Portal:Netherlands
Portal:Netherlands
Portal maintenance status: (April 2020)
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Welcome to the Netherlands Portal
Welkom bij het Nederlandportaal!
The Netherlands, informally Holland, is a country located in northwestern Europe with overseas territories in the Caribbean. It is the largest of the four constituent countries of the Kingdom of the Netherlands. The Netherlands consists of twelve provinces; it borders Germany to the east and Belgium to the south, with a North Sea coastline to the north and west. It shares maritime borders with the United Kingdom, Germany, and Belgium. The official language is Dutch, with West Frisian as a secondary official language in the province of Friesland. Dutch, English, and Papiamento are official in the Caribbean territories.
The Netherlands has been a parliamentary constitutional monarchy with a unitary structure since 1848. The country has a tradition of pillarisation (separation of citizens into groups by religion and political beliefs) and a long record of social tolerance, having legalised prostitution and euthanasia, along with maintaining a liberal drug policy. The Netherlands allowed women's suffrage in 1919 and was the first country to legalise same-sex marriage in 2001. Its mixed-market advanced economy has the eleventh-highest per capita income globally. The Hague holds the seat of the States General, Cabinet and Supreme Court. The Port of Rotterdam is the busiest in Europe. Schiphol is the busiest airport in the Netherlands, and the fourth busiest in Europe. Being a developed country, the Netherlands is a founding member of the European Union, Eurozone, G10, NATO, OECD, and WTO, as well as a part of the Schengen Area and the trilateral Benelux Union. It hosts intergovernmental organisations and international courts, many of which are in The Hague. (Full article...)
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Tjioeng Wanara ([tʃiˈuŋ waˈnara]; Perfected Spelling: Ciung Wanara) is a 1941 film from the Dutch East Indies (modern-day Indonesia) directed and produced by Jo Eng Sek. Starring R Sukran, Elly Joenara and AB Djoenaedi, it featured more than 500 people in supporting roles. The film follows a young prince named Tjioeng Wanara who must reclaim his throne from the cruel King of Galuh; it is adapted from the Sundanese legend of the same name.
The second production by Star Film, Tjioeng Wanara was released 18 August 1941. It was advertised heavily, emphasising the fact that the scholar Poerbatjaraka had served as the historical adviser and that the film was based on Balai Pustaka's version of the legend. It premiered to commercial success, but received mixed reviews. This black-and-white production, which was screened until at least 1948, is now thought lost. (Full article...) - Image 2
William III (William Henry; Dutch: Willem Hendrik; 4 November 1650 – 8 March 1702), also widely known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s, and King of England, Ireland, and Scotland from 1689 until his death in 1702. As King of Scotland, he is known as William II. He ruled Britain and Ireland alongside his wife, Queen Mary II, and their joint reign is known as that of William and Mary.
William was the only child of William II, Prince of Orange, and Mary, Princess Royal, the daughter of King Charles I of England, Scotland, and Ireland. His father died a week before his birth, making William III the prince of Orange from birth. In 1677, he married his first cousin Mary, the eldest daughter of his maternal uncle James, Duke of York, the younger brother and later successor of King Charles II. (Full article...) - Image 3Si Ronda is a 1930 silent film from the Dutch East Indies which was directed by Lie Tek Swie and starred Bachtiar Effendi. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat (traditional Malay martial arts), known as Si Ronda. In the lenong stories from which the film was derived, Ronda was often depicted as a Robin Hood type of figure. The production, now thought lost, was one of a series of martial arts films released between 1929 and 1931. Si Ronda received little coverage in the media upon its release. A second adaptation of the tale, Si Ronda Macan Betawi, was made in 1978. (Full article...)
- Image 4Design 1047, also known as Project 1047, was a series of plans for a class of Dutch battlecruisers prior to the Second World War. These large capital ships were intended to counter the threat posed by Japanese aggression towards the Dutch colonies in the East Indies.
