Elizabeth Ann Sackler (born February 19, 1948) is a public historian, arts activist, and the daughter of Arthur M. Sackler; as such, she is a member of the Sackler family. She is the founder of the American Indian Ritual Object Repatriation Foundation and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

In 1966, Sackler graduated from New Lincoln School, an experimental private high school in New York City, where she became involved in activism.^[1] In 1997, Sackler received her PhD with a concentration in public history from Union Institute & University.^[2][3]

Sackler was born in New York City to Arthur M. Sackler, psychiatrist, entrepreneur and philanthropist and Else Jorgensen, from Denmark.^[14] Sackler is a mother of two children.

In October 2017, Esquire^[15] and The New Yorker^[16] published critical articles outlining connections among Purdue Pharma, the larger Sackler family and Oxycontin's role in the opioid crisis. In response, Elizabeth Sackler claimed that neither she, nor her children, "benefited in any way" from the sale of Oxycontin or ever held shares in Purdue Pharma.^[17] Articles confirmed that her father's option in a different pharmaceutical company, Purdue Frederick, were sold shortly after his death in 1987, to Purdue Pharma owners Mortimer and Raymond Sackler, years before the advent of Oxycontin. Online outlet Hyperallergic reviewed legal documents confirming her statement ^[18] and later articles in the New York Times,^[19] Associated Press,^[20] and other outlets published clarifications and corrections all confirming her branch of the family's separation from Purdue Pharma and all Oxycontin profits. Elizabeth Sackler said she admired Nan Goldin and all activists seeking to hold Purdue accountable for "morally abhorrent" behavior.^[19]

In response, Goldin noted that Elizabeth's father, Arthur, earned his fortune in significant part through marketing of tranquilizers, including Valium, that were widely abused.^[21] "We have heard repeatedly from Arthur's widow, Dame Jillian Sackler, and Elizabeth that because Arthur died before the existence of Oxycontin, they didn't benefit from it. But he was the architect of the advertising model used so effectively to push the drug. He also turned Valium into the first million-dollar drug," Goldin said in 2018.^[22] "The whole Sackler clan is evil," she added.

Goldin's claims regarding the connection between Arthur Sackler's legacy and the opioid crisis in the United States have been echoed by some researchers and academics. Former New York Times journalist Barry Meier wrote in his book Pain Killer that Arthur Sackler "helped pioneer some of the most controversial and troubling practices in medicine: the showering of favors on doctors, the lavish spending on consultants and experts ready to back a drugmaker's claims, the funding of supposedly independent commercial interest groups, the creation of publications to serve as industry mouthpieces, and the outright exploitation of scientific research for marketing purposes."^[23] Psychiatrist Allen Frances told The New Yorker in 2017 that "[m]ost of the questionable practices that propelled the pharmaceutical industry into the scourge it is today can be attributed to Arthur Sackler."^[24][25]

• 1994: Native American Film and Video Celebration, Lincoln Center (New York, NY), Honorary Award, Executive Producer Life Spirit^{[citation needed]}
• 1998: The Union Institute (Cincinnati, OH), Sussman Award for Academic Excellence^{[citation needed]}
• 1999: Yurok Tribal Council (Eureka, CA), Honor^{[citation needed]}
• 2002: Brooklyn Museum (Brooklyn, NY), Community Committee's Women in the Arts Award^{[citation needed]}
• 2003: Women's eNews (New York, NY), 21 Leaders of the 21st Century Award^{[citation needed]}
• 2004: Women's Caucus for Art (Seattle, WA), President's Award^{[citation needed]}
• 2005: Drums Along The Hudson (New York, NY), Native American of the Year^{[citation needed]}
• 2006: ArtTable Award, Distinguished Service to the Visual Arts^{[citation needed]}
• 2007: Moore College of Art, Visionary Woman Award.^[26]
• 2015: Studio Arts College International (SACI), Honorary MFA degree^[27]

• National Council on Public History, Member^{[citation needed]}
• Metropolitan Museum of Art, Fellow for Life^{[citation needed]}
• Institute of American Indian Arts Museum (Santa Fe, NM), Founder's Circle^{[citation needed]}
• 1987–present: The Arthur M. Sackler Foundation (New York, NY), CEO^{[citation needed]}
• 1992–present: American Indian Ritual Object Repatriation Foundation (New York, NY), Founder and President^{[citation needed]}
• 1995–1999: Smithsonian Institution (Washington, D.C.), Founding President, Friends of the Freer and Sackler Galleries^{[citation needed]}
• 2000–present: National Museum of Women in the Arts (Washington, D.C.), National Advisory Board^[28]
• 2000–2018: Brooklyn Museum (Brooklyn, NY), Board of Trustees, Collections Committee, Executive Committee^{[citation needed]}
  • 2014–2016: Chairman, Board of Trustees.^[29][30]
• 2001–present: Elizabeth A. Sackler Foundation (New York, NY), President^{[citation needed]}
• 2001–2006: New Mexico Statuary Hall Foundation, Office of Indian Affairs (Santa Fe, NM), Board Member for the National Statuary Hall Collection, Washington, D.C.^{[citation needed]}

• Sackler family
• !Women Art Revolution - Sackler, among others, was interviewed for this film.^[31]

• Sackler, Elizabeth A. (2006). "Chapter 6. Calling for a Code of Ethics in the Indian Art Market". In King, Elaine A.; Levin, Gail (eds.). Ethics and the Visual Arts. New York: Allworth Press. pp. 89–104. ISBN 978-1-581-15600-3. OCLC 859537911.