List_of_academic_publishing_works_on_Madonna

List of academic publishing works on Madonna

List of academic publishing works on Madonna

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Madonna's life and work has generated various academics works,[1][2][3] which includes scholarly articles and other published works, mostly covered by literary and academic journals as well as by others educational publishers like those from university pressess. The list is limited to only those that appeared first by a peer-reviewed outlet, or published in compendiums.[lower-alpha 1] Also, these works have been published in different languages other than English.

Madonna seen on her Rebel Heart Tour, in 2015.

First scholarly articles about her is believed to be dated on 1985.[4] Scholar Suzanna Danuta Walters commented that academic writings about her, "has produced at least one major academic text devoted to Madonna",[5] while for professor Jane Desmond, "the relevant bibliography is vast".[6] Australian historian Robert Aldrich once commented she is a "performer of inimitable ubiquity" in the academia as she "has saturated the pages of academic journals".[7] To Alina Simone, in her academic studies "there is no dearth of material about Madonna, but an overwhelming excess".[8] Associate professor José F. Blanco, wrote in The Journal of Popular Culture that "it can be argued that Madonna is overexposed in academic research".[9]

Thesis such as Like a thesis: postmodern readings of Madonna music videos (1991) by Madonna scholar, Charles W Wells are included because they received academic and press coverage. In 1998, French academic Georges-Claude Guilbert wrote his thesis Madonna: un mythe postmoderne.[10] Others of these publications received citations from other scholars and observers appearing in citation indexes, or were preserved by university libraries. In addition, others thesis were published as books. Music professor Antoni Pizà noted that during the late 20th century, it became a fad in the United States to write doctoral dissertations on Madonna.[11] American journalist Hank Stuever said that Madonna's dissertations piled up and some were collected into a tome called The Madonna Connection (1993).[12] She has been part of multiple lectures around the world.

Academic and critical journal articles

In English

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Non-English

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Partial and secondary

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Conferences, congresses, seminar and courses

Madonna has been part of multiple lectures around the world. Following, a few examples:

More information Title, Year ...

Theses and dissertations

More information Title, Year ...

Non-English thesis and dissertations

More information Title, Year ...

Notes

  1. To avoid predatory publishing, this list is limited to include pieces of papers or articles published by academic journals or educational and scholarly publishers, and as possible through peer reviews but exceptions may apply.