Dutch intelligence believed that if it came to war, the Imperial Japanese Navy would deploy its capital ships (aircraft carriers and battleships) against their counterparts of the United States Navy and the British Royal Navy. That would leave heavy and light cruisers, along with seaplane carriers, as the largest warships available for an advance into the East Indies. (Full article...) - Image 5
The Garden of Earthly Delights is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. It has been housed in the Museo del Prado in Madrid, Spain since 1939.
As little is known of Bosch's life or intentions, interpretations of his artistic intent behind the work range from an admonition of worldly fleshy indulgence, to a dire warning on the perils of life's temptations, to an evocation of ultimate sexual joy. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. (Full article...) - Image 6
The Battle of Ramillies (/ˈræmɪliːz/), fought on 23 May 1706, was a battle of the War of the Spanish Succession. For the Grand Alliance – Austria, England, and the Dutch Republic – the battle had followed an indecisive campaign against the Bourbon armies of King Louis XIV of France in 1705. Although the Allies had captured Barcelona that year, they had been forced to abandon their campaign on the Moselle, had stalled in the Spanish Netherlands and suffered defeat in northern Italy. Yet despite his opponents' setbacks Louis XIV wanted peace, but on reasonable terms. Because of this, as well as to maintain their momentum, the French and their allies took the offensive in 1706.
The campaign began well for Louis XIV's generals: in Italy Marshal Vendôme defeated the Austrians at the Battle of Calcinato in April, while in Alsace Marshal Villars forced the Margrave of Baden back across the Rhine. Encouraged by these early gains Louis XIV urged Marshal Villeroi to go over to the offensive in the Spanish Netherlands and, with victory, gain a 'fair' peace. Accordingly, the French Marshal set off from Leuven (Louvain) at the head of 60,000 men and marched towards Tienen (Tirlemont), as if to threaten Zoutleeuw (Léau). Also determined to fight a major engagement, the Duke of Marlborough, commander-in-chief of Anglo-Dutch forces, assembled his army – some 62,000 men – near Maastricht, and marched past Zoutleeuw. With both sides seeking battle, they soon encountered each other on the dry ground between the rivers Mehaigne and Petite Gette, close to the small village of Ramillies. (Full article...) - Image 7
Oriental Film was a film production company in Batavia, Dutch East Indies (now Jakarta, Indonesia). Established by ethnic Chinese businessman Tjo Seng Han in 1940, it completed four black-and-white films before it was closed in 1941. All the company's films were screened into the 1950s but may now be lost. They were directed by two men, Njoo Cheong Seng and Sutan Usman Karim, and launched the careers of actors such as Dhalia and Soerip.
Established during the revival of the Indies film industry, Oriental released its first film, Kris Mataram, in July 1940. It starred Njoo's wife Fifi Young, and relied on her fame as a stage actress to draw audiences. This was followed by a further three films, which were targeted at low-income audiences and extensively used kroncong music. Their final production was Panggilan Darah in 1941, which was completed after Njoo and Young had migrated to Majestic Film. Oriental was unable to recoup its expenses of renting a Dutch-owned studio, and the company was shut down. (Full article...) - Image 8
A Dutch proposal to build new battleships was originally tendered in 1912, after years of concern over the expansion of the Imperial Japanese Navy and the withdrawal of allied British warships from the China Station. Only four coastal defense ships were planned, but naval experts and the Tweede Kamer (lower house of the parliament) believed that acquiring dreadnoughts would provide a stronger defense for the Nederlands-Indië (Netherlands East Indies, abbr. NEI), so a Royal Commission was formed in June 1912.
