Conception and development

In May 2013, Whit Stillman announced his plans to shoot a period comedy.^[6] In July, it was confirmed that Stillman was filming an adaptation of Jane Austen's Lady Susan, titled Love & Friendship. Stillman hoped to shoot the film in Britain or Ireland.^[7] Unlike other Austen novels, Lady Susan has rarely been adapted for the screen.^[8] In the late 1990s, after he had finished reading Austen's Northanger Abbey, Stillman found Lady Susan was included in the same edition and he became "fascinated" with the story, believing it "was too good not to be known".^[9] Stillman thought the novel had some good features, but was inaccessible, causing it to be overlooked by filmmakers.^[9] During interviews at the International Film Festival Rotterdam screening of the film, Stillman said that although the literary influences for the film were clearly taken from Jane Austen, the film's cinematographic influences were developed from the Michael Caine and Steve Martin film Dirty Rotten Scoundrels.^[10]

Casting

In February 2014, Amanda Dobbins of New York magazine reported actress Sienna Miller had been cast as Lady Susan, while Chloë Sevigny would play Susan's close friend Alicia.^[11] Miller later left the project and Kate Beckinsale replaced her as Lady Susan in 2015.^[12] Beckinsale and Sevigny previously worked together on Stillman's The Last Days of Disco.^[13] Xavier Samuel and Stephen Fry joined the cast as Reginald and Mr. Johnson respectively.^[13] Other cast members include Emma Greenwell as Catherine Vernon, Morfydd Clark as Frederica, Jemma Redgrave as Lady DeCourcy, James Fleet as Sir Reginald DeCourcy, Tom Bennett as Sir James Martin and Justin Edwards as Charles Vernon.^[14][15] Stillman later confirmed that Clark was the first actor to be cast, followed by Fleet and Redgrave. The director said he met with two other actors for the part of Sir James Martin, before Bennett was cast in the role.^[14]

Emily VanDerWerff writing for Vox referred to the successful aspects of Stillman's casting for the film stating:

Love & Friendship is filled with (casting) ringers. Stephen Fry pops up in what amounts to a one-scene cameo, and he's wickedly funny. Chloë Sevigny is great as his wife, Susan's American friend who finds herself constantly dealing with the protagonist's latest schemes. And Xavier Samuel is deliciously oblivious as the young man Susan tries to wed. But even the actors you've never heard of give wonderful performances. Love & Friendship marks one of Morfydd Clark's first film roles, and as Frederica she manages to transform the character's innocence into the basis for comedy instead of just a metaphor for everything Susan might destroy. That same level of skill is evident in every member of the ensemble.^[16]

Filming

The film received funding from Arte, the Irish Film Board, and the Netherlands Film Fund.^[17] Principal photography was originally scheduled to begin in the summer of 2014,^[18] but started on February 2, 2015 in Dublin.^[19][20] Filming also took place in the coastal town of Donabate,^[21] and at Russborough House, which was used as the exterior for two different residences in the film,^[22] and at Howth Castle, which featured as the exterior of 'Churchill'.^[23] For three weeks, scenes were shot on-location at the Newbridge Estate.^[24] On March 16, 2015, it was announced that filming on the production had wrapped.^[25] In a thirty-minute interview for AOL Build released on May 12, 2016 on YouTube between Stillman and Beckinsale, Beckinsale indicated that filming was completed in 27 days.^[26] The film's assembly edit took place at the EGG Post Production house in Dublin, and continued in France and the Netherlands.^[27]

Costume design

Irish costume designer Eimer Ní Mhaoldomhnaigh designed the clothing for the film.^[28] She used bold colours to show Lady Susan's transition from a widow in mourning to "a confident society lady".^[28] When the character is in the countryside, she wears mostly black, grey and mauve clothing, matching the mourning clothes of the period, but once she is in London, the colours become brighter and she wears more corseted dresses.^[28] The bold hues used for Lady Susan contrast with the more subtle blues, gold and bronze colours of Alicia Johnson's clothing. Ní Mhaoldomhnaigh used the colours to show Alicia is not fully comfortable with country living, as she comes from the city.^[28] The designer also wanted Alicia to appear "quite ornamental" and as if she spent a long time choosing what to wear.^[28] Ní Mhaoldomhnaigh said, "The brilliant thing about this film – because all the characters are heightened versions of themselves, it gives you leeway to be bold and use color and texture ... so the costumes can be heightened as well."^[28]

Music

On 29 December 2015, a contributor to Film Music Reporter confirmed the film's score was being composed by Mark Suozzo, who has composed the music for all of Stillman's previous films.^[29] French composer Benjamin Esdraffo wrote additional pieces, including the opening harp theme.^[30] The score was recorded in August 2015 at the Windmill Lane Studios in Dublin, with Suozzo conducting the Irish Film Orchestra.^[30] Film editor Sophie Corra was involved in selecting the music, while Etienne Jardin, an expert on period music, helped with the musical research.^[30] Stillman commented that while Austen's novel was written during the 1790s, they felt earlier music appeared to reflect 'the spirit of the piece' better.^[30] Suozzo added that 'the music of Love & Friendship brings the Georgian era to life through a variety of musical styles'.^[30] The soundtrack includes original compositions and well-known and obscure classical pieces by William Boyce, George Frideric Handel, Henry Purcell, Wolfgang Amadeus Mozart and Antonio Vivaldi.^[30] The score was released on 6 May 2016.^[30]