References

  1. Hall & Hall 2010, pp. 445–446
  2. von Lowtzow, Caroline (May 17, 2010). "Aus der Ursuppe des Trash". Süddeutsche Zeitung (in German). pp. 1–2. Archived from the original on July 26, 2020. Retrieved March 31, 2021.
  3. Aldrich, Robert; Wotherspoon, Garry (2020). "M; Madonna". Who's Who in Contemporary Gay and Lesbian History: From World War II to the Present Day. Routledge. ISBN 978-1000150285. Archived from the original on October 1, 2022. Retrieved May 21, 2022 via Google Books.
  4. Fry, Naomi (March 3, 2016). "'Madonnaland,' by Alina Simone". T: The New York Times Style Magazine. Archived from the original on May 3, 2016. Retrieved February 27, 2022.
  5. Blanco F., José (December 2014). "How to Fashion an Archetype: Madonna as Anima Figure". The Journal of Popular Culture. 47 (6). Wiley-Blackwell: 1153–1166. doi:10.1111/jpcu.12203. Archived from the original on May 14, 2022. Retrieved May 19, 2022.
  6. "Madonna: un mythe postmoderne" (in French). Paris Nanterre University. 1998. Retrieved May 20, 2022.
  7. Jaffe, Harold (1987). "Madonna". Performing Arts Journal. 10 (3). MIT Press: 17–20. doi:10.2307/3245449. JSTOR 3245449. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  8. McClary, Susan (1990). "Living to Tell: Madonna's Resurrection of the Fleshly". Genders (7). University of Texas Press: 148–166. Archived from the original on October 1, 2022. Retrieved May 18, 2022.
  9. Young, Stephen E. (1991). "Like a critique: A postmodern essay on Madonna's postmodern video like a prayer". Popular Music and Society. 15 (1). University of Tennessee: 59–68. doi:10.1080/03007769108591423. Retrieved May 18, 2022.
  10. Miller, Jane (1991–1992). "Madonna". Ploughshares. 17 (4). Ladette Randolph: 221–230. JSTOR 40350837. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  11. Gaard, Greta (1992). "The Laugh of Madonna: Censorship and Oppositional Discourse". The Journal of the Midwest Modern Language Association. 25 (1). University of Iowa: 41–46. doi:10.2307/1315073. JSTOR 1315073. Retrieved May 18, 2022.
  12. Freccero, Carla (1992). "Our Lady of MTV: Madonna's "Like a Prayer"". Boundary 2. 19 (2). Duke University Press: 163–183. doi:10.2307/303538. JSTOR 303538. Archived from the original on May 25, 2022. Retrieved May 18, 2022.
  13. Schwichtenberg, Cathy (1992). "Madonna's postmodern feminism: Bringing the margins to the center". Southern Communication Journal. 57 (2). University of Georgia: 120–131. doi:10.1080/10417949209372858. S2CID 146555627. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  14. Wilson, Janelle L.; Markle, Gerald E. (1992). "Justify my ideology: Madonna and traditional values". Popular Music and Society. 16 (2). Western Michigan University: 75–84. doi:10.1080/03007769208591477. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  15. Bradby, Barbara (1992). "Like a virgin-mother?: Materialism and maternalism in the songs of Madonna". Cultural Studies. 6 (1). Routledge: 73–96. doi:10.1080/09502389200490041. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  16. Harris, Daniel (1993). "Sex, Madonna, & Mia: Press Reflections". The Antioch Review. 51 (4). Antioch College: 503–518. JSTOR 4612818. Retrieved May 19, 2022.
  17. Morgan, Douglas F. (1993). "Madonna's Sex: Constitutional Stewardship or Administrative Fantasies?". Administrative Theory & Praxis. 15 (2). Taylor & Francis: 37–51. JSTOR 25611061. Archived from the original on May 25, 2022. Retrieved May 19, 2022.
  18. Allen, Steve (1993). "Madonna". The Journal of Popular Culture. 27 (1). Wiley-Blackwell: 1–12. doi:10.1111/j.0022-3840.1993.1654646800.x. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  19. O'Brien Hallstein, D. Lynn (1996). "Feminist assessment of emancipatory potential and Madonna's contradictory gender practices". Quarterly Journal of Speech. 82 (2). Babson College: 125–141. doi:10.1080/00335639609384146. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  20. Häger, Andreas (January 1, 1996). "Like a Prophet - On Christian Interpretations of a Madonna Video". Scripta Instituti Donneriani Aboensis. 16. Donner Institute: 151–174. doi:10.30674/scripta.67227. Archived from the original on February 27, 2022. Retrieved May 18, 2022.
  21. Castles, John (1997). "Madonna — mother of mirrors". Cultural Studies. 11 (1). Routledge: 138–187. doi:10.1080/09502389700490081. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  22. Vernallis, Carol (1998). "The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish'". Popular Music. 17 (2). Cambridge University Press: 153–185. doi:10.1017/S0261143000000581. JSTOR 853454. S2CID 54547848. Retrieved May 18, 2022.
