List_of_Roger_Woodward's_principal_first_performances,_recordings,_and_publications

List of Roger Woodward's principal first performances, recordings, and publications

List of Roger Woodward's principal first performances, recordings, and publications

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This article is the list of the Australian pianist Roger Woodward's, recordings and publications.

Principal first performances

  • WP denotes world premiere
  • D denotes composer's dedication
More information Year, Composer ...

Publications

Publications I: Original

More information Year of issue, Title ...


Publications II: DVD performances

More information Year of issue, Title ...

Publications III: Long play/vinyl and compact disc recordings

More information Year of recording, Year of release ...

References

Notes

  1. [n 1]
    Alison Bauld Concert for piano and voice – listed in Beyond Black & White[1] Discography, item 10 – RCA (Australia) RL 1- 0083 with voice of the composer, keyboard instruments performed by Roger Woodward and descriptive article by the composer. Copy of dedicated MS in NLA.[2] AMC ref. Library shelf no. Q 783.254/BAU 1 [Score available for loan] Woodward recording Library shelf no. CD 2418 [Available for loan]
  2. [n 2]
    In Boyd's As It Leaves the Bell original score published by Faber, London; ref. AMC; copy of MS in NLA;[2] Septet for four percussion, two harps and piano; BBW p. 455; composer's note 1995 Sydney Spring program publication p. 27 in NLA collection.[2]
  3. [n 3]
    In Boyd's Book of the Bells I published by Faber & Faber London: B3 facsimile 0-571-55248-X (fp);[2] NLA collection 1991 Sydney Spring International Festival of New Music program publication p. 35, with article by Richard Toop.[3] Copy of MS in NLA collection[2]
  4. [n 4]
    In Boyd's Book of the Bells II NLA collection,[2] 1996 Sydney Spring International Festival of New Music program publication p. 45–46 with article by Richard Toop;[4] copy of MS in NLA collection[2]
  5. [n 5]
    In Boyd's Meditations on a Chinese Character NLA Collection,[2] 1996 Sydney Spring International Festival of New Music program publication;[5][6] ABC Classics 462 007 – 2; copy of MS in NLA collection.[2]
  6. [n 6]
    In Boyd's Book of the Bells III Copy of MS in NLA collection;[2] San Francisco State University online library program publication from live Piano Week concert 14 Nov, 2008 (https://www.sfsu.edu/~news/cmemo/fall08/nov3.htm).
  7. [n 7]
    In Boyd's Last Songs of the Kamikaze directed by Roger Woodward[2] NLA Collection – Sydney Spring International Festival of New Music 1997, p. 54–55 with composer's statement; copy of MS in NLA collection.[2]
  8. [n 8]
    Boyd Dreams for the Earth NLA Collection[2] Composer's statement 1998 Sydney Spring International Festival of New Music program publication p. 8-9; Copy of MS in NLA[2]
  9. [n 9]
    Boyd Kabbarii Meditation (Dawn) NLA collection,[2] Sydney International Piano Competition commission 2012; copy of MS bearing composer's handwritten dedication (designated for NLA).
  10. [N 10]
    Brouwer Sonata Pian'e Forte original manuscript and working copy of MS in NLA;[2] article by Richard Toop in EMI LP – EMSP 551 booklet (1973);[7][1] Published by Schott Music-Digital (S9.Q295)
  11. [N 11]
    Cage HPSCHD Peters Edition; copy of MS NLA collection[2] BBC Proms 1972 Prom 23, www.bbc.co.uk/events/emw5v2 Refer also Dave Thopson Paperback, ISBN 978-1-5440-6953-1 : 13–20 August 1972, The International Carnival of Experimental Sound, London Roundhouse taken from the book The Avant Garde Woodstock – The International Carnival of Recorded Sound
  12. [N 12]
    Conyngham Snowflake RCA studio recording, Sydney Opera House, issued on LP -VRL – 1 – 0083 with descriptive article by the composer; published by Universal Edition UE 29082; copy of MS in NLA collection[2]
  13. [N 13]