The Royal Commission reported in August 1913. It recommended that the Koninklijke Marine (Royal Netherlands Navy) acquire nine dreadnought-type battleships to protect the NEI from attack and help guarantee the country's neutrality in Europe. Five of these would be based in the colony, while the other four would operate out of the Netherlands. Seven foreign companies submitted designs for the contract; naval historians believe that a 26,850-long-ton (27,280 tonne) ship, whose design was submitted by the German firm Friedrich Krupp Germaniawerft, would have been eventually selected. (Full article...) - Image 9
Fakih Usman (alternatively spelled as Faqih Usman; [faˈkɪh ʊsˈman]; 2 March 1904 – 3 October 1968) was an Indonesian Islamic leader and politician of the Masyumi Party. He twice served as the Minister of Religious Affairs under the cabinets of Abdul Halim and Wilopo from January until September 1950, and again from 1952 until 1953. In his early years, Fakih was criticized by conservative Muslims for his involvement with the modernist Islamic Muhammadiyah organization, though he is remembered fondly by the group. Born to a merchant and his wife in Gresik, Dutch East Indies, Fakih studied with his father and at a series of pesantren (Islamic boarding schools) until the 1920s.
In 1925 he became involved with the Muhammadiyah, rising quickly through the leadership until he became the head of the Surabaya branch in 1938. He was also active in local politics, in 1937, he became the treasurer of the Indonesian Islamic Assembly. He continued to be involved in politics and Islamic groups during the Japanese occupation and the ensuing national revolution. Following the end of war, he was appointed Minister of Religious Affairs. As minister, he oversaw educational and institutional reform, growing in prominence within the Muhammadiyah. He also served as deputy chairman of the organization under several different leaders before being chosen as its chairman in late 1968. He died several days later. (Full article...) - Image 10
Kedok Ketawa ([kəˈdɔʔ kəˈtawa]; Indonesian for The Laughing Mask, also known by the Dutch title Het Lachende Masker) is a 1940 action film from the Dutch East Indies (now Indonesia). Union Films' first production, it was directed by Jo An Djan. Starring Basoeki Resobowo, Fatimah, and Oedjang, the film follows a young couple who fight off criminals with the help of a masked man.
Advertised as an "Indonesian cocktail of violent actions ... and sweet romance", Kedok Ketawa received positive reviews, particularly for its cinematography. Following the success of the film, Union produced another six works before being shut down in early 1942 during the Japanese occupation. The film, screened until at least August 1944, may be lost. (Full article...)
- Image 1This page is a list of films that received the Golden Film since its introduction in 2001 by the Netherlands Film Festival and the Netherlands Film Fund. In 2001 and 2002, films from the Netherlands received the award once they had sold 75,000 tickets. From 2003 to date, the Golden Film is awarded to films from the Netherlands once they have sold 100,000 tickets. This page shows, for both audience criteria, which films received the Golden Film and how soon they received it after their releases.
In the following tables, the 'year' column contains the years in which the films received the Golden Film, the '#' column contains the number of the Golden Film, the 'film title' column contains the titles of the receiving films, the 'film release' column contains the dates on which the films were first released in the cinemas, and the 'Golden Film' column contains the days when the Netherlands Film Festival and the Netherlands Film Fund announced that the receiving films reached the audience criterion of the Golden Film. (Full article...) - Image 2
A total of 112 fictional films are known to have been produced in the Dutch East Indies (modern-day Indonesia) between 1926 and the colony's dissolution in 1949. The earliest motion pictures, imported from abroad, were shown in late 1900, and by the early 1920s imported serials and fictional films were being shown, often with localised names. Dutch companies were also producing documentary films about the Indies to be shown in the Netherlands. The first reports of fictional film production in the Indies date from 1923, although the work in question was not completed. The first locally produced film, Loetoeng Kasaroeng, was directed by L. Heuveldorp and released on 31 December 1926.