  23. Schulze, Laurie (1999). "Not an Immaculate Reception: ideology, The Madonna Connection, and academic wannabes". Velvet Light Trap. 22 (5). University of Texas at Austin. Archived from the original on May 21, 2022. Retrieved May 20, 2022.
  24. Taylor, Pamela G. (2000). "Madonna and Hypertext: Liberatory Learning in Art Education". Studies in Art Education. 41 (4). National Art Education Association: 376–389. doi:10.2307/1320680. JSTOR 1320680. Archived from the original on May 27, 2022. Retrieved May 20, 2022.
  25. Lindner, Christoph (2002). "Trollope's Material Girl". The Yearbook of English Studies. 32. Modern Humanities Research Association: 36–51. doi:10.2307/3509046. JSTOR 3509046. S2CID 191466491. Archived from the original on May 24, 2022. Retrieved May 20, 2022.
  26. Brown, Stephen (July–August 2003). "Material Girl or Managerial Girl? Charting Madonna's brand ambition". Business Horizons. 46 (4). Kelley School of Business: 2–10. doi:10.1016/S0007-6813(03)00046-6. Archived from the original on June 30, 2020. Retrieved May 19, 2022.
  27. Sigler, David (October 2006). ""Sigmund Freud, Analyze This": How Madonna Situates "Die Another Day" Beyond the Pleasure Principle". Studies in Popular Culture. 29 (1). Popular Culture Association in the South: 77–97. JSTOR 23418073. Archived from the original on March 8, 2022. Retrieved May 19, 2022.
  28. Prieto‐Arranz, José I. (February 22, 2012). "The Semiotics of Performance and Success in Madonna". The Journal of Popular Culture. 45 (1). Wiley-Blackwell: 173–196. doi:10.1111/j.1540-5931.2011.00917.x. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  29. van den Berg, Marguerite; Hoeven, Claartje L ter (2013). "Madonna as a symbol of reflexive modernisation". Celebrity Studies. 4 (2). Amsterdam School of Communication Research: 144–154. doi:10.1080/19392397.2013.791042. S2CID 218591493. Archived from the original on June 27, 2018. Retrieved May 19, 2022.
  30. Gorton, Kristyn; Garde-Hansen, Joanne (2013). "From Old Media Whore to New Media Troll". Feminist Media Studies. 13 (2). Routledge: 288–302. doi:10.1080/14680777.2012.678370. S2CID 143093316. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  31. Ratti, Manav (February 2020). "The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992)". Journal of American Studies. 54 (1). Cambridge University Press: 184–211. doi:10.1017/S0021875818001391. S2CID 149802293. Archived from the original on April 30, 2020. Retrieved May 20, 2022.
  32. Bechdolf, Ute (1996). "Watching Madonna: Anmerkungen zu einer feministischen Medien-/Geschlechterforschung" (PDF). Essen: Die Blaue Eule (in German): 23–44. doi:10.25656/01:10323. Archived (PDF) from the original on August 11, 2017. Retrieved May 18, 2022.
  33. Sécardin, Oliver (2002). "L'autobiographie post-moderne, "post-mortem": Madonna auto(bio)graphe". L'Esprit Créateur (in French). 42 (4): 66–75. doi:10.1353/esp.2010.0403. JSTOR 26288439. S2CID 162381491. Archived from the original on June 4, 2020. Retrieved May 18, 2022.
  34. Huss, Boaz (2005). "Die Another Day: Madonna and the Post-Modern Kabbalah / למות ביום אחר: מדונה והקבלה הפוסט-מודרנית". Zmanim: A Historical Quarterly (in Hebrew) (91): 4–11. JSTOR 26288439. Archived from the original on June 4, 2020. Retrieved May 19, 2022.
  35. Özbek, Çağlar (September–December 2008). "Madonna'nın Feminizmi: Postmodern Bir Kimlik Sorunsalı". Toplum ve Demokrasi Dergisi (in Turkish). 4 (2): 91–106. Archived from the original on October 8, 2016. Retrieved May 19, 2022.
  36. "Madonna's Feminism: A Postmodern Problem of Identity". Toplum ve Demokrasi Dergisi (in Turkish). 2008. S2CID 145578743.
  37. dos Santos Pereira, Samuel; Lantelme, Lenise (2011). "Construção de persona midiática: um estudo de caso da pop star Madonna". Revista científica da faminas (in Portuguese). 7 (1): 1–38. Archived from the original on January 22, 2021. Retrieved May 19, 2022.
  38. Coralist, Patricia (June 1, 2011). ""Um rosto tão conhecido quanto o nosso próprio": a construção da imagem pública e da idolatria a Madonna". Comunicação & cultura (in Portuguese) (12). Catholic University of Portugal: 99–115. doi:10.34632/comunicacaoecultura.2011.620. Archived from the original on February 20, 2020. Retrieved May 20, 2022.
