Jesus Christ Superstar is a 1970 album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera of the same name was based. Initially unable to get backing for a stage production, the composers released it as an album, the success of which led to stage productions. The album musical is a musical dramatisation of the last week of the life of Jesus Christ, beginning with his entry into Jerusalem and ending with the Crucifixion. It was originally banned by the BBC on grounds of being "sacrilegious".^[6][7] By 1983, the album had sold over seven million copies worldwide.^[8]

Quick Facts Jesus Christ Superstar, Studio album by various artists ...

Jesus Christ Superstar
Original UK cover
Studio album by various artists
Released	16 October 1970[1] (UK) 27 October 1970 (US)[2][3]
Recorded	10 October 1969 ("Superstar" single) 1970
Studio	Olympic, London
Genre	Art rock progressive rock
Length	86:56
Label	Decca/MCA/Decca Broadway
Producer	Tim Rice, Andrew Lloyd Webber
Andrew Lloyd Webber and Tim Rice chronology
Jesus Christ Superstar (1970) Evita (1976)
Singles from Jesus Christ Superstar
"Superstar" Released: 21 November 1969 "I Don't Know How to Love Him" Released: 13 May 1971
Alternative cover
US edition cover, May 1971

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More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Christgau's Record Guide	C−[5]

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Webber and Rice had earlier success with Joseph and the Amazing Technicolor Dreamcoat. Then, according to Webber, the Dean of St. Paul's, Martin Sullivan, suggested they do the story of Jesus next. "Tim and I rather resisted it," Webber said, "but then Tim came up with this interesting angle. What if we told the story from Judas Iscariot's perspective?"^[9]

Lyrics in the 1964 Bob Dylan song "With God on Our Side" resonated with Rice: "You'll have to decide / Whether Judas Iscariot had God on his side."^[10] Another inspiration was an ad showing Tom Jones dressed in white with the word SUPERSTAR emblazoned across him.^[11]

Rice and Webber wrote the title song, Superstar, first, in July 1969. Webber explained, “It was agreed that we would first sort of ‘send up a flag' to see whether the public would accept our approach to the subject."^[12] They spent the next four months producing the single. They wrote the rest of the songs from November 1969 to March 1970.^[13]

The album's story is based in large part on the Bible and Fulton J. Sheen's Life of Christ. Rice said, "I used the King James and Catholic versions — whichever was handier — interchangeably. My biggest aid was Fulton Sheen's Life of Christ, in which Bishop Sheen calibrates and compares the Gospels."^[12] However, greater emphasis is placed on the interpersonal relationships of the major characters, in particular, Jesus, Judas and Mary Magdalene, relationships that are not described in depth in the Gospels.

"Herod's Song" is a lyrical rewrite of "Try It and See", previously written by Lloyd Webber and Rice as a proposed British entry into the 1969 Eurovision Song Contest to be sung by Lulu, then recorded and released as a single by Rita Pavone. The writers had also included it (as "Those Saladin Days") in an aborted show about Richard the Lionhearted called Come Back Richard Your Country Needs You.

The melody of "I Don't Know How to Love Him" also predates Jesus Christ Superstar; it was rewritten from a 1968 Lloyd Webber/Rice collaboration titled "Kansas Morning".^[14]

The album was recorded from March to July 1970.^[13] For the recording, Lloyd Webber and Rice drew personnel from both musical theatre (Murray Head had just left the West End production of Hair) and the British rock scene (Ian Gillan had only recently become the singer of Deep Purple). Many of the primary musicians—guitarists Neil Hubbard and Henry McCullough, bassist Alan Spenner, and drummer Bruce Rowland—came from Joe Cocker's backing group The Grease Band. Saxophonist Chris Mercer had also played with Hubbard in Juicy Lucy.

The first piece of Superstar released was the title song, as a single in November 1969 backed with the instrumental "John Nineteen Forty-One" (see John 19:41). The full album followed almost a year later.

In the U.S., the double album was released on October 27, 1970. Less than three weeks later, on November 16, it achieved gold status ($1 million in sales).^[15]

The album topped the U.S. Billboard Top LP's chart in both February and May 1971^[16] and ranked number one in the year-end chart ahead of Carole King's massive hit Tapestry.^[17] It also served as a launching pad for numerous stage productions on Broadway and in the West End. The original 1970 boxed-set issue of this two-record set was packaged in the U.S. with a special thin brown cardboard outer box ("The Brown Album")^[18] which contained the two vinyl records and a 28-page libretto.

