Portal:The_arts

Portal:The arts

Portal:The arts

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T H E   A R T S   P O R T A L

The Parthenon

The Parthenon on top of the Acropolis, Athens, Greece

The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

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  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop", and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. (Full article...)
    By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop", and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.

    By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. (Full article...)
  • Image 2Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer.An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. (Full article...)
    Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer.

    An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. (Full article...)
  • Image 3The building as seen from the steps of Federal Hall; the New York Stock Exchange Building is visible at right23 Wall Street (also known as the J.P. Morgan Building) is a four-story office building in the Financial District of Manhattan in New York City, at the southeast corner of Wall Street and Broad Street. Designed by Trowbridge & Livingston in the neoclassical style and constructed from 1913 to 1914, it was originally the headquarters of J.P. Morgan & Co. Since the late 2000s, the building has remained unoccupied for long periods, although it has occasionally been used for events.The building has a facade of ashlar masonry and pink Tennessee marble. The first floor consists of a piano nobile over a low basement; above are the second story, the main cornice, and two more stories. After its completion, the building became known as the headquarters of J.P. Morgan & Co.—the "House of Morgan"—although its exterior was never signed with the Morgan name. The banking room, which took up nearly the entire ground floor, included offices and was used for banking transactions. This space was designed with a domed, coffered ceiling and, later, a large crystal chandelier. Mechanical systems and vaults were in the basement, and executive offices were placed on the upper floors. (Full article...)

    The building as seen from the steps of Federal Hall; the New York Stock Exchange Building is visible at right

    23 Wall Street (also known as the J.P. Morgan Building) is a four-story office building in the Financial District of Manhattan in New York City, at the southeast corner of Wall Street and Broad Street. Designed by Trowbridge & Livingston in the neoclassical style and constructed from 1913 to 1914, it was originally the headquarters of J.P. Morgan & Co. Since the late 2000s, the building has remained unoccupied for long periods, although it has occasionally been used for events.

    The building has a facade of ashlar masonry and pink Tennessee marble. The first floor consists of a piano nobile over a low basement; above are the second story, the main cornice, and two more stories. After its completion, the building became known as the headquarters of J.P. Morgan & Co.—the "House of Morgan"—although its exterior was never signed with the Morgan name. The banking room, which took up nearly the entire ground floor, included offices and was used for banking transactions. This space was designed with a domed, coffered ceiling and, later, a large crystal chandelier. Mechanical systems and vaults were in the basement, and executive offices were placed on the upper floors. (Full article...)
  • Image 4Literary Hall, viewed from the south, facing West Main Street in RomneyLiterary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society.Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)

    Literary Hall, viewed from the south, facing West Main Street in Romney

    Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society.

    Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)
  • Image 5The equestrian statue of Edward Horner stands inside St Andrew's Church in the village of Mells in Somerset, south-western England. It was designed by the architect Sir Edwin Lutyens, as a memorial to Edward Horner, who died of wounds in the First World War. The sculpture was executed by Sir Alfred Munnings.Edward Horner was the only surviving son and heir of Sir John and Lady Frances Horner of Mells Manor and a member of an extended upper-class social group known as the Coterie, many of whom were killed in the war. The group included Diana Manners who Edward pursued unsuccessfully for several years, his future brother-in-law - Raymond Asquith Julian Grenfell, Patrick Shaw-Stewart and Charles Lister. Shortly after the war broke out, he was a yeomanry officer in the part-time Territorial Force but he was keen to join the fighting on the Western Front and obtained a transfer to a cavalry regiment through his family's connections. He was wounded in May 1915, losing a kidney, and did not return to the war until early 1917. He was assigned a staff post but again secured a transfer to the front line. Shortly after his return to the fighting, on 21 November 1917, he was wounded again; he died the same day. (Full article...)

    The equestrian statue of Edward Horner stands inside St Andrew's Church in the village of Mells in Somerset, south-western England. It was designed by the architect Sir Edwin Lutyens, as a memorial to Edward Horner, who died of wounds in the First World War. The sculpture was executed by Sir Alfred Munnings.