    Conyngham Southern Cross, Double Concerto published by Universal Edition UE 29254; Melbourne Symphony Orchestra with soloists Wanda Wiłkomirska (violin), Roger Woodward (piano) directed by Hiroyuki Iwaki (WP)(D); ABC Classics 481 1322; copy of MS in NLA collection;[2] Sydney Opera House live concert performance with Sydney Symphony Orchestra directed by Niklaus Wyss recorded by ABC and first issued in 1986, by EMI (HMV) OASD 27 0403 and in 2014,[8] by ABC Classics/Universal 4811322,[9] item 75 NLA collection.
  14. [N 14]
    Dench Planetary Allegiances recorded for BBC2TV, London; Grateful Dead/Rex Foundation (Dec. 1992); NLA Collection[2] Composer's statement 1992 Sydney Spring International Festival of New Music program publication p. 15; copy of MS in NLA.[2][10]
  15. [N 15]
    Dillon The Book of Elements NLA Collection[2] Composer's statement 1997 Sydney Spring International Festival of New Music program publication p. 30 and in Edition Peters No. 7488 introduction: "The five volumes began with a commission from Roger Woodward and the Sydney Spring International Festival of New Music in 1997 and collectively they are dedicated with respect and admiration to his restless creativity." MS bearing composer's dedication and photograph with the composer taken at world premiere.[11] Copy of MS in NLA collection.[2]
  16. [N 16]
    Donatoni Sincronie 92 The Nuovo Sincronie 92 Sipario Dischi sin 1012 live concert performance broadcast BBC Radio 3; published by Ricordi (Milano)136027. ,[13] item 40. Copy of MS in NLA Collection .[2]
  17. [N 17]
    Edwards Monos II copy of MS in NLA Collection;[2][7][15] EMI LP-OASD 7567 with article by the Australian playwright Meredith Oakes
  18. [N 18]
    Edwards Choros Copy of MS in NLA Collection[2][16]
  19. [N 19]
    Feldman Piano and Orchestra UE 16076; Rundfunk sinfonieorchester, Saarbrücken directed by Hans Zender;[17][18] Saarländischer Rundfunk CD recording 61203 94832; CPO 999 483–2;[2]
  20. [N 20]
    Feldman Piano[2] NLA Collection Sydney Spring International Festival of New Music programme note by Richard Toop, p. 24–26; Baden-Badenrundfunk Concert Hall 1977; UE Morton Feldman catalogue 16516 reproduced and printed by Halstan & Co., Amersham, Bucks., England;[19][18] Etcetera Records BV (Amsterdam); *Record of the Month, Telerama (April,1991); Diapason d'Or, Paris, Le monde de la musique June, 1991; copy of MS in NLA Collection;[2]
  21. [N 21]
    Feldman Triadic Memories UE 17326;[20][18] Etcetera Records BV (Amsterdam); Record of the Month, Telerama (April,1991); Diapason d'Or, Paris, Le monde de la musique June, 1991;[2] NLA Collection 1990 article for Sydney Spring International Festival of New Music programme by Richard Toop, p. 24–26; Festival d'automne à Paris [fr] October 28, 1997, Théâtre Molière; Article by Renaud Machart, Le Monde, October 31, 1997 Les griffures du silence de Morton Feldman; article by Morton Feldman in Give My Regards to Eighth Street – Collected Writings of Morton Feldman published by Exact Change, Cambridge, USA, 2000, ISBN 1-878972-31-6. Chapter "Triadic Memories" (March 1982) p. 152–156; article published by Eric Dahan in Le Monde, 28 October 1997, in the Culture section, entitled: "A l'échelle de Morton Feldman". copy of MS in NLA collection.[2]
  22. [N 22]
    Gehlhaar Strangeness, Charm and Colour. Athens premiere performance published in the 52nd ISCM Festival programme; www.gehlhaar.org/music/works; Copy of MS in NLA Collection.[2]
  23. [N 23]
    Gehlhaar Diagonal Flying[2] NLA Collection Composer's statement 1990 Sydney Spring International Festival of New Music programme publication p. 42. ;[18] UTREM Rolf Gehlhaar/Spotify; www.gehlhaar.org/music/works; copy of MS in NLA Collection[2] ;, photograph with composer enroute Geneva for the world premiere of Diagonal Flying adjacent.[21]
  24. [N 24]
    In Gehlhaar Quantum Leap www.gehlhaar.org/music/works; copy of MS in NLA Collection[2]
  25. [N 25]
    In Greenberg Invasive Species; copy of MS in NLA Collection[2]
  26. [N 26]
    In Hamel Vom Klang des Lebens (Etudes for solo piano) www.musicweb-international.com › classrev › Mar10 › Hamel_132562.[22][23] Copy of MS in NLA Collection[2]
  27. [N 27]
