Portal:Arts

Portal:The arts

Portal:The arts

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T H E   A R T S   P O R T A L

The Parthenon

The Parthenon on top of the Acropolis, Athens, Greece

The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

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  • Image 1Smetana, c. 1878Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə, Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau").Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden, where he set up as a teacher and choirmaster in Gothenburg, and began to write large-scale orchestral works. (Full article...)
    Portrait of middle-aged man
    Smetana, c. 1878signature written in ink in a flowing script


    Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə, Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau").

    Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden, where he set up as a teacher and choirmaster in Gothenburg, and began to write large-scale orchestral works. (Full article...)
  • Image 2No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989. The review led to the band's signing with what would become Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios, on a budget of US$3,500.No Depression was critically acclaimed and sold well for an independent release. Selling over 15,000 copies within a year of its release, the album's success inspired the roots music magazine No Depression. The record is considered one of the most important alternative country albums, and its title is often used as a synonym for the alternative country genre after being popularized by No Depression magazine. After regaining the rights to the album through a lawsuit, Uncle Tupelo released a remastered version in 2003 through Legacy Records, expanded to include six bonus tracks. (Full article...)
    No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989. The review led to the band's signing with what would become Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios, on a budget of US$3,500.

    No Depression was critically acclaimed and sold well for an independent release. Selling over 15,000 copies within a year of its release, the album's success inspired the roots music magazine No Depression. The record is considered one of the most important alternative country albums, and its title is often used as a synonym for the alternative country genre after being popularized by No Depression magazine. After regaining the rights to the album through a lawsuit, Uncle Tupelo released a remastered version in 2003 through Legacy Records, expanded to include six bonus tracks. (Full article...)
  • Image 3The Simpsons Movie is a 2007 American animated comedy film based on the Fox animated sitcom The Simpsons by Matt Groening. The film was directed by series veteran David Silverman and stars the series' regular cast of Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria, Harry Shearer, Pamela Hayden, and Tress MacNeille reprising their roles and Albert Brooks as the film's main antagonist, Russ Cargill, head of the Environmental Protection Agency. The film follows Homer Simpson, who irresponsibly pollutes Springfield's local lake, causing the Environmental Protection Agency, or EPA, to imprison the town under a giant glass dome. After he and his family escape to Alaska, they ultimately abandon Homer for his selfishness and return to Springfield to prevent the town's demolition by Cargill. Homer then works to redeem his folly by returning to Springfield himself in an effort to save it.Although previous attempts to create a Simpsons film had been made, they failed due to the lack of a script. Eventually in 2001, producers James L. Brooks, Matt Groening, Al Jean, Mike Scully and Richard Sakai began development on the film and a writing team consisting of Brooks, Groening, Jean, Scully, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Matt Selman, John Swartzwelder and Jon Vitti was assembled. They conceived numerous plot ideas, with Groening's being the one adapted. The script was rewritten over a hundred times, also continuing after work on the animation began in 2006. Consequently, hours of finished material was cut from the final release, including cameo roles from Erin Brockovich, Minnie Driver, Isla Fisher, Edward Norton, and Kelsey Grammer, who would have reprised his role as Sideshow Bob. Tom Hanks and the members of Green Day voice their own animated counterparts in the final cut of the film, while Albert Brooks, a frequent guest performer on the series, provides the voice of Cargill. (Full article...)
    The Simpsons Movie is a 2007 American animated comedy film based on the Fox animated sitcom The Simpsons by Matt Groening. The film was directed by series veteran David Silverman and stars the series' regular cast of Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria, Harry Shearer, Pamela Hayden, and Tress MacNeille reprising their roles and Albert Brooks as the film's main antagonist, Russ Cargill, head of the Environmental Protection Agency. The film follows Homer Simpson, who irresponsibly pollutes Springfield's local lake, causing the Environmental Protection Agency, or EPA, to imprison the town under a giant glass dome. After he and his family escape to Alaska, they ultimately abandon Homer for his selfishness and return to Springfield to prevent the town's demolition by Cargill. Homer then works to redeem his folly by returning to Springfield himself in an effort to save it.

