Call_Your_Friends_(London_Grammar_song)

<i>Californian Soil</i>

Californian Soil

2021 studio album by London Grammar


Californian Soil is the third studio album by English indie pop band London Grammar, released on 16 April 2021 by Metal & Dust and Ministry of Sound. It was initially intended to be released on 12 February 2021, but was postponed for unknown reasons.[1]

Quick Facts Californian Soil, Studio album by London Grammar ...

Californian Soil was preceded by four singles—"Baby It's You", the title track, "Lose Your Head" and "How Does It Feel".

Composition

Thematically, although it remains a collaborative effort with the rest of the band, the album is vocalist Hannah Reid's 'story'.[2] Reid said the album deals with themes of feminism and fame. She wrote:

This record is about gaining possession of my own life. You imagine success will be amazing. Then you see it from the inside and ask, "Why am I not controlling this thing? Why am I not allowed to be in control of it? And does that connect, in any way to being a woman? If so, how can I do that differently?"[3]

Reid stated that things need to be different from her efforts on the preceding album (Truth Is a Beautiful Thing); "I wasn't making myself very vulnerable and I didn't feel like I was taking any risks."[4] The songwriting was influenced by Reid's ultimatum for change following years of sexism and misogyny within the music industry:

I did say to Dan and Dot, "I don't want this to end, but something does have to change because I just can't keep doing my best work or going out on the road if I'm going to come back and feel this way."[5]

In particular, I Need the Night addresses Reid's experiences with the music industry.[5] America also ruminates on Reid's toxic experiences despite the fame, her fibromyalgia diagnosis and the contrasts between poverty and beauty while travelling.[6] Major emphasised that the band supported Reid's direction for the album; "lyrically, Californian Soil is very much about Hannah’s experience as a woman, and we wanted that message to come through as loud as possible"[4]

Production

Writing and demoing for the album began in 2017 at Rothamn's home, in his hidden 'Narnia' studio.[4] It was the first time the band had begun production on an album without an executive producer.[4] How Does It Feel and Call Your Friends were written initially by Reid and producer Steve Mac in separate writing sessions, before eventually the rest of the band finalised the songs.[7] Reid acknowledged that the album's external producers - Mac, George FitzGerald and Charlie Andrew - were all male, which stands out given the album's feminist themes; "it was a big conflict within me...It’s changing now but there aren’t many female producers out there. That’s something that I really hope can change and it’s something that I do want to think about for a fourth album."[4] The album was completed in 2019, and initially scheduled for a 2020 release. However, the band chose to delay the release to 2021 due to the pandemic; "we felt this was the most upbeat album we have probably ever made. In the middle of a pandemic, there is a risk that this just won’t connect right now. There was no rush and I’m glad we waited.”[2]

Release

The album was announced on 1 October 2020, alongside the release of the title track. The band said the track was a "turning point" for them, deciding to name the album after the song.

On 5 January 2021, the band posted on their Twitter page that the release date had been postponed to 9 April of that same year, before being subsequently pushed back to 16 April. No reason was given for either delay.[8]

Promotion

Singles

Californian Soil was preceded by four singles: "Baby It's You", released on 19 August 2020,[9] the title track, released on 1 October 2020,[3] "Lose Your Head", released on 4 January 2021[5] and "How Does It Feel" on 12 March 2021.[10] "Lord It's a Feeling" was released as the fifth single on 21 May 2021.[citation needed]

Critical reception

More information Aggregate scores, Source ...

Californian Soil received generally positive reviews from music critics. On Metacritic, which assigns a normalised score out of 100 to ratings from publications, the album received an average score of 77 based on 10 reviews.[12] Christopher Hamilton-Peach of The Line of Best Fit said that "London Grammar use Californian Soil to hone their lush sonics and embrace the future".[18] Hannah Mylrea of NME wrote that "London Grammar are revitalised...[they] are more confident, and more fun, than they’ve ever been."[5]

The Guardian's Alim Kheraj stated that "the British trio stick to boilerplate emoting and bland imagery, but there are small sonic steps forward".[16] Writing for Pitchfork, Hannah Jocelyn wrote that "the UK electronic-pop trio's third album draws on a renewed sense of extroversion and energy, which can't always overcome its lyrical and production missteps."[20] Praising the album's surrealist sound and tone, The Daily Telegraph's Neil McCormick said that the album was "hypnotically compelling".[15] However, Slant Magazine's Charles Lyons-Burt felt that "the band's willingness to harness the latest sonic trends is hit and (mostly) miss."[21]

Track listing

More information No., Title ...