    Edward Horner was the only surviving son and heir of Sir John and Lady Frances Horner of Mells Manor and a member of an extended upper-class social group known as the Coterie, many of whom were killed in the war. The group included Diana Manners who Edward pursued unsuccessfully for several years, his future brother-in-law - Raymond Asquith Julian Grenfell, Patrick Shaw-Stewart and Charles Lister. Shortly after the war broke out, he was a yeomanry officer in the part-time Territorial Force but he was keen to join the fighting on the Western Front and obtained a transfer to a cavalry regiment through his family's connections. He was wounded in May 1915, losing a kidney, and did not return to the war until early 1917. He was assigned a staff post but again secured a transfer to the front line. Shortly after his return to the fighting, on 21 November 1917, he was wounded again; he died the same day. (Full article...)
  • Image 6Illustration for "To Autumn" by William James Neatby, from A Day with Keats, 1899"To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year after the publication of "To Autumn", Keats died in Rome.The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. It has parallels in the work of English landscape artists, with Keats himself describing the fields of stubble that he saw on his walk as conveying the warmth of "some pictures". (Full article...)
    Drawing of trees with orange and red leaves with a lake at the bottom and hills in the distance.
    Illustration for "To Autumn" by William James Neatby, from A Day with Keats, 1899


    "To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year after the publication of "To Autumn", Keats died in Rome.

    The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. It has parallels in the work of English landscape artists, with Keats himself describing the fields of stubble that he saw on his walk as conveying the warmth of "some pictures". (Full article...)
  • Image 7Sesame Street international co-productions are adaptations of the American educational children's television series Sesame Street but tailored to the countries in which they are produced. Shortly after the debut of Sesame Street in the United States in 1969, television producers, teachers, and officials of several countries approached the show's producers and the executives of the Children's Television Workshop (CTW), renamed Sesame Workshop (SW) in 2000, about the possibility of airing international versions of Sesame Street. Creator Joan Ganz Cooney hired former CBS executive Michael Dann to field offers to produce versions of the show in other countries.The producers of these shows developed them using a variant on the CTW model, a flexible model of production based upon the experiences of the creators and producers of the U.S. show. The model consisted of the combination of producers and researchers working together on the show, the development of a unique curriculum, and extensive test screening of the shows. The shows came to be called co-productions, and they contained original sets, characters, and curriculum goals. Different co-productions were produced, depending upon each country's needs and resources. They included both dubbed versions of the American show and versions created, developed, and produced in each country that reflected their needs, educational priorities, and culture. For example, the first HIV-positive Muppet, Kami, from the South African co-production Takalani Sesame, was created in 2003 to address the epidemic of AIDS in South Africa, and was met with controversy in the U.S. By 2006, there were 20 co-productions in countries all over the world. In 2001, there were more than 120 million viewers of all international versions of Sesame Street, and by the U.S. show's 40th anniversary in 2009, they were seen in more than 140 countries. (Full article...)
    Sesame Street international co-productions are adaptations of the American educational children's television series Sesame Street but tailored to the countries in which they are produced. Shortly after the debut of Sesame Street in the United States in 1969, television producers, teachers, and officials of several countries approached the show's producers and the executives of the Children's Television Workshop (CTW), renamed Sesame Workshop (SW) in 2000, about the possibility of airing international versions of Sesame Street. Creator Joan Ganz Cooney hired former CBS executive Michael Dann to field offers to produce versions of the show in other countries.