    Although previous attempts to create a Simpsons film had been made, they failed due to the lack of a script. Eventually in 2001, producers James L. Brooks, Matt Groening, Al Jean, Mike Scully and Richard Sakai began development on the film and a writing team consisting of Brooks, Groening, Jean, Scully, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Matt Selman, John Swartzwelder and Jon Vitti was assembled. They conceived numerous plot ideas, with Groening's being the one adapted. The script was rewritten over a hundred times, also continuing after work on the animation began in 2006. Consequently, hours of finished material was cut from the final release, including cameo roles from Erin Brockovich, Minnie Driver, Isla Fisher, Edward Norton, and Kelsey Grammer, who would have reprised his role as Sideshow Bob. Tom Hanks and the members of Green Day voice their own animated counterparts in the final cut of the film, while Albert Brooks, a frequent guest performer on the series, provides the voice of Cargill. (Full article...)
  • Image 4"Confirmed Dead" is the second episode of the fourth season of ABC's serial television drama Lost and the 74th episode overall. It was first aired on February 7, 2008, on ABC in the United States and on CTV in Canada.The episode includes the first appearances of the main characters Miles Straume and Charlotte Lewis and the supporting character Frank Lapidus. Ken Leung played Miles Straume, Rebecca Mader played Charlotte Lewis and Jeff Fahey played Frank Lapidus. The actors were given fake scenes when auditioning to limit the leak of story information or spoilers. Mader and Fahey were different from the writers' visions of Charlotte and Frank, but the writers changed the characters to suit them. Also, the role of Miles was changed for Leung. The episode was written by co-executive producer Drew Goddard and co-producer Brian K. Vaughan and directed by co-executive producer Stephen Williams. (Full article...)
    "Confirmed Dead" is the second episode of the fourth season of ABC's serial television drama Lost and the 74th episode overall. It was first aired on February 7, 2008, on ABC in the United States and on CTV in Canada.

    The episode includes the first appearances of the main characters Miles Straume and Charlotte Lewis and the supporting character Frank Lapidus. Ken Leung played Miles Straume, Rebecca Mader played Charlotte Lewis and Jeff Fahey played Frank Lapidus. The actors were given fake scenes when auditioning to limit the leak of story information or spoilers. Mader and Fahey were different from the writers' visions of Charlotte and Frank, but the writers changed the characters to suit them. Also, the role of Miles was changed for Leung. The episode was written by co-executive producer Drew Goddard and co-producer Brian K. Vaughan and directed by co-executive producer Stephen Williams. (Full article...)
  • Image 5Terry-Thomas in Where Were You When the Lights Went Out? (1968)Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 1⁄3-inch (8.5 mm) gap between his two upper front teeth.Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. On his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959). (Full article...)
    Terry-Thomas in Where Were You When the Lights Went Out? (1968)


    Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 1⁄3-inch (8.5 mm) gap between his two upper front teeth.

    Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. On his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959). (Full article...)
  • Image 6Southend-on-Sea War Memorial, or Southend War Memorial, is a First World War memorial in Southend-on-Sea, Essex, in south-eastern England. It was designed by Sir Edwin Lutyens and unveiled in 1921. Southend-on-Sea is a seaside resort famous for its pleasure pier, which was used by the military during the First World War. The town was a stopping point for soldiers en route to the front and, as the war drew on, it also became an important disembarkation point for the evacuation of injured troops. This saw the conversion of several buildings in Southend into hospitals. A committee appointed Lutyens, the architect of The Cenotaph, to design a permanent memorial as a replacement for temporary shrines. He originally proposed a cenotaph but this was rejected in favour of an obelisk rising from a screen wall. In front of the monument is a garden, also designed by Lutyens, and the words "lest we forget" are set in stone on a lawn. Instead of carving them on the memorial, the names of the 1,338 dead from Southend are recorded on plaques fixed to the walls of Prittlewell Priory. The memorial is one of six obelisks Lutyens designed for war memorials in Britain and closely resembles those for Northampton and for the North Eastern Railway. It was largely praised by art historians but one Lutyens biographer felt the lettering in the grass detracted from it. (Full article...)