  39. Tortajada, Iolanda; Araüna, Núria (November 11, 2014). "Mujeres, violencia y posfeminismo en los vídeos de Madonna". Área Abierta (in Spanish). 14 (3). University of Rovira i Virgili: 23–41. doi:10.5209/rev_ARAB.2014.v14.n3.45851. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  40. da Silva, Cláudia; Afiliación, Pereira (January–April 2014). "Nem todas querem ser Madonna: representações sociais da mulher carioca, de 50 anos ou mais". Estudos Feministas (in Portuguese). 22 (1). Federal University of Santa Catarina: 173–193. doi:10.1590/S0104-026X2014000100010. JSTOR 24328351. Retrieved May 19, 2022.
  41. Gusmão, Roney (2019). "Madonna, "sex" e o fetichismo pós-moderno". Sociologia: Revista da Faculdade de Letras da Universidade do Porto (in Portuguese). 38. University of Porto: 71–87. doi:10.21747/08723419/soc38a4. S2CID 216687477. Archived from the original on June 4, 2020. Retrieved May 19, 2022.
  42. Stramaglia, Massimiliano; Farina, Tommaso (May 11, 2022). "Madonna's Music Videos as Audiovisual "Performances"". Cuardernos de Investigación Musical (in Spanish) (15). University of Macerata: 151–162. doi:10.18239/invesmusic.2022.15.13. S2CID 249446022. Archived from the original on June 23, 2022. Retrieved July 7, 2022.
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  44. Bergman-Carton, Janis (1993). "Strike a Pose: The Framing of Madonna and Frida Kahlo". Texas Studies in Literature and Language. 35 (4). University of Texas Press: 440–452. JSTOR 40755024. Archived from the original on August 19, 2022. Retrieved May 19, 2022.
  45. Schafer, Elizabeth (1995). "Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas". Contemporary Theatre Review. 2 (3). Routledge: 7–16. doi:10.1080/10486809508568310. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  46. Leung, Linda (1997). "The making of matriarchy: A comparison of Madonna and Margaret Thatcher". Journal of Gender Studies. 6 (1). Routledge: 33–42. doi:10.1080/09589236.1997.9960667. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  47. Pandelaere, Mario; Millet, Kobe; den Bergh, Bram Van (October 2010). "Madonna or Don McLean? The effect of order of exposure on relative liking". Journal of Consumer Psychology. 20 (4). Wiley: 442–451. doi:10.1016/j.jcps.2010.07.003. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  48. Fjellestad, Danuta; Engberg, Maria (2013). "Toward a Concept of Post-Postmodernism or Lady Gaga's Reconfigurations of Madonna". History and Anthropology. 12 (4): 1–2. Archived from the original on November 12, 2020. Retrieved May 19, 2022 via EBSCO Information Services.
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  53. "Madonna The Phenomenon Becomes A College Course". The Seattle Times. Associated Press. April 8, 1997. Archived from the original on September 13, 2021. Retrieved May 19, 2022.
  54. "A la universidad con Madonna". Clarín (in Spanish). April 7, 1997. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  55. Robla, Sonia (April 4, 1997). "Madonna sienta... cátedra". El País (in Spanish). Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  56. "20 Years of Madonna: New Approaches to Madonna's Cultural Transformations". Popular Music. 20 (2). Cambridge University Press: 153–185. February 2001. doi:10.1017/S0261143001001490. JSTOR 853454. S2CID 233315814. Retrieved May 18, 2022.
  57. "Call for Papers: 20 Years of Madonna". Music Theory Online. 7 (2). April 2001. Archived from the original on May 14, 2018. Retrieved May 19, 2022.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)
  58. Brugué, Lydia (2005). La traducción de Madonna: Cómo se traduce el género en el mundo de la música (PDF). 4. Conclusiones (in Spanish). Asociación Ibérica de Estudios de Traducción e Interpretación (AIETI). pp. 703–712. ISBN 84-8468-151-3. Archived from the original (PDF) on December 31, 2020. Retrieved March 31, 2021.
  59. Grant, Robert M. (2008). "case one: Madonna" (PDF). Wiley-Blackwell. Archived (PDF) from the original on June 3, 2019. Retrieved April 1, 2021.
  60. Groß, Matthias (2008). 'Madonna On the Couch': A psychoanalytic view on Madonna's music videos. Barnes and Noble. Archived from the original on December 29, 2020. Retrieved March 31, 2021.
  61. Fernandes Barros, Bruna; Bona, Rafael Jose (May 2012). "A influência das artes no videoclipe Vogue (1990) da cantora Madonna" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on July 8, 2022. Retrieved July 8, 2022.
