Formation

After the Qin dynasty conquered the Minyue kingdom of Southeast China in 110 BC, Chinese people began settling what is now Fujian Province. The Old Chinese language brought by the mass influx of Chinese immigrants from the Chinese heartland, along with the influences of local languages, became the early Proto-Min language from which Eastern Min, Southern Min, and other Min languages arose.^[10] Within this Min branch of Chinese, Eastern Min and Southern Min both form part of a Coastal Min subgroup, and are thus closer to each other than to Inland Min groups such as Northern Min and Central Min.

The famous book Qī Lín Bāyīn, which was compiled in the 17th century, is the first and the most full-scale rime book that provides a systematic guide to character reading for people speaking or learning the Fuzhou dialect. It once served to standardize the language and is still widely quoted as an authoritative reference book in modern academic research in Min Chinese phonology.

Studies by Western missionaries

In 1842, Fuzhou was open to Westerners as a treaty port after the signing of the Treaty of Nanjing. But due to the language barrier, however, the first Christian missionary base in this city did not take place without difficulties. In order to convert Fuzhou people, those missionaries found it very necessary to make a careful study of the Fuzhou dialect. Their most notable works are listed below:^[11]

• 1856, M. C. White: The Chinese language spoken at Fuh Chau
• 1870, R. S. Maclay & C. C. Baldwin: An alphabetic dictionary of the Chinese language in the Foochow dialect
• 1871, C. C. Baldwin: Manual of the Foochow dialect
• 1891, T. B. Adam: An English-Chinese Dictionary of the Foochow Dialect
• 1893, Charles Hartwell: Three Character Classic of Gospel in the Foochow Colloquial
• 1898, R. S. Maclay & C. C. Baldwin: An Alphabetic Dictionary of the Chinese Language of the Foochow Dialect, 2nd edition
• 1905, T. B. Adam: An English-Chinese Dictionary of the Foochow Dialect, 2nd edition]
• 1906, The Foochow translation of the complete Bible
• 1923, T. B. Adam & L. P. Peet: An English-Chinese dictionary of the Foochow dialect, 2nd edition
• 1929, R. S. Maclay & C. C. Baldwin (revised and enlarged by S. H. Leger): Dictionary of the Foochow dialect

Studies by Japanese scholars

During the Second World War, some Japanese scholars became passionate about studying the Fuzhou dialect, believing that it could be beneficial to the rule of the Greater East Asia Co-Prosperity Sphere. One of their most famous works was the Japanese-Chinese Translation: Fuzhou Dialect (日華對譯: 福州語) published in 1940 in Taipei, in which katakana was used to represent Fuzhou pronunciation.

Status quo

By the end of the Qing dynasty, Fuzhou society had been largely monolingual. But for decades the Chinese government has discouraged the use of the vernacular in school education and in media, so the number of Mandarin speakers has been greatly boosted. Recent reports indicate that less than 50% of young people in Fuzhou are able to speak the Fuzhou dialect.^[12]

In Mainland China, the Fuzhou dialect has been officially listed as an Intangible Cultural Heritage^[13] and promotion work is being systematically carried out to preserve its use. In Matsu, currently controlled by the Republic of China located in Taiwan, the teaching of the local variant, the Matsu dialect, has been successfully introduced into elementary schools.^[5][14] It is also one of the statutory languages for public transport announcements in Matsu^[15] and in Fuzhou.^[16]

Tones

There are seven original tones in the Fuzhou dialect, compared with the eight tones of Middle Chinese:

The sample characters are taken from the Qī Lín Bāyīn. More modern studies have also been done in the late 20th century and early 21st centuries, including an acoustically quantified set of data for the citation tones.^[20]

In Qī Lín Bāyīn, the Fuzhou dialect is described as having eight tones, which explains how the book got its title (Bāyīn means "eight tones"). That name, however, is somewhat misleading, because Ĭng-siōng (陰上) and Iòng-siōng (陽上) are identical in tone contour; therefore, only seven tones exist.