Hubert Saal, in Newsweek, called it "nothing short of brilliant — and reverent. Staying well within limits prescribed by the Gospels, the opera galvanizes the story and the scenes of the Passion with its own fresh imagination and vitality."^[19] Critic John Rockwell, writing in the Los Angeles Times, thought, "...at it's best, Jesus works. Rice and Weber have managed more effectively than the composers of any previous rock-opera that I know of to characterize individuals in both words and music. And they are helped by an excellent cast."^[20] Billboard's critic wrote, "This brilliant musical portrayal of the last seven days of Jesus is destined to become one of the most talked about and provocative albums on the pop scene.^[21] Music critic Thomas Willis wrote in the Chicago Tribune, "I am neither a theologian nor a rock critic, but if Jesus Christ Superstar isn't the most important religious music of the year — and one of two or three significant recordings of the decade — I am sadly mistaken."^[22] He added, "The ingredients in this unique production are absolutely first rate." Nat Hentoff, in Cosmopolitan, called it "the most remarkable large-scale rock work yet created" and called the singers "superbly cast."^[23]

Other critics unfavorably compared it to the Who's Tommy: Variety thought, "Somewhat overstated, the opera lacks the overall impact of Tommy."^[24] Mike Jahn, in the Baltimore Sun, went further: "Tommy seemed a labor of love, with good stories well-told...In comparison, Jesus Christ Superstar seems a labor of opportunism with almost no inspiration. In fact, when it isn't dead boring it's embarrassing..."^[25]

All compositions written by Tim Rice (lyrics and book) and Andrew Lloyd Webber (music).

Main players^[26]

• Ian Gillan – Jesus Christ
• Murray Head – Judas Iscariot
• Yvonne Elliman – Mary Magdalene
• Victor Brox – Caiaphas, High Priest
• Barry Dennen – Pontius Pilate

Supporting players

• Brian Keith – Annas
• John Gustafson – Simon Zealotes
• Paul Davis – Peter
• Mike d'Abo – King Herod

Other players

• Annette Brox – Maid by the Fire
• Paul Raven – Priest
• P. P. Arnold, Tony Ashton, Tim Rice, Peter Barnfeather, Madeline Bell, Brian Bennett, Lesley Duncan, Kay Garner, Barbara Kay, Neil Lancaster, Alan M. O'Duffy, Terry Saunders – Background vocals
• Choir conducted by Geoffrey Mitchell
• Children's choir conducted by Alan Doggett on "Overture"
• The Trinidad Singers, under the leadership of Horace James, on "Superstar"

Musicians

• Neil Hubbard – electric guitar
• Henry McCullough – electric guitar, acoustic guitar
• Alan Spenner – bass guitar
• Chris Mercer – tenor sax
• J. Peter Robinson – piano, electric piano, organ, positive organ
• Bruce Rowland – drums, percussion

Other musicians

• Norman Cave, Karl Jenkins – piano
• Mick Weaver – piano, organ
• Andrew Lloyd Webber – piano, organ, Moog synthesizer
• Mike Vickers – Moog synthesizer
• Alan Doggett – principal Conductor, Moog synthesizer
• Strings of the City of London Ensemble
• Clive Hicks, Chris Spedding, Louis Stewart, Steve Vaughan – guitar
• Jeff Clyne, Peter Morgan, Alan Weighall – bass guitar
• Harold Beckett, Les Condon, Ian Hamer, Kenny Wheeler – trumpet
• Anthony Brooks, Joseph Castaldini – bassoon
• Andrew McGavin, Douglas Moore, James Brown, Jim Buck Sr., Jim Buck Jr., John Burdon – horns
• Keith Christie, Frank Jones, Anthony Moore – trombone
• Ian Herbert – clarinet
• Chris Taylor, Brian Warren – flute
• Bill LeSage, John Marshall – drums

Production

• Alan O'Duffy – chief engineer

• Original Concept Recording. Jesus Christ Superstar – A Rock Opera. Universal City, California: MCA Records Inc. [USA], (released 24 September 1996). Cat. No. MCAD2-11542 [2 CDs], UPC 008811154226.

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• Jesus Christ Superstar (film)