    Southend-on-Sea War Memorial, or Southend War Memorial, is a First World War memorial in Southend-on-Sea, Essex, in south-eastern England. It was designed by Sir Edwin Lutyens and unveiled in 1921. Southend-on-Sea is a seaside resort famous for its pleasure pier, which was used by the military during the First World War. The town was a stopping point for soldiers en route to the front and, as the war drew on, it also became an important disembarkation point for the evacuation of injured troops. This saw the conversion of several buildings in Southend into hospitals.

    A committee appointed Lutyens, the architect of The Cenotaph, to design a permanent memorial as a replacement for temporary shrines. He originally proposed a cenotaph but this was rejected in favour of an obelisk rising from a screen wall. In front of the monument is a garden, also designed by Lutyens, and the words "lest we forget" are set in stone on a lawn. Instead of carving them on the memorial, the names of the 1,338 dead from Southend are recorded on plaques fixed to the walls of Prittlewell Priory. The memorial is one of six obelisks Lutyens designed for war memorials in Britain and closely resembles those for Northampton and for the North Eastern Railway. It was largely praised by art historians but one Lutyens biographer felt the lettering in the grass detracted from it. (Full article...)
  • Image 7"Cape Feare" is the second episode of the fifth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on October 7, 1993. The episode features guest star Kelsey Grammer in his third major appearance as Sideshow Bob, who attempts to kill Bart Simpson again after getting out of jail, spoofing the 1962 film Cape Fear and its 1991 remake. Both films are based on John D. MacDonald's 1957 novel The Executioners and allude to other horror films such as Psycho.The episode was written by Jon Vitti and was the final episode directed by Rich Moore. The idea was pitched by Wallace Wolodarsky, who wanted to parody Cape Fear. Originally produced as the last episode for the fourth season, it was held over to the fifth and was, therefore, the last episode produced by the show's original writers, most of whom subsequently left. The production crew found it difficult to stretch "Cape Feare" to the standard duration of half an hour (minus commercials), and consequently padded several scenes. In one such sequence, Sideshow Bob continually steps on rakes, the handles of which then hit him in the face; this scene has been cited as one of the show's most memorable moments. The score received an Emmy Award nomination. (Full article...)
    "Cape Feare" is the second episode of the fifth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on October 7, 1993. The episode features guest star Kelsey Grammer in his third major appearance as Sideshow Bob, who attempts to kill Bart Simpson again after getting out of jail, spoofing the 1962 film Cape Fear and its 1991 remake. Both films are based on John D. MacDonald's 1957 novel The Executioners and allude to other horror films such as Psycho.

    The episode was written by Jon Vitti and was the final episode directed by Rich Moore. The idea was pitched by Wallace Wolodarsky, who wanted to parody Cape Fear. Originally produced as the last episode for the fourth season, it was held over to the fifth and was, therefore, the last episode produced by the show's original writers, most of whom subsequently left. The production crew found it difficult to stretch "Cape Feare" to the standard duration of half an hour (minus commercials), and consequently padded several scenes. In one such sequence, Sideshow Bob continually steps on rakes, the handles of which then hit him in the face; this scene has been cited as one of the show's most memorable moments. The score received an Emmy Award nomination. (Full article...)
  • Image 8The ruins of Santa María de Óvila in Spain, shown more than 75 years after the most striking architectural features were removed by agents of William Randolph HearstSanta María de Óvila is a former Cistercian monastery built in Spain beginning in 1181 on the Tagus River near Trillo, Guadalajara, about 90 miles (140 km) northeast of Madrid. During prosperous times over the next four centuries, construction projects expanded and improved the small monastery. Its fortunes declined significantly in the 18th century, and in 1835 it was confiscated by the Spanish government and sold to private owners who used its buildings to shelter farm animals.American publisher William Randolph Hearst bought parts of the monastery in 1931 with the intention of using its stones in the construction of a grand and fanciful castle at Wyntoon, California, but after some 10,000 stones were removed and shipped, they were abandoned in San Francisco for decades. These stones are now in various locations around California: the old church portal was erected at the University of San Francisco, and the chapter house was reassembled by Trappist monks at the Abbey of New Clairvaux in Vina, California. Other stones are serving as simple decorative elements in Golden Gate Park's botanical garden. To support the chapter house project, a line of Belgian-style beers was produced by Sierra Nevada Brewing Company under the Ovila Abbey brand. (Full article...)

