Aaron_Flint_Jamison

Aaron Flint Jamison

Aaron Flint Jamison

American conceptual artist and educator

Aaron Flint Jamison (born 1979) is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design.[1] He works with various media including sculpture, publication, video, and performance.[2]

Life and work

Jamison was born in Billings, Montana. He received a B.A. from Trinity Western University, Vancouver, British Columbia, in 2002 and an M.F.A. from San Francisco Art Institute in 2006.[citation needed]

He co-founded the artist-run center Department of Safety (2002–2010) in Anacortes, Washington, and he was a co-founder of the art center Yale Union (YU) in Portland, Oregon.[3] "Yale Union (YU) operated as a non-profit exhibition, production, and community space since 2010 through 2020, when it completed the transfer of ownership of the land and building to the Native Arts and Cultures Foundation (NACF)."[4] "The transfer of the Yale Union to NACF to support the cultural continuance of Indigenous communities is unprecedented, a first,” said Joy Harjo, Mvskoke poet and former poet laureate of the United States.[5]

Jamison is the founder and editor-in-chief of Veneer Magazine, a subscription-based art publication.[6] Veneer is an 18-issue publication, the issues of which are, "lavishly produced, combining different paper stocks, and analogue and digital print techniques."[7]

Jamison's work is held in the permanent collection of the Whitney Museum of American Art.[8]

Exhibitions

Solo exhibitions

  • Artists Space, New York (2013)[9] [10]
  • Miguel Abreu Gallery, New York (2015)[11] [12]
  • Air de Paris, Paris (2015)[13]
  • Miguel Abreu Gallery, New York (2017)[14]
  • Galerie Max Mayer, Düsseldorf (2017)[15]
  • Miguel Abreu Gallery, New York (2019)[16]
  • Opportunity Zones, Kunst Halle Sankt Gallen, (2019)[17]

Group exhibitions

  • Frozen Lakes, Artists Space (2013)[18]
  • Sequence 5, Miguel Abreu Gallery, New York (2014)[19]
  • Liverpool Biennial, Liverpool (2014)[20]
  • Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art (2015–2016)[21]
  • Incorporated! Ateliers de Rennes - Biennale d'art Contemporain (2016)[22]
  • Whitney Biennial (2017)[23]
  • Mechanisms, CCA Wattis, San Francisco (2017)[24]
  • Signal or Noise | The Photographic II, S.M.A.K., Ghent (2018–2019)[25]

References

  1. [1]
    "Pied-a-Terre". Pied-a-terre Gallery. Retrieved 19 February 2014.
  2. [2]
    Watts, Jonathan. "In Focus: Aaron Flint Jamison". Frieze. Retrieved 19 February 2014.
  3. [3]
    "ABOUT | YU". Retrieved 2020-03-28.
  4. [4]
    Hasnay, Gloria. "FJ_GMM_2020_GH+FJ_7_MM_GH". Galerie Max Mayer. Retrieved 18 May 2021.
  5. [5]
    Oaster, Brian. "With the transfer of Yale Union building to Native ownership, a hub for Indigenous artists is born". Street Roots. Street Roots. Retrieved 18 May 2021.
  6. [6]
    O'Neill-Butler, Lauren. "Aaron Flint Jamison". Artforum. Retrieved 20 February 2014.
  7. [7]
    Watts, Jonathan. "In Focus: Aaron Flint Jamison". Frieze. Retrieved 17 May 2021.
  8. [8]
    "Aaron Flint Jamison/Whitney Museum of American Art". Whitney Museum of American Art. Whitney Museum of American Art. Retrieved 12 June 2017.
  9. [9]
    Kado, Steve. "Aaron Flint Jamison". Artforum.com. Artforum. Retrieved 18 May 2021.
  10. [10]
    Fiske, Courtney. "Aaron Flint Jamison". artnews.com. Retrieved 18 May 2021.
  11. [11]
    Kitnick, Alex (October 2015). "Aaron Flint Jamison". Artforum. 54 (2): 322–323.
  12. [12]
    "Aaron Flint Jamison". The New Yorker. Retrieved 18 May 2021.
  13. [13]
    Taylor, Phil. "Aaron Flint Jamison". Artforum. Artforum. Retrieved 18 May 2021.
  14. [14]
    "Aaron Flint Jamison at Miguel Abreu". Contemporary Art Daily. Contemporary Art Daily. Retrieved 18 April 2018.
  15. [15]
    Larios, Pablo. "Aaron Flint Jamison". Frieze. Frieze. Retrieved 18 May 2021.
  16. [16]
    Aima, Rahel (January 2019). "The Dubai Effect". Art in America: 64–69. Retrieved 18 May 2021.
  17. [17]
    Tammens, Nicholas (Winter 2020). "Opportiunity Zones: Aaron Flint Jamison". Mousse (70): 76–87.
  18. [18]
    "Frozen Lakes".
  19. [19]
    "Frieze Magazine: Archive: In Focus: Aaron Flint Jamison". 17 October 2013. Archived from the original on 17 October 2013. Retrieved 2018-04-18.
  20. [20]
    "Archive: Liverpool Biennial of Contemporary Art". www.biennial.com. Retrieved 2018-04-18.
  21. [21]
    "Collected by Thea Westreich Wagner and Ethan Wagner". Whitney Museum of American Art. Retrieved 2018-04-18.
  22. [22]
    "Incorporated! (2016)". Les ateliers de Rennes. Archived from the original on 2018-04-18. Retrieved 2018-04-18.
  23. [23]
    "Whitney Biennial 2017". Whitney Museum of American Art. Retrieved 2018-04-18.
  24. [24]
    Allen, Gwen. ""Mechanisms" at CCA Wattis, San Francisco". Mousse Magazine. Mousse Magazine. Retrieved 18 May 2021.
  25. [25]
    "Signal or Noise | The Photographic II". e-flux. e-flux. Retrieved 18 May 2021.
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