    In Masson, Askell Piano Concerto www.askellmasson.com/works/solo-with-orchestra/;[24] Copy of MS in NLA Collection[2]
  28. [N 28]
    In Meale Coruscations,[25] EMI–LP OASD 7567 with notes by Meredith Oakes;[1]RCA–LP RL 1–0083; .[7][26][27][28] (with notes by Meredith Oakes)
  29. [N 29]
    In Meale Piano Concerto sketches 1975–2007; copy of MS in NLA[2][29]
  30. [N 30]
    In Radulescu Piano Sonata No. 3 – you will endure forever;[30] copy of MS in NLA[2]
  31. [N 31]
    In Radulescu Piano Sonata No. 3 – you will endure forever;[30] copy of MS in NLA[2]
  32. [N 32]
    In Rands Mésallianz published by the Schott Helicon Music Corporation;[31][15] BBC Radio 3 recording of live performance; Michael Chanan film documentary with Allied Artists involving performance preparation with Meredith Oakes and live concert performance; copy of MS in NLA Collection.[2] "Mésalliance is indeed more than a piano concerto. In this compelling and impressive work, ideas are carried through brilliantly." – Melos, Germany. "Mésalliance is a sort of mad concerto. It ends on a fantastic cadenza which threatened to (and did) bring the house down." – The Guardian, London; http://bernardrands.com/mesalliance.doc
  33. [N 33]
    DVD of rehearsal with Boulez and Bernard Rands
  34. [N 34]
    In Sculthorpe Snow Moon and Flowers The three separate pieces recorded in EMI Abbey Road studios London in 1971 and released on an LP OASD 7567 together with article by Michael Chanan (who subsequently recorded the pieces on the piano keyboard). Following the Woodward recording release the composer retitled the three pieces Night, although a separate piece of the same name had already been recorded at the same EMI recording sessions. Copy of MS in NLA Collection.[2]
  35. [N 35]
    In Sculthorpe Night version performed solely on the piano strings; recorded EMI studios, Abbey Road, London LP OASD 7567and – (WP)(D); copy of MS in NLA Collection.[2]
  36. [N 36]
    In Sculthorpe Landscape version with feedback, EMI studios, Abbey Road, London, notes by Michael Chanan(WP)(D); copy of MS in NLA Collection.[2]
  37. [N 37]
    Sculthorpe Koto Music Composer's dedication on the cover of RCA VRL 1 0083 Long play, vinyl, recording, 1974; RCA LP VRL 1 0083, 1974 with article and dedication by the composer; copy of MS in NLA Collection;[2]
  38. [N 38]
    Sitsky Piano Concerto No. 1 (The Twenty-two Paths of the Tarot) published by the Australian Music Centre; in the NLA Collection : world premiere 1995 Sydney Spring International Festival of New Music; Hunter Orchestra directed by Roland Peelman;[32][33][34] dedicated copy of MS in NLA Collection;[2] UNESCO citation, 1995 Paris Composer's Rostrum Ref. 2. In 1997, ABC Classics rerecorded and issued the work – 456 688–2 – with Woodward and the Adelaide Symphony Orchestra directed by David Porcelijn;
  39. [N 39]
    In Xu Peace Copy of MS designated for NLA Collection[2]
  40. [N 40]
    In Takemitsu Undisturbed Rest[37] personal dedication, Sydney, 1969; copy of MS in NLA Collection;[2] London Music Digest (WP)(D) BBW p. 322–333 and p. 538, item 13: Decca Headline Series, London HEAD 4 in the presence of the composer, recorded in 1973 and issued 1974; AllMusic Reviews – Uncle Dave Lewis – allmusic.com/album/takemitsu-Corona-for away; refer also to : theblues-thatjazz.com/en/classical/4782-takemitsu-toru/17838-takemitsu-corona-for-away-piano-distance-undisturbed-rest-1974.pdf;[10] Ritmo prize, Spain; Record of the Month, January, 1991, Télérama, Paris ... Roger Woodward est épatant. Enregistrement essential...; MS copy in NLA Collection[2]
  41. [N 41]
