Dance and modeling

At 17 years of age, Chaplin decided to forgo college to pursue dance instead,^[3] and studied ballet for two years in England,^{[citation needed]} including a period in 1961 at the Royal Ballet School.^[1] She then danced professionally for a year in Paris.^{[citation needed]} Although a good dancer, she felt she had not trained from an early enough age to excel at it and so gave up ballet.^{[citation needed]}

Chaplin then found work as a fashion model in Paris.^{[citation needed][4][16]} She was then discovered by David Lean.^{[when?][where?][3]}

Early acting, 1965–69

When her dream of becoming a ballet dancer ended, Chaplin followed her father into what was to become a prolific acting career.^[3] She came to prominence^{[citation needed]} in the role of Tonya in David Lean's Doctor Zhivago (1965).^[3] Lean chose her to play the main character's wife,^[6] for which she received a Golden Globe Award nomination in the category, "Most Promising Female Newcomer".^[5] In an interview to publicize the film, she explained, "Because of my name, the right doors opened."^[17]

In 1967, she made her Broadway debut in Lillian Hellman's The Little Foxes.^[7] Her performance was praised by Clive Barnes in a New York Times review, where he noted that Chaplin "acts with spirit and force... with a magnificently raw-voiced sincerity" giving a performance of "surprising power".^[18]

She also started what would become a major collaboration that year, starring in Spanish film director Carlos Saura's psychological thriller Peppermint Frappé (1967).^{[citation needed]}

The Hawaiians through Cría Cuervos, 1970–79

Chaplin starred alongside Charlton Heston in the American historical film The Hawaiians (1970).

Chaplin then appeared in The Three Musketeers (1973), and Nefertiti y Aquenatos (1973) of Raúl Araiza in which she played the role of ancient Egyptian queen Nefertiti alongside Egyptian movie star Salah Zulfikar, as well as the sequel, The Four Musketeers (1974). Chaplin was cast as the obnoxious BBC reporter Opal in Robert Altman's Nashville (1975), for which she received her second Golden Globe nomination, for Best Supporting Actress.^[19] She went on to star in the Altman films Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976), and then A Wedding (1978), doing Roseland (1977) in between.

Chaplin later occasionally co-wrote scripts for and starred in several later Saura films—for these, receiving her greatest critical success ^[20] such as Ana and the Wolves (1973), Cría Cuervos (1976), Elisa, vida mía (1977), and Mamá cumple cien años (1979). Cría Cuervos won the Special Jury Prize Award at the 1976 Cannes Film Festival.^[21] Critic Vincent Canby praised Chaplin's "superb" performance.^[22]

Chaplin starred in several films produced by Altman and directed by Alan Rudolph, with a BAFTA-nominated role in Welcome to L.A. (1976), in which she played a housewife addicted to cab rides.^[23] She received critical acclaim for her role in Remember My Name (1978), in which she played Anthony Perkins' murderous estranged wife.^[24]

In an interview with The New York Times in 1977,^[25] Chaplin cited that her career was going more successfully in Europe than in the United States. She complained that "I only seem to work with Altman here ... I don't have any offers in this country, none. Not even an interesting script to read. The only person who ever asks me is Altman—and James Ivory."^[25]

French-language and other roles, 1980–89

This section needs expansion with: in this and the following subsection, a more representative selection of career work, based on published sources. You can help by adding to it. (December 2016)

In the 1980s, Chaplin starred in several French-language roles, including Claude Lelouch's Les Uns et les Autres (1981), Alain Resnais' Life Is a Bed of Roses (1983), Jacques Rivette's experimental Love on the Ground (1984), and then the American film, I Want to Go Home (1989).

Chaplin also starred in Rudolph's 1920s-set film, The Moderns (1988).

Chaplin, Scorsese, and Zeffirelli, 1990–99

In the biographical film about her father, Chaplin (1992), she played her grandmother Hannah Chaplin, for which she was nominated for her third Golden Globe Award.^[19] Soon after, she was directed by Martin Scorsese in The Age of Innocence (1993), and appeared in Franco Zeffirelli's version of Jane Eyre (1996).

Chaplin went on to appear in Mother Teresa: In the Name of God's Poor (1997).

The Spanish period, 2000–present

Chaplin received a Goya Mejor Actriz de Reparto for her role in Spanish-Argentine thriller En la ciudad sin límites (In the City Without Limits, 2002).^[8] Other notable Spanish films she collaborated with and appeared in Pedro Almodóvar's Talk to Her (2002), and Juan Antonio Bayona's The Orphanage (2007), for which she received a second Goya Award nomination.^{[citation needed]} She also starred in the Catalan drama, The Mosquito Net (2010), for which she was awarded the Crystal Globe.^[26]

In 2006 Chaplin was awarded the gold medal by the Academia de las Artes y las Ciencias Cinematográficas de España—the Spanish Academy of Cinematographic Arts and Sciences—for her contribution to Spanish cinema.^[9]

Chaplin appeared in The Wolfman, in 2010.

In Americano, she appeared with Salma Hayek, and featured with Jane Fonda in All Together (both 2011). She reunited with Juan Antonio Bayona for the films The Impossible (2012), A Monster Calls (2016), and Jurassic World: Fallen Kingdom (2018). Chaplin received the Best Actress Award at the Havana Film Festival for her role in the Dominican Republic film Sand Dollars (2014).^{[citation needed]}

In 2018, she starred in Red Land (Rosso Istria), an Italian movie by Maximiliano Hernando Bruno based on Norma Cossetto and the foibe massacres.^[27]

In 2022, she appeared in the music video for the song "Pure"^[28] by Swiss artist, Gjon's Tears.

Film

Television