Ĭng-ĭk and Iòng-ĭk (or so-called entering tone) syllables end with either velar stop [k] or a glottal stop [ʔ]. However, they are both now realized as a glottal stop, though the two phonemes maintain distinct sandhi behavior in connected speech.

Besides those seven tones listed above, two new tonal values, "˨˩" (Buáng-ĭng-ké̤ṳ, 半陰去) and ˧˥ (Buáng-iòng-ké̤ṳ, 半陽去) occur in connected speech (see Tonal sandhi below).

Little discussed in the existing literature, there is some evidence that Fuzhou uses non-modal phonation with certain tones: creaky for 陰去 ĭng-ké̤ṳ, 陰入 ĭng-ĭk, 陽去 iòng-ké̤ṳ, and breathy for 上聲 siōng-siăng. This has been shown to be perceptually relevant for tonal identification.^[21]

Initials

There are fifteen initials, including a zero initial realized as a glottal stop [ʔ]:

The Chinese characters in the brackets are also sample characters from Qī Lín Bāyīn.

Some speakers find it difficult to distinguish between the initials /n/ and /l/.

No labiodental phonemes, such as /f/ or /v/, exist in the Fuzhou dialect, which is one of the most conspicuous characteristics shared by all branches in the Min Family.

[β] and [ʒ] exist only in connected speech (see Initial assimilation below).

Rimes

The table below shows the seven vowel phonemes of the Fuzhou dialect. Fuzhou is known for its vowel alternations much discussed in the linguistic literature.^[27]

In the Fuzhou dialect, the codas /-m/, /-n/, and /-ŋ/ have all merged as /-ŋ/, and /-p/, /-t/, /-k/ have all merged as /-ʔ/. Seven vowel phonemes, together with the codas /-ŋ/ and /-ʔ/, are organized into forty-six rimes.^[28]

As has been mentioned above, there are theoretically two different entering tonal codas in the Fuzhou dialect: /-k/ and /-ʔ/. However, for most Fuzhou dialect speakers, those two codas are only distinguishable when in the tonal sandhi or initial assimilation.

Other phonological features

Neutral tone

The neutral tone is attested in the Fuzhou dialect, as well as being found in the Southern Min group and in varieties of Mandarin Chinese, including Beijing-based Standard Mandarin. It is commonly found in some modal particles, aspect markers, and some question-forming negative particles that come after units made up of one tone sandhi domain, and in some adverbs, aspect markers, conjunctions etc. that come before such units. These two types, the post-nucleus and the pre-nucleus neutral tone, exhibit different tone sandhi behavior. Disyllabic neutral tone words are also attested, as are some inter-nuclei neutral tones, mainly connected to the use of 蜀 siŏh /suoʔ˥/ in verbal reduplication.^[30]

This section needs expansion. You can help by adding to it. (May 2012)

Words from Old Chinese

Quite a few words from Old Chinese have retained the original meanings for thousands of years, while their counterparts in Mandarin Chinese have either fallen out of daily use or varied to different meanings.

This table shows some Fuzhou dialect words from Old Chinese, as contrasted to Mandarin Chinese:

¹ "看" (káng) is also used as the verb "to look" in the Fuzhou dialect.

² "養" (iōng) in the Fuzhou dialect means "give birth to (a child)".

This table shows some words that are used in the Fuzhou dialect close to as they were in Classical Chinese, while the meanings in Mandarin Chinese have altered:

Words from Ancient Minyue language

Some daily used words, shared by all Min varieties, came from the ancient Minyue language. Such as follows:

Literary and colloquial readings

The literary and colloquial readings is a feature commonly found in all Chinese dialects throughout China. Literary readings are mainly used in formal phrases derived from the written language, while the colloquial ones are used in colloquial phrases in the spoken language, as well as when used on their own.

Phonologically, a large range of phonemes can differ between the character's two readings: in tone, final, initial, or any and all of these features.