    In Takemitsu For Away[38][1][10] Decca Headline Series, London HEAD 4 in the presence of the composer, recorded in 1973 and issued 1974; AllMusic Reviews – Uncle Dave Lewis – allmusic.com/album/takemitsu-Corona-for away; the blues-thatjazz.com/en/classical/4782-takemitsu-toru/ Etcetera Records BV Amsterdam 1991 – Ritmo prize, Spain; Record of the Month, January, 1991, Télérama, Paris ... Roger Woodward est épatant. Enregistrement essential...;[2] NLA Collection – 1990 Sydney Spring International Festival of New Music programme publication article by Richard Toop, p. 17 and composer's note: "To be sure, the title of For Away is a strange one. While it is a personal gift of mine to Roger Woodward, it is at the same time my expression of extolment and offering to the Galaxy of Life – a galaxy that is not the sole domain of mankind. Toru Takemitsu"; MS copy in NLA Collection.[2]
  42. [N 42]
    In Takemitsu Crossing and Corona – London Version.[38] Only three people participated in these studio sessions: James Mallinson (producer), Toru Takemitsu and Roger Woodward. The work was re-envisaged at the First Sydney Spring International Festival of New Music and re-recorded September 16, 1990, at the Art Gallery of NSW in a live concert programme of works by Conyngham, Takemitsu and Gehlhaar in which composer/performer Rolf Gehlhaar added intermittent bowed cymbal sounds to Takemitsu's Corona-London version. The recording was issued the following year by Etcetera Records BV (Amsterdam) as KTC 1103 and is the sole occasion when such additions were made involving another artist. MS copy in NLA Collection;[2]
  43. [N 43]
    In Werder Piano Sonata No. 3 ABC LP recorded 1969. On the other side of the same LP: Werder Unaccompanied Violin Sonata performed by György Pauk. AMC ref. NLA-MS-SAV005973 1.
  44. [N 44]
    In Woodward Music of Change MS in NLA Collection[2]
  45. [N 45]
    In Woodward Sound by Sound Festival d'automne à Paris commission for the bicentennial celebrations of the French Revolution (WP) as part of programme with Takemitsu, Brouwer, Woodward, Debussy www.festival-automne.com/edition-1989;[2] NLA Collection : Australian premiere 1990 Sydney Spring International Festival of New Music p. 20; note by Richard Toop and composer's note p. 20; ABC Classics broadcast recording repeated at Tenth Almeida Festival, June 1990, London; 1989 Festival d'automne à Paris programme booklet. MS in NLA Collection(Class 1, Series Video Recordings, NLA.MS-SAV005953).[2][12]
  46. [N 46]
    In Woodward ... from the Andrai Tarkovsky Diaries[2] NLA Collection – Sydney Spring International Festival of New Music(WP) at the Art Gallery of NSW, with Robyn Archer. ABC National Classic FM recording. MS in NLA Collection[2]
  47. [N 47]
    In Woodward Five Songs in Memoriam Toru Takemitsu:[2] NLA Collection – Sydney Spring International Festival of New Music (WP) performed by Nathan Waks; MS in NLA Collection;[2]
  48. [N 48]
    In Xenakis Mists published by Salabert (Universal).[2] NLA Collection – Composer's note 1982 Sydney Spring International Festival of New Music programme publication p. 45. Copy of MS in NLA Collection;[2] Bruno Monsaingeon: (Sviatoslav) Richter Ecrits, Conversations, 1998, Éditions Van de Velde/Actes Sud / Arte Éditions, ISBN 2 85868 255 0, ISBN 2 7427 1981 4, p. 341–342: "Mists: C'est la première fois que j'entends de la musique de Xenakis; je suis sidéré, même si je ne suis pas certain d'avoir vraiment (ou même vraimnent pas) compris cette musique. L'intuition? Mais peut-on toujours s'y fier? ...Il me semble que voilà effectivement de la vrai 'nouvelle' musique;"
  49. [N 49]
    In Xenakis Keqrops[2] NLA Collection : Eric Anther interview with Xenakis Le monde de la musique, Paris, December, 1986: Mi homme-mi dragon; Andrew Porter, The New Yorker, 1986, "...fingers and nerves of steel"; monograph: Conquering Goliath: Preparing and Performing Xenakis 'Keqrops' for Performing Xenakis, edited by Sharon Kanach, Pendragon Press, New York;[21] copy of MS in NLA Collection;[2]
  50. [N 50]
    In Xenakis Paille in The Wind recorded by ABC National Classic FM with Nathan Waks, violoncello and Roger Woodward at the Sydney Spring International Festival of New Music, 2000;[2] copy of MS in NLA Collection.[2]
  51. [N 51]
    Music Video 041 103 2. State Library of New South Wales, Australia, Shelf VB 2637.
  52. [N 52]
    Live DVD celebrating 150 years of Tchaikovsky's birth. Kultur. Item no. D 14302–2.4000.