    The ruins of Santa María de Óvila in Spain, shown more than 75 years after the most striking architectural features were removed by agents of William Randolph Hearst

    Santa María de Óvila is a former Cistercian monastery built in Spain beginning in 1181 on the Tagus River near Trillo, Guadalajara, about 90 miles (140 km) northeast of Madrid. During prosperous times over the next four centuries, construction projects expanded and improved the small monastery. Its fortunes declined significantly in the 18th century, and in 1835 it was confiscated by the Spanish government and sold to private owners who used its buildings to shelter farm animals.

    American publisher William Randolph Hearst bought parts of the monastery in 1931 with the intention of using its stones in the construction of a grand and fanciful castle at Wyntoon, California, but after some 10,000 stones were removed and shipped, they were abandoned in San Francisco for decades. These stones are now in various locations around California: the old church portal was erected at the University of San Francisco, and the chapter house was reassembled by Trappist monks at the Abbey of New Clairvaux in Vina, California. Other stones are serving as simple decorative elements in Golden Gate Park's botanical garden. To support the chapter house project, a line of Belgian-style beers was produced by Sierra Nevada Brewing Company under the Ovila Abbey brand. (Full article...)
  • Image 9Sesame Street is an American children's television program that is known for its use of format and structure to convey educational concepts to its preschool audience, and to help them prepare for school. It utilizes the conventions of television such as music, humor, sustained action, and a strong visual style, and combines Jim Henson's Muppets, animation, short films, humor, and cultural references. The show, which premiered in 1969, was the first to base its contents, format, and production values on laboratory and formative research. According to researchers, it was also the first to include a curriculum "detailed or stated in terms of measurable outcomes".The format of Sesame Street consisted of a combination of commercial television production elements and educational techniques. It was the first time a more realistic setting, an inner city street and neighborhood, was used for a children's program. At first, each episode was structured like a magazine, but in 1998, as a result of changes in their audience and its viewing habits, the producers researched the reasons for its lower ratings, and changed the show's structure to a more narrative format. The popular, fifteen-minute long segment, "Elmo's World", hosted by the Muppet Elmo, was added in 1998 to make the show more accessible to a younger audience. The producers of Sesame Street expanded the new format to the entire show in 2002. (Full article...)
    Sesame Street is an American children's television program that is known for its use of format and structure to convey educational concepts to its preschool audience, and to help them prepare for school. It utilizes the conventions of television such as music, humor, sustained action, and a strong visual style, and combines Jim Henson's Muppets, animation, short films, humor, and cultural references. The show, which premiered in 1969, was the first to base its contents, format, and production values on laboratory and formative research. According to researchers, it was also the first to include a curriculum "detailed or stated in terms of measurable outcomes".