Between 1926 and 1933 numerous other local productions were released. Although Dutchmen like Heuveldorp and G. Krugers continued to be active in the industry, the majority of filmmakers and producers were ethnic Chinese. The Tan brothers (Khoen Yauw and Khoen Hian) and The Teng Chun were major producers during this period, while the Wong brothers (Nelson, Othniel, and Joshua) were among the more prominent directors. During the mid-1930s, production dropped as a result of the Great Depression. The release of Albert Balink's commercially and critically successful Terang Boelan (Full Moon) in 1937 led to renewed interest in filmmaking, and 1941 saw thirty locally produced films. This rate of production declined after the Japanese occupation beginning in early 1942, closing all but one film studio; this resulted in several films which had begun production in 1941 being released several years later. The majority of films produced during the occupation were short propaganda pieces. Following the Proclamation of Indonesian Independence in 1945 and during the ensuing revolution several films were made, by both pro-Dutch and pro-Indonesian backers; the Dutch formally recognised Indonesia's sovereignty on 27 December 1949, leaving the Dutch East Indies defunct. (Full article...) - Image 3
The Battle of Camperdown was an important naval action of the French Revolutionary Wars, fought off Camperduin on the North Holland coast on 11 October 1797 between a British fleet under Admiral Adam Duncan and a Dutch fleet under Vice-Admiral Jan de Winter. The French Republic had overrun the Dutch Republic two years earlier, reforming it into the Batavian Republic. In early 1797, the Batavian Navy was ordered to sail to Brest and unite with the French Atlantic Fleet in preparation for an invasion of Ireland. Shortly afterwards, the British fleets were paralysed by the Spithead and Nore mutinies, in which the sailors refused to take their ships to sea until they were awarded better pay and conditions. For two months[citation needed], the English Channel was undefended, but the Dutch failed to take the opportunity to sail from their harbour in the Texel: their preparations were not complete, and a small squadron of loyal British ships under Duncan convinced de Winter that the British fleet was at sea by sending nonsensical signals to fictitious ships over the horizon.
By October 1797, the plan to attack Ireland had been abandoned and the British North Sea Fleet was again at full strength. During a brief period replenishing supplies at Yarmouth, news reached Duncan on 10 October that the Dutch had sailed on a raiding cruise[citation needed] and he returned to the Dutch coast, intercepting de Winter's fleet on its way back to the Texel. The Dutch formed a line of battle in shallow coastal waters to meet Duncan's attack, which was conducted in a confused mass, the British fleet separating into two groups that struck the vanguard and rear of the Dutch fleet, overwhelming each in turn and capturing eleven ships, including de Winter's flagship Vrijheid. On the return journey, three of the captured ships were lost, and none of the surviving Dutch prizes was ever suitable for active service again[citation needed]. Both sides suffered heavy casualties during the battle as each fleet had been trained to aim at the hulls of their opponents, maximising the damage to personnel. (Full article...) - Image 4Since 1 January 2023, there have been 342 regular municipalities (Dutch: gemeenten) and three special municipalities (bijzondere gemeenten) in the Netherlands. The latter is the status of three of the six island territories that make up the Dutch Caribbean. Municipalities are the second-level administrative division, or public bodies (openbare lichamen), in the Netherlands and are subdivisions of their respective provinces. Their duties are delegated to them by the central government and they are ruled by a municipal council that is elected every four years. Municipal mergers have reduced the total number of municipalities by two-thirds since the first official boundaries were created in the mid 19th century. Municipalities themselves are informally subdivided into districts and neighbourhoods for administrative and statistical purposes.
These municipalities come in a wide range of sizes, Westervoort is the smallest with a land area of 7.01 km2 (2.71 sq mi) and Súdwest-Fryslân the largest with a land area of 522.7 km2 (201.8 sq mi). Schiermonnikoog is both the least populated, with 982 people, and the least densely populated municipality at 23/km2 (60/sq mi). Amsterdam has the highest population with 918,117 residents as of January 2023, whereas The Hague is the most densely populated with a density of 6,827/km2 (17,680/sq mi). (Full article...) - Image 5Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.
The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. (Full article...) - Image 6
Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film.
The colony's first directors, Heuveldorp and G. Kruger, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java; other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima; another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. (Full article...) - Image 7The Amsterdam Tournament (Dutch: Amsterdam Toernooi) was a pre-season association football competition, held in Amsterdam, Netherlands. The competition was hosted by Eredivisie club Ajax at the Amsterdam Arena. It was inaugurated in 1975 as the Amsterdam 700 Tournament to celebrate 700 years of history in the city. It was held annually each summer until 1992, when the last edition of the original tournament was played. It returned in 1999 with the backing of the International Event Partnership (IEP). Four teams participate in the competition, played in a league format since 1986.