Home media

The DVD and Blu-ray release of the film was released on 6 September 2016.^[37] It became available on Amazon Prime Video on 20 October 2016.^[38]

Novelisation

A novelisation of the film written by the director Whit Stillman was announced for publication to coincide with the general release of the film on 13 May 2016.^[9] Describing the novelization, Alexandra Alter of The New York Times said in her 2016 interview article with Stillman: "In the novel, Mr. Stillman takes the characters and plot from Austen's fictionalised letters and narrates the tale from the perspective of Lady Susan's nephew, who hopes to counter criticism of his maligned aunt. The 41 letters from Austen's Lady Susan are included in an appendix."^[9] Stillman told Alter that he felt Lady Susan was not quite finished and thought the form of the book was "so flawed".^[9] After realizing that there was another story to be told, he persuaded the publisher Little, Brown and Company to let him write the novel.^[9]

Box office

Love & Friendship earned $133,513 from four cinemas during its opening weekend in May 2016.^[39] The film has grossed over $19 million worldwide, against an estimated production budget of $3 million.^[5][1]

Critical response

The film received acclaim from critics. On review aggregator Rotten Tomatoes, it has an approval rating of 97%, based on 188 reviews with an average rating of 8.2 out of 10. The website's critical consensus states: "Love & Friendship finds director Whit Stillman bringing his talents to bear on a Jane Austen adaptation – with a thoroughly delightful period drama as the result."^[40] Metacritic gave the film an average score of 87 out of 100, based on 36 reviews.^[41]

A.O. Scott, in his review for The New York Times, gave high praise to Stillman as director of the film:

Mr. Stillman, who started out (with Metropolitan in 1990) as an anatomist of the manners and mores of the young American "urban haute bourgeoisie" and returned to filmmaking with the campus comedy Damsels in Distress (2012), is perfectly at home in Austen's world. He approaches his literary source not with the usual reverence but with an appreciation for its freewheeling sense of fun. At times, most often when Mr. Bennett is onscreen, Love & Friendship is howlingly funny, and as a whole it feels less like a romance than like a caper, an unabashedly contrived and effortlessly inventive heist movie with a pretty good payoff.^[42]

Peter Bradshaw of The Guardian, in a rave review, described it as "a hilariously self-aware period comedy polished to a brilliant sheen", with particular praise reserved for Beckinsale and Tom Bennett, whose Sir James character "comes very close to pinching the whole film, with his gormless, grinning comedy".^[43]

Kim Newman at Empire awarded it five out of five.^[44]

Writing for The New Yorker, Richard Brody found the film to be "deeply satisfying". In his summary of the film, Brody stated that: "Love & Friendship is both a worldview in motion and the story of how it crystallized; its portrait of a society changing suddenly, drastically, and gloriously through the delicate strategies and bold tactics of a woman who's honest with herself about what she wants and what she'll do to get it is strangely, deeply personal."^[45]

A contributor to the British news weekly The Economist praised Beckinsale's acting, stating: "Lady Susan, who Ms Beckinsale brings to life with magnetism and charisma, masterfully uses her charm and wit to thrive in any situation. Even when an intercepted letter exposes her love triangle, she feigns outrage and offence at the breach of her privacy—DeCourcy ends up apologising to her. She is a beguiling woman in full control of her own allure, and uses her 'uncanny' understanding of the men's natures with much success." The contributor added, "Despite some flaws, Love & Friendship is a welcome addition to what we have come to know as the Austen adaptation canon. The film is rollicking, visually stunning and light. Lady Susan is an easy-to-love anti-heroine, a far cry from the rather dull Elizabeth Bennet or the irritating Dashwood sisters."^[46]

Writing for TheWrap on 24 January 2016, Alonso Duralde commented on the Sundance premiere of the film, stating: "In the same way that Stillman has brought the courtliness of another era to his modern stories, in Love & Friendship he puts a contemporary twist on venerable material, down to a third-act twist that suggests behaviour that's anything but chaste. Were she around today, Miss Austen would, I think, smile upon this adaptation. And then she might add the upcoming Blu-ray of Stillman's Barcelona to her Amazon wish list."^[47]

Justin Chang of Variety described Beckinsale's role as "one of the most satisfying screen roles of her career ... Beckinsale magnetizes the screen in a way that naturally underscores how far ahead of everyone else she is: an effect that doesn't always work to the movie's advantage".^[48] Todd McCarthy of The Hollywood Reporter remarked: "There aren't great depths to the role, but Beckinsale excels with the long speeches and in defining her character as a very self-aware egoist."^[49]

Accolades