1602_in_music

1602 in music

1602 in music

Overview of the events of 1602 in music

Francesco Cavalli (born Pietro Francesco Caletti-Bruni 14 February 1602 – 14 January 1676) was an Italian composer of the early Baroque period. He took the name "Cavalli" from his patron, Venetian nobleman Federico Cavalli.
Quick Facts List of years in music (table) ...

Events

Publications

  • February – Giulio Caccini – Le nuove musiche [1] (The New Music), published in Florence
  • Agostino Agazzari – Sacrae cantiones, book 1 (Rome: Aloysio Zannetti)
  • Gregor Aichinger – Divinae laudes ex floridis Jacobi Pontani potissimum decerptae (Augsburg: Officina Praetoriana), settings of selections from the Floridorum of Jacobus Pontanus [fr], for three voices
  • Felice Anerio
    • Second book of Sacri hymni et cantica (Rome: Aloysio Zannetti)
    • Second book of madrigals for six voices (Rome: Luigi Zannetti)
  • Giammateo Asola
  • Ippolito Baccusi – Psalmi qui diebus festivus a Sancta Romana Ecclesia in vesperis decantari solent for five voices (Venice: Ricciardo Amadino)
  • Giovanni Bassano – First book of madrigals and canzonettas for soprano or bass voice with lute or other plucked instrument (Venice: Giacomo Vincenti)
  • Lodovico Bellanda – First book of madrigals for five voices (Venice: Ricciardo Amadino)
  • Aurelio Bonelli – First book of ricercars and canzonas for four voices (Venice: Angelo Gardano)
  • Christoph Demantius – Trias precum vespertinarum for four, five, and six voices and instruments (Nuremberg: Catharina Dieterich for Konrad Agricola), a collection of music for Vespers
  • Scipione Dentice – Fourth book of madrigals for five voices (Naples: Antonio Pace)
  • Stefano Felis – Ninth book of madrigals for five voices (Venice: Giacomo Vincenti)
  • Melchior Franck
    • Musicalischer Bergkreyen for four voices (Nuremberg: Konrad Baur), a collection of secular partsongs
    • Farrago for six voices (Nuremberg: Katharina Dieterich), a collection of secular partsongs
    • Contrapuncti composti for four voices (Nurember: Konrad Baur), a collection of psalms and other church songs in German
  • Marco da Gagliano – First book of madrigals for five voices (Venice: Angelo Gardano)
  • Bartholomäus Gesius – Ein Gesang Vom Lob und Preiß der Edlenfreyen Kunst Musica for six voices (Frankfurt an der Oder: Friedrich Hartmann), a song in praise of Music
  • Pierre Guédron – Airs de cours for four and five voices (Paris: Ballard)
  • Claude Le Jeune – First book of psalms for three voices (Paris: widow of R. Ballard)
  • Alonso Lobo – First book of masses (Madrid: Joannes Flandre)
  • Duarte Lobo – Opuscula Natalitiae noctis responsoria for four and eight voices (Antwerp: Plantin), a collection of liturgical music
  • Tomaso Pecci – Madrigals for five voices (Venice: Angelo Gardano), also contains two pieces by Mariano Tantucci
  • Andreas Pevernage – Masses for five, six, and seven voices (Antwerp: Pierre Phalèse), published posthumously
  • Costanzo Porta – Hymnodia sacra for four voices (Venice: Angelo Gardano), a collection of hymns for the whole year
  • Hieronymus Praetorius – Magnificats for eight voices (Hamburg: Philip von Ohr)
  • Orfeo Vecchi
    • Third book of masses for five voices (Milan: Agostino Tradate)
    • La Donna vestita di sole, coronata di stelle, calcante la luna (Milan: the heirs of Simon Tini & Giovanni Francesco Besozzi), a madrigal cycle
  • Lodovico Grossi da Viadana – Cento concerti ecclesiastici (One Hundred Church Concertos), the first major publication to make extensive use of figured bass

Opera

Births

Deaths

Notes

  1. [1]
    Le nuove musiche was published in 1602 per the Gregorian calendar. Some sources list 1601, based on the Julian calendar, as the publication date.
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