    The producers of these shows developed them using a variant on the CTW model, a flexible model of production based upon the experiences of the creators and producers of the U.S. show. The model consisted of the combination of producers and researchers working together on the show, the development of a unique curriculum, and extensive test screening of the shows. The shows came to be called co-productions, and they contained original sets, characters, and curriculum goals. Different co-productions were produced, depending upon each country's needs and resources. They included both dubbed versions of the American show and versions created, developed, and produced in each country that reflected their needs, educational priorities, and culture. For example, the first HIV-positive Muppet, Kami, from the South African co-production Takalani Sesame, was created in 2003 to address the epidemic of AIDS in South Africa, and was met with controversy in the U.S. By 2006, there were 20 co-productions in countries all over the world. In 2001, there were more than 120 million viewers of all international versions of Sesame Street, and by the U.S. show's 40th anniversary in 2009, they were seen in more than 140 countries. (Full article...)
  • Image 8"A Quiet Night In" is the second episode of the British dark comedy television anthology series Inside No. 9. It first aired on 12 February 2014 on BBC Two. Written by Reece Shearsmith and Steve Pemberton, it stars the writers as a pair of hapless burglars attempting to break into the large, modernist house of a couple—played by Denis Lawson and Oona Chaplin—to steal a painting. Once the burglars make it into the house, they encounter obstacle after obstacle, while the lovers, unaware of the burglars' presence, argue. The episode progresses almost entirely without dialogue, relying instead on physical comedy and slapstick, though more sinister elements are present in the plot. In addition to Pemberton, Shearsmith, Lawson and Chaplin, "A Quiet Night In" also starred Joyce Veheary and Kayvan Novak.Shearsmith and Pemberton had originally considered including a dialogue-free segment in their television series Psychoville, but ultimately did not; they found the format of Inside No. 9 appropriate for revisiting the idea. Both journalists and those involved with the episode's production commented on the casting of Chaplin, a grandchild of the silent film star Charlie Chaplin, in an almost entirely dialogue-free episode, though her casting was not a deliberate homage. Critics generally responded positively to the episode, and a particularly laudatory review by David Chater was published in The Times, prompting a complaint from a reader who found the episode more traumatic than comedic. On its first airing, "A Quiet Night In" was watched by 940,000 viewers (4.8% of the market). (Full article...)
    "A Quiet Night In" is the second episode of the British dark comedy television anthology series Inside No. 9. It first aired on 12 February 2014 on BBC Two. Written by Reece Shearsmith and Steve Pemberton, it stars the writers as a pair of hapless burglars attempting to break into the large, modernist house of a couple—played by Denis Lawson and Oona Chaplin—to steal a painting. Once the burglars make it into the house, they encounter obstacle after obstacle, while the lovers, unaware of the burglars' presence, argue. The episode progresses almost entirely without dialogue, relying instead on physical comedy and slapstick, though more sinister elements are present in the plot. In addition to Pemberton, Shearsmith, Lawson and Chaplin, "A Quiet Night In" also starred Joyce Veheary and Kayvan Novak.

    Shearsmith and Pemberton had originally considered including a dialogue-free segment in their television series Psychoville, but ultimately did not; they found the format of Inside No. 9 appropriate for revisiting the idea. Both journalists and those involved with the episode's production commented on the casting of Chaplin, a grandchild of the silent film star Charlie Chaplin, in an almost entirely dialogue-free episode, though her casting was not a deliberate homage. Critics generally responded positively to the episode, and a particularly laudatory review by David Chater was published in The Times, prompting a complaint from a reader who found the episode more traumatic than comedic. On its first airing, "A Quiet Night In" was watched by 940,000 viewers (4.8% of the market). (Full article...)
  • Image 9Tintin in the Congo (French: Tintin au Congo; French pronunciation: [tɛ̃tɛ̃ o kɔ̃go]) is the second volume of The Adventures of Tintin, the comics series by Belgian comic strip artist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from May 1930 to June 1931 before being published in a collected volume by Éditions de Petit Vingtième in 1931. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Belgian Congo to report on events in the country. Amid various encounters with the native Congolese people and wild animals, Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone.Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The Adventures of Tintin with Tintin in America in 1932, and the series subsequently became a defining part of the Franco-Belgian comics tradition. In 1946, Hergé re-drew and coloured Tintin in the Congo in his distinctive ligne-claire style for republication by Casterman, with further alterations made at the request of his Scandinavian publisher for a 1975 edition. (Full article...)
    Tintin in the Congo (French: Tintin au Congo; French pronunciation: [tɛ̃tɛ̃ o kɔ̃go]) is the second volume of The Adventures of Tintin, the comics series by Belgian comic strip artist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from May 1930 to June 1931 before being published in a collected volume by Éditions de Petit Vingtième in 1931. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Belgian Congo to report on events in the country. Amid various encounters with the native Congolese people and wild animals, Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone.

    Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The Adventures of Tintin with Tintin in America in 1932, and the series subsequently became a defining part of the Franco-Belgian comics tradition. In 1946, Hergé re-drew and coloured Tintin in the Congo in his distinctive ligne-claire style for republication by Casterman, with further alterations made at the request of his Scandinavian publisher for a 1975 edition. (Full article...)
  • Image 10 Made in the Dark is the third studio album by the English indietronica band Hot Chip, released on 4 February 2008 through EMI Records internationally and Astralwerks and DFA Records in the United States. Comprising 13 tracks, a defining feature of the album is the strong presence of romantic ballads. The title ballad was described as "sublime" by one critic, although not all the ballads received universal praise. Alexis Taylor, the main contributor to the lyrics, said he was proud of the album lyrically and felt that feeling of love and happiness, partly the result of his recent marriage, had contributed to the album's romantic tone.Critics stated that songs such as "Ready for the Floor" and "Bendable Poseable" were reminiscent of their previous release, The Warning. The style of the album was not considered as big a leap forward as the changes evident between Coming on Strong (2004) to The Warning (2006). It was said that Hot Chip had honed their music by using quirks of their musical style to make more accomplished music. However, some critics felt that the album lacked focus, containing too many varied elements; it was described as "loveable but flawed". Commercially, Made in the Dark peaked at number four on the UK Album Chart, number 25 on the Australian album charts, and entered at number 109 on the US Billboard 200. Several singles have been released from the album, including "Shake a Fist", "Ready for the Floor", which reached number six on the UK Singles Chart, and "One Pure Thought". (Full article...)
    Made in the Dark is the third studio album by the English indietronica band Hot Chip, released on 4 February 2008 through EMI Records internationally and Astralwerks and DFA Records in the United States. Comprising 13 tracks, a defining feature of the album is the strong presence of romantic ballads. The title ballad was described as "sublime" by one critic, although not all the ballads received universal praise. Alexis Taylor, the main contributor to the lyrics, said he was proud of the album lyrically and felt that feeling of love and happiness, partly the result of his recent marriage, had contributed to the album's romantic tone.

    Critics stated that songs such as "Ready for the Floor" and "Bendable Poseable" were reminiscent of their previous release, The Warning. The style of the album was not considered as big a leap forward as the changes evident between Coming on Strong (2004) to The Warning (2006). It was said that Hot Chip had honed their music by using quirks of their musical style to make more accomplished music. However, some critics felt that the album lacked focus, containing too many varied elements; it was described as "loveable but flawed". Commercially, Made in the Dark peaked at number four on the UK Album Chart, number 25 on the Australian album charts, and entered at number 109 on the US Billboard 200. Several singles have been released from the album, including "Shake a Fist", "Ready for the Floor", which reached number six on the UK Singles Chart, and "One Pure Thought". (Full article...)
  • Image 11Pei in 1980Ieoh Ming Pei FAIA RIBA (/ˌjoʊ mɪŋ ˈpeɪ/ YOH ming PAY; Chinese: 貝聿銘; pinyin: Bèi Yùmíng; April 26, 1917 – May 16, 2019) was a Chinese-American architect. Born in Guangzhou into a Chinese family, Pei drew inspiration at an early age from the garden villas at Suzhou, the traditional retreat of the scholar-gentry to which his family belonged. In 1935, he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. Unhappy with the focus on Beaux-Arts architecture at both schools, he spent his free time researching emerging architects, especially Le Corbusier.After graduating, he joined the Harvard Graduate School of Design (GSD) and befriended the Bauhaus architects Walter Gropius and Marcel Breuer. In 1948, Pei was recruited by New York City real estate magnate William Zeckendorf, for whom he worked for seven years before establishing an independent design firm, I. M. Pei & Associates, in 1955. In 1966, that became I. M. Pei & Partners, and became Pei Cobb Freed & Partners in 1989. Pei retired from full-time practice in 1990. In his retirement, he worked as an architectural consultant primarily from his sons' architectural firm Pei Partnership Architects. (Full article...)

    Pei in 1980

    Ieoh Ming Pei FAIA RIBA (/ˌjoʊ mɪŋ ˈpeɪ/ YOH ming PAY; Chinese: 貝聿銘; pinyin: Bèi Yùmíng; April 26, 1917 – May 16, 2019) was a Chinese-American architect. Born in Guangzhou into a Chinese family, Pei drew inspiration at an early age from the garden villas at Suzhou, the traditional retreat of the scholar-gentry to which his family belonged. In 1935, he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. Unhappy with the focus on Beaux-Arts architecture at both schools, he spent his free time researching emerging architects, especially Le Corbusier.