Citations

  1. [1]
    Woodward 2015, p. 538.
  2. [2]
    Woodward 2018.
  3. [3]
    Woodward 2015, p. 460–461.
  4. [4]
    Woodward 2015, p. 461.
  5. [5]
    Woodward 2015, p. 47.
  6. [6]
    Woodward 2015, p. 549.
  7. [7]
    Woodward 2015, p. 210.
  8. [8]
    Woodward 2015, p. 539.
  9. [9]
    Woodward 2015, p. 554–555.
  10. [10]
    Woodward 2015, p. 542.
  11. [11]
    Woodward 2015, p. 445.
  12. [12]
    Artist: Roger Woodward.
  13. [13]
    Woodward 2015, p. 543.
  14. [14]
    Ref. 63, 68[incomplete short citation]
  15. [15]
    Woodward 2015, p. 537.
  16. [16]
    Woodward 2015, p. 453–454.
  17. [17]
    Woodward 2015, p. 289–299.
  18. [18]
    Woodward 2015, p. 541.
  19. [19]
    Woodward 2015, p. 299.
  20. [20]
    Woodward 2015, p. 299–310.
  21. [21]
    Woodward 2015, p. 372.
  22. [22]
    Woodward 2015, p. 448.
  23. [23]
    Woodward 2015, p. 552.
  24. [24]
    Woodward 2015, p. 244.
  25. [25]
    Woodward 2015, p. 53.
  26. [26]
    Woodward 2015, p. 212.
  27. [27]
    Woodward 2015, p. 216–217.
  28. [28]
    Woodward 2015, p. 463–467.
  29. [29]
    Woodward 2015, p. 467–470.
  30. [30]
    Woodward 2015, p. 334–352.
  31. [31]
    Woodward 2015, p. 416–417.
  32. [32]
    Woodward 2015, p. 548.
  33. [33]
    Woodward 2015, p. 554.
  34. [34]
    Woodward 2015, p. 471–476.
  35. [35]
    Woodward 2015, p. 276.
  36. [36]
    Woodward 2015, p. 480.
  37. [37]
    Woodward 2015, p. 586.
  38. [38]
    Woodward 2015, p. 322–333.
  39. [39]
    Service 2015.
  40. [40]
    The composer participated as a performer to his recording as it is observed in the LP's booklet

Bibliography

Further reading
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