Year | Film | Language | Director | Music | Notes |
1941 | Madanakamarajan | Tamil | B. N. Rao | S. Rajeswara Rao & M. D. Parthasarathy | with the arrival of K. Ramnoth, a cameraman and scenarist, and A. K. Sekhar, art director brought many changes in production. |
1942 | Jeevana Mukthi | Telugu | T. V. Neelakantan | S. Rajeswara Rao | is their first film in Telugu language remake of Bhaktha Chetha (1940) of K. Subramanyam.[5] |
1942 | Nandanar | Tamil | Murugadasa | S. Rajeswara Rao & M. D. Parthasarathy | starring M. M. Dandapani Desikar and Serukalathur Sama |
1943 | Mangamma Sapatham | Tamil | Acharya | S. Rajeswara Rao & M. D. Parthasarathy | |
1945 | Kannamma En Kadhali | Tamil | Kothamangalam Subbu | M. D. Parthasarathy | |
1944 | Dasi Aparanji | Tamil | B. N. Rao | S. Rajeswara Rao & M. D. Parthasarathy | |
1947 | Miss Malini | Tamil | Kothamangalam Subbu | S. Rajeswara Rao & P. S. Anandaraman | |
1948 | Kalpana | Hindi | Uday Shankar | Vishnudas Shirali | This was Uday Shankar's dance spectacular, shot at the studio, that set the trend for future choreographers. |
1948 | Chandralekha | Tamil | S. S. Vasan | S. Rajeswara Rao & M. D. Parthasarathy | a magnificent movie by S. S. Vasan that was a first for a Tamil to achieve All India distribution and brought excellent returns. |
1948 | Chandralekha | Hindi | S. S. Vasan | S. Rajeswara Rao & M. D. Parthasarathy | a magnificent movie by S. S. Vasan that was a first for a Tamil to achieve All India distribution and brought excellent returns. |
1949 | Apoorva Sahodarargal | Tamil | Acharya | S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan | A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. |
1949 | Nishanl | Hindi | Acharya | S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan | A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. |
1949 | Apoorva Sahodarulu | Telugu | Acharya | S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan | A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. |
1952 | Moondru Pillaigal | Tamil | R. Nagendra Rao | M. D. Parthasarathy & P. S. Anandaraman | |
1952 | Mugguru Kodukulu | Telugu | R. Nagendra Rao | M. D. Parthasarathy & P. S. Anandaraman | |
1953 | Avvaiyyar | Tamil | Kothamangalam Subbu | M. D. Parthasarathy, P. S. Anandaraman & Mayavaram Venu | A Tamil film that proved a major box-office hit. |
1954 | Rajee En Kanmani | Tamil | K. J. Mahadevan | S. Hanumantha Rao | |
1954 | Rajee Naa Pranam | Telugu | K. J. Mahadevan | S. Hanumantha Rao | |
1955 | Insaniyat | Hindi | S. S. Vasan | C. Ramchandra | film starring Dilip Kumar and Dev Anand. |
1958 | Vanjikottai Valiban | Tamil | S. S. Vasan | C. Ramchandra | starring Gemini Ganesan, Vyjayanthimala and Padmini. |
1958 | Raj Tilak | Hindi | S. S. Vasan | C. Ramchandra | starring Gemini Ganesan, Vyjayanthimala and Padmini. |
1959 | Paigham | Hindi | S. S. Vasan | C. Ramchandra | A Hindi film starring Dilip Kumar, Vyjayanthimala and Raaj Kumar. |
1965 | Vaazhkai Padagu | Tamil | C. Srinivasan | Viswanathan–Ramamoorthy | A Tamil film starring Gemini Ganesan, Devika |
1966 | Motor Sundaram Pillai | Tamil | S. S. Balan | M. S. Viswanathan | This was Sivaji Ganesan's sole film for Gemini Studios. After S. S. Vasan's death, his son S. S. Balasubramanyam took the reins. |
1968 | Oli Vilakku | Tamil | Tapi Chanakya | M. S. Viswanathan | MGR Film with S. S. Vasan |
1969 | Manushulu Marali | Telugu | V. Madhusudhana Rao | K. V. Mahadevan | starring Shoban Babu |
1970 | Samaj Ko Badal Dalo | Hindi | V. Madhusudhana Rao | Ravi | starring Parikshit Sahni, Sharada, Prem Chopra and Pran. |
1971 | Irulum Oliyum | Tamil | Puttanna Kanagal | K. V. Mahadevan | starring A. V. M. Rajan, Vanisri |
1975 | Ellorum Nallavare | Tamil | S. S. Balan | V. Kumar | This was a flop and the studio's fortunes declined in the 70s and it was taken over by Anand Cine Services later. |