1953_in_music

1953 in music

1953 in music

Overview of the events of 1953 in music


This is a list of notable events in music that took place in the year 1953.

Quick Facts List of years in music (table) ...
Jazz trumpeter and bandleader Louis Armstrong in 1953.

Specific locations

Specific genres

Events

Albums released

Biggest hit singles

The following singles achieved the highest chart positions in the limited set of charts available for 1953.

More information #, Artist ...

US No. 1 hit singles

These singles reached the top of US Billboard magazine's charts in 1953.

More information First week, Number of weeks ...

Top hits on record

Top R&B and country hits on record

Premieres

More information Composer, Composition ...

Compositions

  • The Decembrists (Yuri Shaporin) first staged 23 June 1953 at the Bolshoi Theatre, Moscow.
  • The Dumb Wife (Joseph Horovitz), premiered 21 November 1953 at the Guildhall School, London, by the Intimate Opera Company.
  • Gloriana (Benjamin Britten) composed 1953, first performed on 8 July 1953 at the Royal Opera House, Covent Garden in the presence of Elizabeth II.
  • Irmelin (Frederick Delius) composed 1890–92; first produced Oxford, 4 May 1953.
  • Lenora 40/50 (Rolf Liebermann) first produced in Berlin on 12 February 1953 at the State Opera House in the British sector.
  • Man of Enterprise (Denis Bloodworth) first produced on 8 December 1953 at Tiffin School, Kingston, Surrey, by the school operatic society.
  • Menna (Arwel Hughes) premiered by the Welsh National Opera at the Pavilion in Cardiff on 9 November, with the composer conducting.
  • Nelson (Lennox Berkeley), premiered in a concert performance 14 February 1953 by the English Opera Group at Wigmore Hall, London.
  • Sevil (Fikrat Amirov)
  • Three's Company (Antony Hopkins), premiered 21 November 1953 at the Guildhall School, London, by the Intimate Opera Company.
  • The Tinners of Cornwall (Inglis Gundry), premiered 30 September 1953 at Rudolf Steiner Hall, conducted by Geoffrey Corbett.

Births

Deaths


References

  1. Fifield, Christopher, ed. (2003). Letters and Diaries of Kathleen Ferrier. Woodbridge, Suffolk: Boydell Press. pp. 183–4. ISBN 1-84383-012-4.
  2. "Sadler's Wells". The Tatler: 17. 25 March 1953.
  3. "AmericanHeritage.com / More Mr. Nice Guy". 2010-09-02. Archived from the original on 2 September 2010. Retrieved 2022-03-11.
  4. Morawska-Büngeler, Marietta (1988). Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunks in Köln 1951–1986. Cologne-Rodenkirchen: P. J. Tonger Verlag. pp. 11–12.
  5. New York Journal-American (see the photograph of Serry's signature inscribed with signatures of other members of the cast on the stage door of the Empire Theatre at the closing of the play The Time of the Cuckoo), May 25, 1953, p. 15
  6. "Soprano Leaves New York Opera: Night Club Engagement". The Times. No. 52738. 1953-09-27. p. 6.
  7. Martin Iddon, New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez, Music since 1900 (Cambridge and New York: Cambridge University Press): 69. ISBN 9781107033290.
  8. Sitsky, Larry (1 January 2002). Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Greenwood Publishing Group. ISBN 9780313296895 via Google Books.
  9. "1953". 18 September 2009. Archived from the original on June 15, 2014.
  10. Kuhn, Judith (1 January 2010). Shostakovich in Dialogue: Form, Imagery and Ideas in Quartets 1–7. Ashgate Publishing, Ltd. ISBN 9780754664062 via Google Books.
  11. Fay, Laurel E. (1 January 2005). Shostakovich: A Life. Oxford University Press. ISBN 9780195182514 via Google Books.
  12. David P. Appleby, Heitor Villa-Lobos: A Bio-Bibliography, Bio-Bibliographies in Music 9 (New York, Westport, London: Greenwood Press, 1988): 114. However, Lisa Peppercorn, "Villa-Lobos's Last Years", translated from the German by Robert L. Jacobs, The Music Review 40, no. 4 (November 1979): 285–99, reprinted with corrigenda/addenda in Villa-Lobos: Collected Studies (Aldershot: Scolar Press, 1992): 89–105, gives the date of the first performance as 23 January 1954, by the Louisville Orchestra and Whitney, but for the recording later issued by First Edition Records and not in a public concert (pp. 293 / 97, respectively, and corrigenda 105).
  13. Villa-Lobos, sua obra Archived 2016-10-16 at the Wayback Machine, Version 1.0. (MinC / IBRAM, and the Museu Villa-Lobos, 2009, based on the third edition, 1989): 58.

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