Filming

Filming locations for the motion picture included the campus of Dallas, Georgia at Paulding County High School, where the home games were filmed. Berry College in Rome, Georgia, Etowah High School in Woodstock, and in Atlanta, Georgia including Henry Grady High School and Druid Hills High School which both filled in for T.C. Williams High School. Practice scenes were filmed at Clarkston High School in Clarkston Georgia. Additionally, some of the championship game scenes were filmed at the Sprayberry High School football stadium in East Marietta, Georgia.

Historical accuracy

This section needs additional citations for verification. (July 2016)

As with any movie that is not a documentary film but is rather "based on a true story", it has strayed from the actual events that had occurred on many occasions to add new dramatic elements of teamwork, commitment, and friendship to the film.

• Alexandria City Schools were desegregated in 1959 and T.C. Williams was created by merging three racially integrated schools.^[8][9]
• The Titans were ranked second in the nation at the end of the 1971 season, finishing 13–0. However, despite the movie showing multiple close games, most games were actually blowouts, with nine of their 13 wins being shutouts.^[10]
• In the movie, Coach Boone states, "We are not like all the other schools in this conference, they're all white. They don't have to worry about race. We do." This is false as well; all the schools the Titans faced were integrated years before.
• While the team is at camp, it shows Coach Boone waking them up at 3:00 a.m. to go for a run. This did not occur; neither did his speech at Gettysburg.^[10] The team did go on a tour of Gettysburg, although it was not as dramatic as portrayed in the film.
• Ronnie "Sunshine" Bass was far from being the only one with long hair at the time. Even Gerry Bertier had long hair. But in interviews, Bass said, "I'll say for the record my hair was never that long." He also says the kiss with Gerry never happened.
• The climax of the movie is a fictionalized 1971 AAA state championship football game between T. C. Williams and George C. Marshall High School. The dramatic license taken in the movie was to convert what was actually a mid-season match-up between T. C. Williams and Marshall into a made-for-Hollywood state championship. In reality, the Marshall game was the toughest game T. C. Williams played all year. As depicted in the movie, the real Titans won the Marshall game on a fourth down come-from-behind play at the very end of the game. The actual state championship (against Andrew Lewis High School of Salem) was a 27–0 blowout, played at Victory Stadium in Roanoke.^[11]
• Bertier's car accident took place on December 11, 1971, after (rather than before) the season-ending State Championship game. He had been at a banquet honoring the team for their undefeated season. After the banquet, Bertier borrowed his mother's new 1971 Chevrolet Camaro. Bertier lost control of the Camaro and crashed (the movie shows him getting broadsided). The cause of the accident was determined to be a mechanical failure in the engine mounts.^[11]
• Sheryl Yoast (who died in 1996 of an undetected heart condition at the age of 34) was not an only child as portrayed but had three sisters. Her oldest sister Bonnie was in college, her second oldest Angela went to a different high school, and her younger sister Deidre was only three years old in 1971.
• The film omits that in 1979 Boone was relieved of his coaching duties by the Principal who felt "a change was needed." The principal denied it was related to any allegations of player abuse which were never substantiated. Boone continued to work as the Head of the school's Physical education department.^[12][13]

Soundtrack

Certifications

Home media

Following its release in theaters, the Region 1 widescreen and Pan and scan edition of the motion picture was released on VHS and DVD in the United States on March 20, 2001.^[17] A Special Edition widescreen format of the film was released on March 20, 2001, along with a widescreen Director's cut on March 14, 2006.^[18]

A restored widescreen hi-definition Blu-ray version was released by Walt Disney Studios Home Entertainment on September 4, 2007. Special features include backstage feature audio commentary with director Boaz Yakin, producer Jerry Bruckheimer and writer Gregory Allen Howard, feature audio commentary with real-life coaches Herman Boone and Bill Yoast, "Remember The Titans: An inspirational journey behind the scenes" hosted by Lynn Swann, "Denzel Becomes Boone," "Beating The Odds"; Deleted scenes; Movie Showcase and seamless menus.^[19]

Box office

Remember the Titans opened strongly at the U.S. box office, grossing $26,654,715 in its first weekend and staying within the top five for six weeks.^[20] The film debuted at the number one spot, but was quickly overtaken by Meet the Parents a week later.^[21] It eventually went on to gross an estimated $115,654,751 in the U.S., and $136,706,684 worldwide.^[1]

Critical response

Among mainstream critics in the U.S., Remember the Titans received generally positive reviews.^[22] Rotten Tomatoes reported that 72% of 137 sampled critics gave the film a positive review, with an average score of 6.3/10. The site's consensus states: "An inspirational crowd-pleaser with a healthy dose of social commentary, Remember the Titans may be predictable, but it's also well-crafted and features terrific performances."^[23] At Metacritic, which assigns a weighted average score out of 100 to critics' reviews, the film received a score of 48 based on 32 reviews.^[22] Audiences polled by CinemaScore gave the film a rare "A+" grade.^[24]

James Berardinelli writing for ReelViews, called the film "relentlessly manipulative and hopelessly predictable" but noted that it was "a notch above the average entry in part because its social message (even if it is soft-peddled [sic]) creates a richer fabric than the usual cloth from which this kind of movie is cut."^[25] Describing some pitfalls, Robert Wilonsky of the Dallas Observer said that "beneath its rah-rah rhetoric and pigskin proselytizing, it's no more provocative or thoughtful than a Hallmark Hall of Fame film or, for that matter, a Hallmark greeting card. Its heart is in the right place, but it has no soul."^[26] Wilonsky however was quick to admit "The film's intentions are noble, but its delivery is ham-fisted and pretentious; you can't deny the message, but you can loathe the messenger without feeling too guilty about it."^[26]

Todd McCarthy, writing in Variety, said, "As simplistic and drained of complexity as the picture is, it may well appeal to mainstream audiences as an 'if only it could be like this' fantasy, as well as on the elemental level of a boot camp training film, albeit a PG-rated one with all the cuss words removed."^[28] Roger Ebert, in the Chicago Sun-Times, viewed the film as "a parable about racial harmony, yoked to the formula of a sports movie," adding, "Victories over racism and victories over opposing teams alternate so quickly that sometimes we're not sure if we're cheering for tolerance or touchdowns. Real life is never this simple, but then that's what the movies are for".^[27]

In the San Francisco Chronicle, Mick LaSalle wrote that the film reminds the viewer that "it's possible to make a sentimental drama that isn't sickening —  and a sports movie that transcends cliches."^[29] Columnist Bob Grimm of the Sacramento News & Review, somewhat praised the film, writing, "The film is quite lightweight for the subject matter, but Washington and company make it watchable."^[30] Some detractors like Owen Gleiberman of Entertainment Weekly wrote, "Denzel Washington should have held out for a better script before he signed on to star in Remember the Titans, but you can see why he wanted to do the movie: He gets to play Martin Luther King Jr. and Vince Lombardi rolled into one nostalgically omnipotent tough-love saint."^[31] Jeff Vice of the Deseret News admitted that although the film contained dialogue that was "corny, clichéd, and downright cheesy at times," as well as how it relayed its message in one of the "most predictable, heavy-handed manners we've seen in a movie in years", the film "serves as a reminder of how much goodness there is inside people, just waiting for the right person to bring it out." He also viewed the casting as top-notch, saying that it helped to have a "rock-solid foundation in the form of leading-man Denzel Washington" at the helm.^[32]

Accolades

The film was nominated and won several awards in 2000–2001.