Emil Jannings (born Theodor Friedrich Emil Janenz, 23 July 1884 – 2 January 1950) was a Swiss-born German actor who was popular in Hollywood in the 1920s. He was the first recipient of the Academy Award for Best Actor for his roles in The Last Command and The Way of All Flesh. As of 2024, Jannings is the only German ever to have won the category.

Jannings is best known for his collaborations with F. W. Murnau and Josef von Sternberg, including the 1930 film The Blue Angel (Der blaue Engel), with Marlene Dietrich. The Blue Angel was meant as a vehicle for Jannings to score a place for himself in the new medium of sound film, but Dietrich stole the show. Jannings later starred in a number of Nazi propaganda films, which made him unemployable as an actor after the defeat of Nazi Germany.

Jannings was born in Rorschach, Switzerland, the son of Emil Janenz, an American businessman from St. Louis, and his wife Margarethe (née Schwabe), originally from Germany.^[2][3] Jannings held German citizenship; while he was still young the family moved to Leipzig in the German Empire and further to Görlitz after the early death of his father.

Jannings ran away from school and went to sea. When he returned to Görlitz, his mother finally allowed him to begin a traineeship at the town state theatre, where he started his stage career. From 1901 onwards he worked with several theatre companies in Bremen, Nuremberg, Leipzig, Königsberg, and Glogau before joining the Deutsches Theater ensemble under director Max Reinhardt in Berlin.^[4] Permanently employed since 1915, Jannings met with playwright Karl Vollmöller, fellow actor Ernst Lubitsch, and photographer Frieda Riess. After World War I all were at the heart of Weimar Culture in 1920s Berlin. Jannings made his breakthrough in 1918 with his role as Judge Adam in Kleist's Broken Jug at the Schauspielhaus.

Jannings was a theater actor who went into films, though he remained dissatisfied with the limited expressive possibilities in the silent era. Having signed a contract with the UFA production company, he starred in Die Augen der Mumie Ma (The Eyes of the Mummy, 1918) and Madame DuBarry (1919), both with Pola Negri in the main female part. He also performed in the 1922 film version of Othello and in F. W. Murnau's 1924 film The Last Laugh (Der Letzte Mann), as a proud but aged hotel doorman who is demoted to a restroom attendant. Jannings worked with Murnau on two other films; playing the title character in Tartuffe (Herr Tartüff, 1925), and as Mephistopheles in Faust (1926).

Jannings was married four times. His first three marriages ended in divorce, his last with his death. His last three marriages were to German stage and film actresses, Hanna Ralph, Lucie Höflich, and Gussy Holl.^[9] He had a daughter, Ruth-Maria (born 1920), from his first marriage to Lucy Höfling.^[14][15]

• Hilmar Eichhorn [de] portrayed a fictionalized version of Jannings in Inglourious Basterds (2009), directed by Quentin Tarantino. This fictional version of Jannings dies at the end of the film.
• In the 1972 film Cabaret, singer Sally Bowles (Liza Minnelli) finds herself at a high-society dinner party; she tries to impress someone at the table by suggesting that she is a friend of Emil Jannings.
• In Series 1 of the BBC’s epic Second World War drama World on Fire (2019) American journalist Nancy Campbell, played by Helen Hunt, accepts an invitation from neighbours in Berlin to see the latest Emil Jannings film, saying: “Well, I love Emil Jannings, and I loved him in The Blue Angel.”

• List of German-speaking Academy Award winners and nominees
• List of actors with Academy Award nominations