    The format of Sesame Street consisted of a combination of commercial television production elements and educational techniques. It was the first time a more realistic setting, an inner city street and neighborhood, was used for a children's program. At first, each episode was structured like a magazine, but in 1998, as a result of changes in their audience and its viewing habits, the producers researched the reasons for its lower ratings, and changed the show's structure to a more narrative format. The popular, fifteen-minute long segment, "Elmo's World", hosted by the Muppet Elmo, was added in 1998 to make the show more accessible to a younger audience. The producers of Sesame Street expanded the new format to the entire show in 2002. (Full article...)
  • Image 10The Temple of Eshmun (Arabic: معبد أشمون) is an ancient place of worship dedicated to Eshmun, the Phoenician god of healing. It is located near the Awali river, 2 kilometres (1.2 mi) northeast of Sidon in southwestern Lebanon. The site was occupied from the 7th century BC to the 8th century AD, suggesting an integrated relationship with the nearby city of Sidon. Although originally constructed by Sidonian king Eshmunazar II in the Achaemenid era (c. 529–333 BC) to celebrate the city's recovered wealth and stature, the temple complex was greatly expanded by Bodashtart, Yatonmilk and later monarchs. Because the continued expansion spanned many centuries of alternating independence and foreign hegemony, the sanctuary features a wealth of different architectural and decorative styles and influences.The sanctuary consists of an esplanade and a grand court limited by a huge limestone terrace wall that supports a monumental podium which was once topped by Eshmun's Greco-Persian style marble temple. The sanctuary features a series of ritual ablution basins fed by canals channeling water from the Asclepius river (modern Awali) and from the sacred "YDLL" spring; these installations were used for therapeutic and purificatory purposes that characterize the cult of Eshmun. The sanctuary site has yielded many artifacts of value, especially those inscribed with Phoenician texts, such as the Bodashtart inscriptions and the Eshmun inscription, providing valuable insight into the site's history and that of ancient Sidon. (Full article...)

    The Temple of Eshmun (Arabic: معبد أشمون) is an ancient place of worship dedicated to Eshmun, the Phoenician god of healing. It is located near the Awali river, 2 kilometres (1.2 mi) northeast of Sidon in southwestern Lebanon. The site was occupied from the 7th century BC to the 8th century AD, suggesting an integrated relationship with the nearby city of Sidon. Although originally constructed by Sidonian king Eshmunazar II in the Achaemenid era (c. 529–333 BC) to celebrate the city's recovered wealth and stature, the temple complex was greatly expanded by Bodashtart, Yatonmilk and later monarchs. Because the continued expansion spanned many centuries of alternating independence and foreign hegemony, the sanctuary features a wealth of different architectural and decorative styles and influences.

    The sanctuary consists of an esplanade and a grand court limited by a huge limestone terrace wall that supports a monumental podium which was once topped by Eshmun's Greco-Persian style marble temple. The sanctuary features a series of ritual ablution basins fed by canals channeling water from the Asclepius river (modern Awali) and from the sacred "YDLL" spring; these installations were used for therapeutic and purificatory purposes that characterize the cult of Eshmun. The sanctuary site has yielded many artifacts of value, especially those inscribed with Phoenician texts, such as the Bodashtart inscriptions and the Eshmun inscription, providing valuable insight into the site's history and that of ancient Sidon. (Full article...)
  • Image 11The Colossus of Rhodes is a 1954 oil painting by the Spanish surrealist Salvador Dalí. It is one of a series of seven paintings he created for the 1956 film Seven Wonders of the World, each depicting one of the wonders. The work shows the Colossus of Rhodes, the ancient statue of the Greek titan-god of the sun, Helios. The painting was not used for the film and was donated to the Kunstmuseum Bern in 1981, where it remains.Painted two decades after Dalí's heyday with the surrealist movement, the painting epitomises his shift from the avant-garde to the mainstream. Pressured by financial concerns after his move to the United States in 1940, and influenced by his fascination with Hollywood, Dalí shifted focus away from his earlier exploration of the subconscious and perception, and towards historical and scientific themes. (Full article...)
    The Colossus of Rhodes is a 1954 oil painting by the Spanish surrealist Salvador Dalí. It is one of a series of seven paintings he created for the 1956 film Seven Wonders of the World, each depicting one of the wonders. The work shows the Colossus of Rhodes, the ancient statue of the Greek titan-god of the sun, Helios. The painting was not used for the film and was donated to the Kunstmuseum Bern in 1981, where it remains.

