All the Women I Am is the twenty-eighth studio album by American country music singer Reba McEntire. It was released November 9, 2010, through the Valory Music Group, a division of Big Machine Records.^[2][3] Its first single is "Turn On the Radio", which was released in July and debuted at #54 and peaked at #1 in January 2011. The second single "If I Were a Boy" and was released in January 2011 and re-entered the Billboard Country Charts at #60, peaking at #22 in April 2011. The third single, "When Love Gets a Hold of You", was released on April 11, 2011, peaking at #40 in six weeks. McEntire's fourth single from the album was "Somebody's Chelsea," which peaked at #44.^[4][5] The album was produced by Dann Huff.^[3] As of 2012 it is her 1st studio album since 1984's Just a Little Love not to be certified.

The title of the album relates to the many roles that McEntire plays in her life.^[6] Asked once in an interview for a ranking, McEntire responded, "Mother first, wife second, and the rest just follow."^[7] The album features a cover of American recording artist Beyoncé Knowles' single "If I Were a Boy". McEntire's version became a viral video when she first performed the song on CMT's Unplugged earlier in 2010.^[8] Reba's next album was supposed to be a Christmas album but the song 'If I Were a Boy' changed McEntire's mind.

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Professional ratings

Review scores
Source	Rating
Allmusic	[9]
Associated Press	mixed[10]
Billboard	favorable[11]
The Boston Globe	(Positive)[12]
Country Weekly	[13]
Roughstock	[14]
USA Today	[15]
The Washington Post	mixed[16]
Engine 145	[17]

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Upon its release, All the Women I Am received generally positive reviews from most music critics.^[18] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 74, based on 5 reviews, which indicates "generally favorable reviews".^[18]

Michael McCall with the Associated Press gave it a mixed review, saying "at age 55, McEntire remains a powerhouse who tends to err by trying harder than necessary to show her range".^[10] Jessica Phillips of Country Weekly gave the album four star rating, calling the release "[an] emotionally charged set of songs" and commended her cover of "If I Were A Boy", calling it a "soulful, countrified look at love from a male perspective".^[13]

Giving the release a 3½ star rating, Matt Bjorke of Roughstock, saying "All The Woman I Am had the potential to be a missed-opportunity after the first two tracks on the record but the album is saved by a meaty collection of songs that hopefully will find Reba retaining her current resurgence at radio".^[14] Allison Stewart with The Washington Post'' compared the album to its predecessor, Keep On Loving You, saying that the album "tries harder, with worse results; McEntire and her collaborators aim for Carrie Underwood and too often wind up with warmed-over Shania Twain". On a positive note, she called her version of "If I Were a Boy" "fantastic".^[16] Thom Jurek with Allmusic gave the release a 2½ rating, saying "Everything, from songs and arrangements to production tries hard to sound on the contemporary edge, but comes off as underscoring that Underwood has the corner on this sound [...] ultimately, All the Women I Am falls flat; it feels awkward in its stylistic mimicry, and has no center".^[9]

Steve Morse with The Boston Globe called it "one of her best effort", saying "It blends hard-edged, modern country-rock with some profoundly tender ballad singing".^[12] Blake Boldt with "Engine 145" gave it a 3½ star rating, saying "Women is a crash course in dealing with emotional hurdles. There’s a great deal of value when McEntire sings about volatile emotions, and she builds a rapport with female listeners by admitting her own frailties".^[17]

The album debuted at number seven on the U.S. Billboard 200, and at number three on the Top Country Albums chart, selling 64,174 copies in its first week of release.^[19][20] The album has sold 347,000 copies in the US as of April 2015.^[21]

Adapted from the album's liner notes.^[1]