  62. Bartolotta, Salvatore (2012). "MDNA forever" (in Spanish). Depósito de Investigación de la Universidad de Sevilla. hdl:11441/53720. Archived from the original on May 20, 2022. Retrieved March 7, 2022.
  63. Bartolotta, Salvatore (2012). "MDNA Forever" (PDF) (in Spanish). Depósito de Investigación de la Universidad de Sevilla. pp. 65–76. Archived (PDF) from the original on May 27, 2021. Retrieved March 7, 2022.
  64. "La Universidad de Oviedo inaugura el aula sobre Madonna y la cultura pop contemporánea" (in Spanish). University of Oviedo. September 28, 2015. Archived from the original on February 21, 2021. Retrieved March 7, 2022.
  65. García, Sergio (October 9, 2015). "Madonna usa los videoclips para dar mensajes diferentes a los de sus canciones". El Comercio (in Spanish). Spain. Archived from the original on April 21, 2020. Retrieved March 7, 2022.
  66. Silomar, Mateus; Mangabeira Mascarenhas, Alan; da Cunha de Sousa, Emerson; de Nassau, Maurício (September 7, 2016). "Novos cenários da indústria fonográfica: uma análise da carreira da cantora Madonna através de plataformas de divulgação de música" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on March 8, 2022. Retrieved May 20, 2022.
  67. Larrubia, Tatyane; Casagrande Dalla, Leonam (August 9, 2018). "Bitch I'm Madonna: as rupturas no roteiro performático de uma diva pop" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on June 4, 2020. Retrieved March 31, 2021.
  68. Liu, Chang (April 18, 2019). "China Studies Academic Seminar: Madonna goes East". Xi'an Jiaotong-Liverpool University. Archived from the original on January 31, 2021. Retrieved May 19, 2022.
  69. Hull, Anne V. (August 5, 1990). "Who's That Girl?". Tampa Bay Times. Archived from the original on April 30, 2020. Retrieved March 1, 2022.
  70. "Madonna, the material girl revealed through dramatistic inquiry". San Diego State University. 1992. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  71. "The Madonna phenomenon: a sociological perspective". University of Houston. 1992. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  72. "Madonna: playing in the heart of darkness". University of California, Berkeley. 1993. Archived from the original on June 4, 2020. Retrieved May 20, 2022.
  73. "Reading images of Madonna music videos". Cedar Crest College. 1997. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  74. "Past Thesis Topics". Harvard University. 1999. Archived from the original on April 18, 2022. Retrieved May 20, 2022.
  75. "A guide to RESEARCHING and WRITING A SENIOR THESIS in Studies of Women, Gender, and Sexuality" (PDF). Harvard University. pp. 76, 80. Archived (PDF) from the original on May 21, 2022. Retrieved May 20, 2022.
  76. "Madonna, an American pop icon of feminism and counter-hegemony". Lehigh University. 2000. Archived from the original on July 9, 2020. Retrieved May 20, 2022.
  77. "Marketing Madonna: celebrity agency across the cultural industry". York University. 2006. ProQuest 304983552. Archived from the original on October 1, 2022. Retrieved September 8, 2022 via ProQuest.
  78. Love 2019, p. 267
  79. ""Express yourself - Madonna be with you": Madonna-Fans und ihre Lebenswelt" (in German). Harvard Library. 1998. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  80. "Madonna: where's that girl? Starimage und Erotik im medialen Raum" (in German). University of Passau. 2002. Archived from the original on March 2, 2022. Retrieved May 20, 2022.
  81. "Madonna: uma vida de marketing e mídia" (in Portuguese). Universidade Santa Cecília. 2006. Archived from the original on October 1, 2022. Retrieved May 20, 2022 via Doczz.
  82. "A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna" (in Portuguese). Federal University of Bahia. April 20, 2011. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  83. "Das Spiel mit dem Ich: die Dekonstruktion postmoderner Medienikonen am Beispiel Madonna" (in German). University of Mannheim. 2014. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  84. "Like a Queen - Madonna & the stage as court in the era of social media" (in German). University of Vienna. 2013. Archived from the original on May 25, 2022. Retrieved May 20, 2022.
  85. Rossa, Letícia (2021). "Chorão, lobão e cazuza: valores identitários de celebridades do rock na cultura pop de rolling stone". A revista Tropos: Comunicação, Sociedade e Cultura (in Portuguese). 10 (2). Universidade Federal do Acre. Archived from the original on October 1, 2022. Retrieved May 20, 2022.

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