    Painted two decades after Dalí's heyday with the surrealist movement, the painting epitomises his shift from the avant-garde to the mainstream. Pressured by financial concerns after his move to the United States in 1940, and influenced by his fascination with Hollywood, Dalí shifted focus away from his earlier exploration of the subconscious and perception, and towards historical and scientific themes. (Full article...)
  • Image 12E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by composer Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien.The E.T. the Extra-Terrestrial audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album Thriller despite conditions given by Epic Records, Jackson's record label, that it should not be released until after Thriller. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, E.T. the Extra-Terrestrial reached number 37 on the Billboard 200 and number 82 on the UK Albums Chart. It was well-received critically and won Jackson a Grammy Award for Best Recording for Children. (Full article...)
    E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by composer Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien.

    The E.T. the Extra-Terrestrial audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album Thriller despite conditions given by Epic Records, Jackson's record label, that it should not be released until after Thriller. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, E.T. the Extra-Terrestrial reached number 37 on the Billboard 200 and number 82 on the UK Albums Chart. It was well-received critically and won Jackson a Grammy Award for Best Recording for Children. (Full article...)
  • Image 13Drawing of Spitzeder from the 1873 magazine Die Gartenlaube, based on a photographAdelheid Luise "Adele" Spitzeder ([ˈaːdl̩haɪt ʔaˈdeːlə ˈʃpɪtˌtseːdɐ]; 9 February 1832 – 27 or 28 October 1895), also known by her stage name Adele Vio, was a German actress, folk singer, and con artist. Initially a promising young actress, Spitzeder became a well-known private banker in 19th-century Munich when her theatrical success dwindled. Running what was possibly the first recorded Ponzi scheme, she offered large returns on investments by continually using the money of new investors to pay back the previous ones. At the height of her success, contemporary sources considered her the wealthiest woman in Bavaria.Opening her bank in 1869, Spitzeder managed to fend off attempts to discredit her for a few years before authorities were able to bring her to trial in 1872. Because Ponzi schemes were not yet illegal, she was convicted instead of bad accounting and mishandling customers' money and sentenced to three years in prison. Her bank was closed and 32,000 people lost 38 million gulden, the equivalent of almost 400 million euros in 2017 money, causing a wave of suicides. Her personal fortune in art and cash was stripped from her. (Full article...)

    Drawing of Spitzeder from the 1873 magazine Die Gartenlaube, based on a photograph

    Adelheid Luise "Adele" Spitzeder ([ˈaːdl̩haɪt ʔaˈdeːlə ˈʃpɪtˌtseːdɐ]; 9 February 1832 – 27 or 28 October 1895), also known by her stage name Adele Vio, was a German actress, folk singer, and con artist. Initially a promising young actress, Spitzeder became a well-known private banker in 19th-century Munich when her theatrical success dwindled. Running what was possibly the first recorded Ponzi scheme, she offered large returns on investments by continually using the money of new investors to pay back the previous ones. At the height of her success, contemporary sources considered her the wealthiest woman in Bavaria.

    Opening her bank in 1869, Spitzeder managed to fend off attempts to discredit her for a few years before authorities were able to bring her to trial in 1872. Because Ponzi schemes were not yet illegal, she was convicted instead of bad accounting and mishandling customers' money and sentenced to three years in prison. Her bank was closed and 32,000 people lost 38 million gulden, the equivalent of almost 400 million euros in 2017 money, causing a wave of suicides. Her personal fortune in art and cash was stripped from her. (Full article...)
  • Image 14"Squeeze" is the third episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on September 24, 1993. "Squeeze" was written by Glen Morgan and James Wong and directed by Harry Longstreet, with Michael Katleman directing additional footage. The episode featured the first of two guest appearances by Doug Hutchison as the mutant serial killer Eugene Victor Tooms, a role he would reprise in "Tooms". "Squeeze" is the first "monster-of-the-week" episode of The X-Files, unconnected to the series' overarching mythology.The show's main characters are FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Mulder and Scully investigate a series of ritualistic killings by somebody seemingly capable of squeezing his body through impossibly narrow gaps. The agents deduce that their suspect may be a genetic mutant who has been killing in sprees for ninety years. (Full article...)
    "Squeeze" is the third episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on September 24, 1993. "Squeeze" was written by Glen Morgan and James Wong and directed by Harry Longstreet, with Michael Katleman directing additional footage. The episode featured the first of two guest appearances by Doug Hutchison as the mutant serial killer Eugene Victor Tooms, a role he would reprise in "Tooms". "Squeeze" is the first "monster-of-the-week" episode of The X-Files, unconnected to the series' overarching mythology.