This table displays some widely used characters in the Fuzhou dialect which have both literary and colloquial readings:

Loan words from English

The First Opium War, also known as the First Anglo-Chinese War, was ended in 1842 with the signing of the Treaty of Nanjing, which forced the Qing government to open Fuzhou to all British traders and missionaries. Since then, quite a number of churches and Western-style schools have been established. Consequently, some English words came into the Fuzhou dialect, but without fixed written forms in Chinese characters. The most frequently used words are listed below:^[32]

• kŏk, [kʰouʔ˥], noun, meaning "an article of dress", is from the word "coat";
• nă̤h, [neʔ˥], noun, meaning "a meshwork barrier in tennis or badminton", is from the word "net";
• pèng, [pʰeiŋ˥˧], noun, meaning "oil paint", is from the word "paint";
• pĕng-giāng, [pʰeiŋ˥˧ ŋjaŋ˧], noun, meaning "a small sum of money", is from the word "penny";
• tă̤h, [tʰeʔ˥], noun, meaning "money", is from the word "take";
• sò̤, [so˥˧], verb, meaning "to shoot (a basket)", is from the word "shoot";
• ă-gì, [a˥ ki˥˧], verb, meaning "to pause (usually a game)", is from the word "again".
• Mā-lăk-gă, [ma˨˩ laʔ˥ ka˥], meaning "Southeastern Asian (esp. Singapore and Malaysia)", is from the word "Malacca".

Chinese characters

Most words of the Fuzhou dialect stem from Old Chinese and can therefore be written in Chinese characters. Many books published during the Qing dynasty had been written in this traditional way, such as the famous Mǐndū Biéjì (閩都別記, Foochow Romanized: Mìng-dŭ Biék-gé). However, Chinese characters as the writing system for the Fuzhou dialect can have many shortcomings.

First, a great number of words are unique to the Fuzhou dialect, so that they can only be written in informal ways. For instance, the word "mâ̤", a negative word, has no common form. Some write it as "賣" or "袂", both of which share with it an identical pronunciation but have an irrelevant meaning; and others prefer to use a newly created character, 𣍐, combining "勿" and "會", but this character is not included in most fonts.

Second, the Fuzhou dialect has been excluded from the educational system for many decades. As a result, many if not all take for granted that the Fuzhou dialect does not have a formal writing system and when they have to write it, they tend to employ characters with a similar Mandarin Chinese enunciation. For example, "會使 (â̤ sāi)", meaning "okay", are frequently written as "阿塞" because they are uttered almost in the same way.

Foochow Romanized

Foochow Romanized, also known as Bàng-uâ-cê (平話字, BUC for short) or Hók-ciŭ-uâ Lò̤-mā-cê (福州話羅馬字), is a romanized orthography for the Fuzhou dialect adopted in the middle of 19th century by American and English missionaries. It had varied at different times, and became standardized several decades later. Foochow Romanized was mainly used inside of church circles, and was taught in some mission schools in Fuzhou.^[33]

This section needs expansion. You can help by adding to it. (June 2008)

Mǐnqiāng Kuàizì

Mǐnqiāng Kuàizì (閩腔快字, Foochow Romanized: Mìng-kiŏng Kuái-cê), literally meaning "Fujian Colloquial Fast Characters", is a Qieyin System (切音系統) for Fuzhou dialect designed by Chinese scholar and calligrapher Li Jiesan (力捷三) in 1896.

This section needs expansion. You can help by adding to it. (June 2008)

Example text

Below is Article 1 of the Universal Declaration of Human Rights written in the Fuzhou dialect, using both Foochow Romanized (left) and Chinese characters (center).

IPA

[tě.ěiʔ.téu]
[sū.jū.nø̂ŋ.séiŋ.kjǎ.lî.tsěu.sěi.tsø̌y.jú.kî,]
[pěiŋ.tsʰjá.tjóʔ.tsóuŋ.ŋjêŋ.kǎøŋ.kwôŋ.líʔ.sjǒŋ.ěiʔ.lúʔ.pîŋ.tēiŋ]
[í.kǎuʔ.nø̂ŋ.ǒu.lī.sèiŋ.kǎøŋ.ljôŋ.síŋ,]
[pěiŋ.tsʰjá.èiŋ.kāi.ī.hjáŋ.tjě.kwáŋ.hjě.kî.tsíŋ.lî.hǒu.sjóŋ.tòi.tài]