Since its return, the tournament has used an unusual point scoring system. As with most league competitions, three points are awarded for a win, one for a draw and zero for a loss. An additional point, however, is awarded for each goal scored. The system is designed to reward teams that adopt a more attacking style of play. Each entrant plays two matches, with the winner being the club that finishes at the top of the table. The original competition was held at Amsterdam's Olympic Stadium, where Ajax played its international games until 1996. The Amsterdam Arena, now named the Johan Cruyff Arena, has played host to the event since the return until 2009. (Full article...)
Selected biography
Born a member of the House of Orange-Nassau, William III won the English, Scottish and Irish Crowns following the Glorious Revolution, during which his uncle and father-in-law, the Catholic James II (VII in Scotland)), was deposed. In England, Scotland and Ireland, William ruled jointly with his wife, Mary II, until her death on 28 December 1694. He reigned as 'William II' in Scotland, but 'William III' in England and Ireland. Often he is referred to as William of Orange, a name he shared with many other historical figures. In Northern Ireland and Scotland, he is often informally known as "King Billy".
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- Image 1Photo: Massimo CatarinellaThe Munttoren, a tower in Amsterdam, the Netherlands, as seen from the river Amstel at dusk. The tower was originally part of the Regulierspoort, one of the main gates in Amsterdam's medieval city wall, dating to 1487. After a fire destroyed the gate in 1618, the tower was rebuilt in the Amsterdam Renaissance style, with an eight-sided top half and open spire designed by Hendrick de Keyser, featuring a clock with four faces and a carillon of bells. The name ("Mint Tower") refers to the time when it was temporarily used to mint coins in the Rampjaar ("disastrous year") of 1672 when both England and France declared war on the Dutch Republic, and silver and gold could not be safely transported to Dordrecht and Enkhuizen, where coins were normally minted.
- Image 2Image credit: Detroit Publishing Co.
Restoration by Massimo CatarinellaA ca. 1900 photochrom of the Singel, a canal in Amsterdam, the Netherlands, with the Munttoren tower in the background. The canal served as a moat around the city until 1585, when Amsterdam expanded beyond the Singel. It is now the innermost canal in Amsterdam's semicircular ring of canals. - Image 3Bartholomeus van der Helst's 1648 painting depicting a company of schutterij celebrating the Peace of Münster, the treaty between the Dutch Republic and Spain signed earlier that year making the United Netherlands independent from the Holy Roman Empire. The Dutch Revolt had begun in 1566, and the Northern Netherlands became de facto independent over the years. By the end, France allied itself with the Dutch, taking much of the Southern Netherlands. On January 30, 1648, the warring parties reached an agreement after seven years of negotiations, and the final treaty was signed on May 15.
- Image 4Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian InstitutionThe Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated ten gulden, is part of the 1942 series.
See other denominations: One cent · Five cents · Ten cents · Half gulden · One gulden, Five gulden, Ten gulden - Image 5Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian InstitutionThe Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated one cent, is part of the 1942 series.
See other denominations: One cent · Five cents · Ten cents · Half gulden · One gulden, Five gulden, Ten gulden - Image 6Photograph credit: Tati Photo Studio; restored by Chris WoodrichBaby Huwae (22 November 1939 – 5 June 1989) was an Indonesian model, film actress and singer. Born in Rotterdam, Netherlands, she moved to Indonesia, where she took up modelling, by the 1950s. She entered the film industry in 1958, and gained popularity following the success of Asrama Dara. Over the next few years, Huwae acted in a further five films and established a girl group, the Baby Dolls, with several actresses who had appeared in her second film. She made a guest appearance in one more film in 1971 after a ten-year hiatus.
- Image 7The F-16 Solo Display Team is one of three solo aerobatics display teams of the Royal Netherlands Air Force. It is currently based at Volkel Air Base in the Dutch province of North Brabant and consists of the pilot, two instructors and seven ground crew.