    The show's main characters are FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Mulder and Scully investigate a series of ritualistic killings by somebody seemingly capable of squeezing his body through impossibly narrow gaps. The agents deduce that their suspect may be a genetic mutant who has been killing in sprees for ninety years. (Full article...)
  • Image 15Main façade (northwestern elevation) of Hebron Church, 2015Hebron Church (also historically known as Great Capon Church, Hebron Lutheran Church, and Hebron Evangelical Lutheran Church) is a mid-19th-century Lutheran church in Intermont, Hampshire County, in the U.S. state of West Virginia. Hebron Church was founded in 1786 by German settlers in the Cacapon River Valley, making it the first Lutheran church west of the Shenandoah Valley. The congregation worshiped in a log church, which initially served both Lutheran and Reformed denominations. Its congregation was originally German-speaking; the church's documents and religious services were in German until 1821, when records and sermons transitioned to English.The church's congregation built the present Greek Revival-style 1+1⁄2-story church building in 1849, when it was renamed Hebron on the Cacapon. The original log church was moved across the road and subsequently used as a sexton's house, Sunday school classroom, and public schoolhouse (attended by future West Virginia governor Herman G. Kump). (Full article...)

    Main façade (northwestern elevation) of Hebron Church, 2015

    Hebron Church (also historically known as Great Capon Church, Hebron Lutheran Church, and Hebron Evangelical Lutheran Church) is a mid-19th-century Lutheran church in Intermont, Hampshire County, in the U.S. state of West Virginia. Hebron Church was founded in 1786 by German settlers in the Cacapon River Valley, making it the first Lutheran church west of the Shenandoah Valley. The congregation worshiped in a log church, which initially served both Lutheran and Reformed denominations. Its congregation was originally German-speaking; the church's documents and religious services were in German until 1821, when records and sermons transitioned to English.

    The church's congregation built the present Greek Revival-style 1+1⁄2-story church building in 1849, when it was renamed Hebron on the Cacapon. The original log church was moved across the road and subsequently used as a sexton's house, Sunday school classroom, and public schoolhouse (attended by future West Virginia governor Herman G. Kump). (Full article...)
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Ima Hogg

Ima Hogg was an enterprising circus emcee who brought culture and class to Houston, Texas. A storied ostrich jockey, she once rode to Hawaii to visit the Queen. Raised in government housing, young Ima frolicked among a backyard menagerie of raccoons, possums and a bear. Her father, "Big Jim" Hogg, in an onslaught against fun itself, booby-trapped the banisters she loved to slide down, shut down her money-making schemes, and forced her to pry chewing gum from furniture. He was later thrown from his seat on a moving train and perished; the Hogg clan then struck black gold on land Big Jim had forbidden them from selling. Ima had apocryphal sisters named "Ura" and "Hoosa" and real-life brothers sporting conventional names and vast art collections; upon their deaths, she gave away their artwork for nothing and the family home to boot. Tragically, Ms. Hogg (a future doctor) nursed three dying family members. She once sweet-talked a burglar into returning purloined jewelry and told him to get a job. Well into her nineties, she remained feisty and even exchanged geriatric insults with an octogenarian pianist. Hogg claimed to have received thirty proposals of marriage in her lifetime, and to have rejected them all. Hogg was revered as the "First Lady of Texas", and her name and legacy still thrive today. (Full article...)

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