Early life

Shirato was born in Tokyo, Japan, to painter Tōki Okamoto. In Shirato's childhood, his father was active in the proletarian culture movement and contributed, among others, to the satirical magazine Tokyo Puck. During World War II, his father faced prosecution due to his leftist beliefs. He saw the tortured corpse of proletarian leader Takiji Kobayashi in 1933 and created a painting of his death mask.^[2] As Shirato grew up, he experienced the rancor of the war years, and it is said that these grim emotions come out in the nihilistic society portrayed in his works.

Shirato developed his artistic style through painting picture-card shows (kamishibai) after finishing middle school at 18. He was influenced by the ukiyo-e of the pre-Meiji period, but differed in his portrayal of action in a multi-panel "slow motion" style unique to his manga.^[3] His style of action portrayal came from the tension building techniques inherent in the performance aspect of kamishibai.

Manga career

Shirato started his career as a professional manga artist in 1957 in the kashi-hon market. At first, he created commercial shōjo manga, depicting themes like racism in Japan and the atomic bombings of Hiroshima and Nagasaki.^[2]

From 1959 until 1962, he published Ninja Bugeichō (Ninja Martial Arts Handbook), a historically-based ninja-themed manga that captured the attention of students and intellectuals of the time.^[4] This violent epic tale set in Japan's "Warring States" (Sengoku) period was seen by many readers and critics as a thinly-veiled allegory for the ongoing Anpo protests against the US-Japan Security Treaty (although Shirato himself later denied this was his intention).^[4] Regardless of Shirato's true intentions, the manga seemed to correspond to the feelings and experiences student protesters were going through at the time, and Ninja Bugeichō developed an avid following among left-leaning student activists.^[4] Because its adult themes and graphic violence, Ninja Bugeichō has been cited as one of the first examples of gekiga, or serious manga aimed specifically at adult audiences rather than children.^[1]

Together with Katsuichi Nagai, in 1964 he co-founded the manga magazine Garo, which became an important platform for gekiga and alternative manga in general. Shirato served as an editor in the first years of the magazine.^[2] Kamui Den, the first series published in Garo, can be considered his most important manga work. It is the story of Kamui, a ninja who leaves an organization that pursues him and clearly sees the true nature of the Edo period and the discrimination that existed in the feudal system. Shirato's works are primarily historical dramas that focus on ninja, present a historical record of Japan, and criticize oppression, discrimination, and exploitation.

Shirato founded the production company Akame ("Red Eyes"), which worked with Goseki Kojima, his brother Tetsuji Okamoto, Haruo Koyama and others. They created a community space for manga artists.^[5]

Death

He died on October 8, 2021, at the age of 89 due to aspiration pneumonia.^[6] The news of his death was announced by the editorial department of Big Comic on October 26, 2021. It was also reported that his brother Tetsuji Okamoto (岡本 鉄二氏, Okamoto Tetsuji) died four days later of interstitial pneumonia.^[7]