighton Festival (1993), it may best be judged an oratorio on the lives of Russian saints. Its basis is the "Cheti-Minei" (Четьи-Минеи), published in four volumes in 1689, 1690, 1700 and 1705[4] — the same source that inspired Pushkin in 1825 to write Boris Godunov.
Death
Upon Demetrius' death, on 28 October 1709, his relics were placed at St. Jacob's Monastery, which his followers would rebuild as Demetrius' shrine. A fortress on the Don River was named after him; today it is known as Rostov-on-the-Don.
Saint Demetrius of Rostov (18th-century painting from the Museum of Ukrainian Art in Kiev).
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