- Image 8Painting: Antonio de PeredaAllegory of Vanity, a vanitas completed by Antonio de Pereda between 1632 and 1636. Works in this category of symbolic art, especially associated with still life paintings of 16th- and 17th-century Flanders and the Netherlands, refer to the traditional Christian view of earthly life and the worthless nature of all earthly goods and pursuits. The Latin noun vanĭtās means "emptiness" and derives its prominence from Ecclesiastes. Common symbols in vanitas include skulls, rotten fruit; bubbles; smoke, watches, hourglasses, and musical instruments.
- Image 9Banknotes: Bank of IndonesiaThe rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018[update]
'"`UNIQ--nowiki-00000013-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.
This note, denominated 2,000 rupiah, is part of the 2009 series. It depicts Prince Antasari, a National Hero of Indonesia, on its obverse, and a traditional Dayak dance on its reverse.
See other denominations: Rp 1,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 50,000, Rp 100,000 - Image 10Banknote: De Bank Courant en Bank van Leening (image courtesy of the National Numismatic Collection, National Museum of American History)A banknote for one Netherlands Indies gulden. This note was issued in 1815 as part of the first Dutch government-issued paper money in the Netherlands Indies. However, in 1818 the issuing bank—De Bank Courant en Bank van Leening—was dissolved due to a lack of capital, and six months later, this first series of notes was declared worthless.
- Image 11Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian InstitutionThe Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated one gulden, is part of the 1942 series.
See other denominations: One cent · Five cents · Ten cents · Half gulden · One gulden, Five gulden, Ten gulden - Image 12William I (1772–1843) was a Prince of Orange and the first King of the Netherlands and Grand Duke of Luxembourg. William implemented controversial language policies, founded many trade institutions and universities, and adopted a new constitution. However, the southern Netherlands became increasingly marginalized, and in 1830 the Belgian Revolution broke out. The war against the newly-declared Belgium caused considerable economic distress for the Netherlands, and in 1839 William signed the Treaty of London, which recognized Belgium. William abdicated the following year.
- Image 13Banknotes: Bank of IndonesiaThe rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018[update]
'"`UNIQ--nowiki-00000014-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.
This note, denominated 5,000 rupiah, is part of the 2009 series. It depicts Tuanku Imam Bonjol, a National Hero of Indonesia, on its obverse, and a West Sumatran weaver on its reverse.
See other denominations: Rp 1,000, Rp 2,000, Rp 10,000, Rp 20,000, Rp 50,000, Rp 100,000 - Image 14Image: Detroit Publishing Co.; Restoration: Lise BroerA ca. 1890–1900 photochrom print of Amsterdam Centraal railway station, one of the main railway hubs of the Netherlands, soon after its opening in 1889. The station is situated on three artificial islands at the head of the city, along the IJ. Its location was highly controversial, as it effectively cut the city off from its own waterfront, making it, for all purposes, an inland city.
- Image 15Painting: Gerard ter BorchThe 1648 ratification of the Peace of Münster, as painted the same year by Gerard ter Borch. With this treaty, which was reached after seven years of negotiations, Spain formally recognized the independence of the United Netherlands. The treaty contributed to the Peace of Westphalia, which ended both the Thirty Years' War and the Eighty Years' War.
Did you know (auto-generated)
- ... that the Vuurbaak van Katwijk aan Zee, built in 1605, is the second-oldest lighthouse in the Netherlands?
- ... that five years after Ihsan Gürz died while in Dutch police custody, his father was convicted of swearing at a police officer who had been present at his arrest?
- ... that conservation in Indonesia had little local support after independence because it was associated with the Dutch colonial period?
- ... that Harald Hasselbach, the only Dutch Super Bowl champion, lived in four continents in his youth?
- ... that some of the most celebrated Dutch Golden Age artists who worked in glass engraving were women?
- ... that when England moved to take over the Dutch colony of New Netherland in 1664, a delegation met at Stuyvesant Farm to negotiate the Articles of Surrender?
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