Critical reception

Some critics felt season 13 was an improvement over the previous Scully seasons.^[7][8] DVDDizzy rhetorically asked how the season "stand[s] up for someone just looking to jump into a full, semi-recent year of episodes", answering "Pretty darn well". It explained "Nearly everything that makes "The Simpsons" what it is can be found here. Most important is the large cast of Springfield residents used to perfection...Clearly, real thought and lots of it goes into each episode's creation", and added "it's almost miraculous how fresh and sharp "The Simpsons" remains in its thirteenth year on air". The site explained "Not every moment here is brilliant. After a rocky start, the season really hits its groove a few episodes in. Even though jokes don't always land, there are guaranteed to be at least a few amusing moments per episode. The stylings haven't changed all that much. There are tasteful homages and cultural references, including loving parodies of classic movies, television, and literature [and] as usual, tons of famous guest stars lend their voices, some as themselves and others as fictional characters".^[9] Adam Rayner of WhatCulture wrote that "Season thirteen represents a time when the show was clinging to the classic humour that was derived from situations that were rooted in a reality—albeit a heightened reality—which could happen to you and your family, while slowly descending into the surreal and farcical."^[10] Matt Wheeldon of GoodFilmGuide said "the 13th Season another solid, and fairly memorable, effort from the world's best loved cartoon; even if it isn't the be all and end all of Simpsons cartooning.^[11] DVD Talk's Ryan Keefer gave a season 3.5/5 stars and said "While Jean might not have brought things to previous glory, he certainly righted the ship in Season 13."^[7] Blu-Ray.com gave season 13 a 3.5/5 and Casey Broadwater's sentiment was "The hit-to-miss ratio is much better here than in the previous three seasons, and while the episodes are never quite as hilarious as the Simpsons of old—from way back in the early 1990s—season 13 does mark a turning point for the series." Ron Martin of 411 Mania was more critical giving the season a 6.5/10. Part of the verdict was "Season 13 is representative of the chaotic scatterbrained nature the show would take on from here on out."^[12] Casey Burchby of DVD Talk gave the season a 3/5 and wrote "the thirteenth season is further proof of the regrettable change in comic tone that the series took on in the early part of the last decade."^[13]

Awards and nominations

In 2002, The Simpsons won its eleventh consecutive Annie Award for Best Animated Television Production.^[14]

"She of Little Faith" was nominated for the Primetime Emmy Award for Outstanding Animated Program (For Programming less than One Hour). The song "Ode to Branson" from "The Old Man and the Key" by Alf Clausen and Jon Vitti was nominated for Outstanding Individual Achievement in Music and Lyrics.^[15] "Brawl in the Family" was nominated for the Environmental Media Award for Best Television Episodic Comedy.^[16] Three episodes were nominated for the Writers Guild of America Award in the animation category: "Blame It on Lisa" (written by Bob Bendetson), "The Bart Wants What It Wants" (written by John Frink and Don Payne) and "Jaws Wired Shut" (written by Matt Selman). The award was won by the Futurama episode "Godfellas".^[17] It marked the only time since the introduction of the category that a show other than The Simpsons won the award.^[18]

In 2003, the show was the first and only animated program to be nominated for a Golden Globe Award, for Best Television Series – Musical or Comedy, which it lost to Curb Your Enthusiasm.^[19]