    After graduating, he joined the Harvard Graduate School of Design (GSD) and befriended the Bauhaus architects Walter Gropius and Marcel Breuer. In 1948, Pei was recruited by New York City real estate magnate William Zeckendorf, for whom he worked for seven years before establishing an independent design firm, I. M. Pei & Associates, in 1955. In 1966, that became I. M. Pei & Partners, and became Pei Cobb Freed & Partners in 1989. Pei retired from full-time practice in 1990. In his retirement, he worked as an architectural consultant primarily from his sons' architectural firm Pei Partnership Architects. (Full article...)
  • Image 12Blue's Clues is an American live-action/animated interactive educational children's television series, created by Angela C. Santomero, Todd Kessler, and Traci Paige Johnson, that premiered on Nickelodeon's Nick Jr. block on September 8, 1996, and concluded its run on August 6, 2006, with a total of six seasons and 143 episodes. The original host of the show was Steve Burns, who left in 2002 and was replaced by Donovan Patton (as "Joe") for the rest of the series. The show follows an animated blue-spotted dog named Blue as she leaves a trail of clues/paw prints for the host and the viewers to figure out her plans for the day.The producers and creators combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn, using research conducted thirty years since the debut of Sesame Street in the U.S. Unlike earlier preschool shows, Blue's Clues presented material in a narrative format instead of a magazine format, used repetition to reinforce its curriculum, structured every episode the same way, and revolutionized the genre by inviting their viewers' involvement. (Full article...)
    Blue's Clues is an American live-action/animated interactive educational children's television series, created by Angela C. Santomero, Todd Kessler, and Traci Paige Johnson, that premiered on Nickelodeon's Nick Jr. block on September 8, 1996, and concluded its run on August 6, 2006, with a total of six seasons and 143 episodes. The original host of the show was Steve Burns, who left in 2002 and was replaced by Donovan Patton (as "Joe") for the rest of the series. The show follows an animated blue-spotted dog named Blue as she leaves a trail of clues/paw prints for the host and the viewers to figure out her plans for the day.

    The producers and creators combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn, using research conducted thirty years since the debut of Sesame Street in the U.S. Unlike earlier preschool shows, Blue's Clues presented material in a narrative format instead of a magazine format, used repetition to reinforce its curriculum, structured every episode the same way, and revolutionized the genre by inviting their viewers' involvement. (Full article...)
  • Image 13Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas. Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun. She is leaning slightly forward in an ambiguous posture, which has been read variously as a straightforward portrayal of protecting her modesty, huddling against the cold, or sponge bathing. It has also been considered a disingenuous pose permitting the "fetishisation of innocence".September Morn was first exhibited at the Paris Salon of 1912, and although the identity of its first owner is unclear, it is certain that Leon Mantashev acquired the painting by the end of 1913. It was taken to Russia, and in the aftermath of the October Revolution of 1917 was feared lost. It resurfaced in 1935 in the collection of Calouste Gulbenkian, and after his death in 1955 was sold to a Philadelphia broker, who donated it anonymously to the Metropolitan Museum of Art (the Met) in 1957. it is not on display. (Full article...)

    Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas. Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun. She is leaning slightly forward in an ambiguous posture, which has been read variously as a straightforward portrayal of protecting her modesty, huddling against the cold, or sponge bathing. It has also been considered a disingenuous pose permitting the "fetishisation of innocence".

    September Morn was first exhibited at the Paris Salon of 1912, and although the identity of its first owner is unclear, it is certain that Leon Mantashev acquired the painting by the end of 1913. It was taken to Russia, and in the aftermath of the October Revolution of 1917 was feared lost. It resurfaced in 1935 in the collection of Calouste Gulbenkian, and after his death in 1955 was sold to a Philadelphia broker, who donated it anonymously to the Metropolitan Museum of Art (the Met) in 1957. it is not on display. (Full article...)
  • Image 14Charles Holden, 1946Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission.After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)

    Charles Holden, 1946

    Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission.

    After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)
  • Image 15Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
    Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.

    The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
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A Negress
Painting credit: Anna Bilińska-Bohdanowicz
A Negress is an 1884 oil-on-canvas painting by the Polish artist Anna Bilińska-Bohdanowicz, depicting an unknown model. The subject is portrayed from the waist up and dressed in a white robe, but is part naked, with one breast exposed. The Japanese hand fan and the source of light that illuminates the figure and is reflected by highlights in the gold bijoux, create a warm and chamber-like atmosphere. Painted in Paris, the painting was looted during World War II. It was returned to the collection of the National Museum in Warsaw in 2012.
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Benjamin Mountfort

Benjamin Mountfort was an English emigrant to New Zealand, where he became one of that country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch. He was appointed the first official Provincial Architect of the developing province of Canterbury.

Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered to be unique to New Zealand. Today he is considered the founding architect of the province of Canterbury. (Full article...)

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Wolfgang Amadeus Mozart's The Magic Flute, performed live by the 2006 Bangkok Opera.
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This article uses material from the Wikipedia article Portal:The_arts, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.