All tracks are written by Hannah Reid, Daniel Rothman and Dominic Major, except where noted

Notes

  • ^[a] signifies an additional producer

Personnel

Credits adapted from the liner notes of Californian Soil.[23]

London Grammar

  • Hannah Reid – vocals, keys, programming
  • Daniel Rothman – guitars, keys, programming
  • Dot Major – drums, keys, programming

Additional musicians

  • Sally Herbert – string arrangements, conducting (tracks 1, 2, 5, 8, 10, 11)
  • Olli Cunningham – score supervision
  • Everton Nelson – string leader, violin (tracks 1, 2, 5, 8, 10, 11)
  • Bruce White – viola (tracks 1, 2, 5, 8, 10, 11)
  • Claire Orsler – viola (tracks 1, 2, 5, 8, 10, 11)
  • Rachel Robson – viola (tracks 1, 2, 5, 8, 10, 11)
  • Alison Dods – violin (tracks 1, 2, 5, 8, 10, 11)
  • Ian Humphries – violin (tracks 1, 2, 5, 8, 10, 11)
  • Julia Singleton – violin (tracks 1, 2, 5, 8, 10, 11)
  • Marianne Haynes – violin (tracks 1, 2, 5, 8, 10, 11)
  • Richard George – violin (tracks 1, 2, 5, 8, 10, 11)
  • Rick Koster – violin (tracks 1, 2, 5, 8, 10, 11)
  • Warren Zielinski – violin (tracks 1, 2, 5, 8, 10, 11)
  • Chris Laurence – double bass (tracks 1, 2, 5, 8, 10, 11)
  • Chris Dorsey – cello (tracks 1, 2, 5, 8, 10, 11)
  • Ian Burdge – cello (tracks 1, 2, 5, 8, 10, 11)
  • Tony Woollard – cello (tracks 1, 2, 5, 8, 10, 11)
  • Kirsty Mangan – original string arrangements, additional keys (track 2); viola, violin (tracks 2, 12); string arrangements (track 12)
  • Rachael Lander – cello (track 2)
  • Andy Marshall – double bass (tracks 2, 12)
  • Vula Malinga – backing vocals (track 3); additional vocals (track 5)
  • Sharlene Hector – backing vocals (track 3)
  • Mike Hough – backing vocals (track 3)
  • Phebe Edwards – backing vocals (track 3)
  • Brendan Reilly – backing vocals (track 3)
  • George FitzGerald – additional pads, effects (tracks 4, 5, 7); additional programming (track 11)
  • Hal Ritson – additional guitar (track 5)
  • Steve Mac – additional keyboards (tracks 6, 8)
  • Chris Laws – additional drums (tracks 6, 8)
  • My Riot – additional programming (track 2)
  • Hoskins – additional programming (track 11)

Technical

  • Robbie Nelson – string recording (tracks 1, 2, 5, 8, 10, 11)
  • London Grammar – production
  • Charlie Andrew – production (tracks 2, 12)
  • George FitzGerald – production (tracks 4, 7); additional production (track 5)
  • Steve Mac – production (tracks 6, 8)
  • My Riot – additional vocal recording (track 12)
  • Tom Elmhirst – mixing[lower-alpha 9] (tracks 1–5, 8–12)
  • Matthew Scatchell – engineering for mix (tracks 8, 10–12)
  • Nathan Boddy – mixing (track 7)
  • Serban Ghenea – mixing[lower-alpha 10] (track 6)
  • John Hanes – engineering for mix (track 6)
  • Matt Wiggins – engineering (tracks 1–6, 8–12)
  • Jay Pocknell – engineering (tracks 2, 12)
  • Dann Pursey – engineering (tracks 6, 8)
  • Chris Laws – engineering (tracks 6, 8)
  • Chris Gehringer – mastering[lower-alpha 11]

Artwork

  • Crowns & Owls – creative direction, photography
  • Catalogue – graphic design

Charts

More information Chart (2021), Peak position ...

Certifications

More information Region, Certification ...

Release history

More information Region, Date ...

Notes

  1. Strings on tracks 1, 2, 5, 8, 10 and 11
  2. Tracks 1–5, 7 and 9–12
  3. Tracks 1–5 and 10–12
  4. Tracks 2 and 12
  5. Tracks 4, 5 and 7
  6. Tracks 6 and 8
  7. Track 6
  8. Track 8
  9. Mixed at Electric Lady Studios (New York City)
  10. Mixed at MixStar Studios (Virginia Beach, Virginia)
  11. Mastered at Sterling Sound (New York City)

References

  1. Brandle, Lars (6 January 2021). "London Grammar set new release date for 'Californian Soil,' Share 'Lose Your Head': Watch". Billboard. Retrieved 13 January 2021.
  2. "London Grammar's Hannah Reid Stands Firm on Californian Soil". pastemagazine.com. 16 April 2021. Retrieved 18 May 2022.
  3. Fuamoli, Words by Sose (23 April 2021). "How London Grammar's two crises brought us Californian Soil". triple j. Retrieved 18 May 2022.
  4. London Grammar [@londongrammar] (5 January 2021). "Californian Soil / April 9th" (Tweet). Retrieved 13 January 2021 via Twitter.
  5. Helman, Peter (19 August 2020). "London Grammar – "Baby It's You"". Stereogum. Retrieved 25 January 2021.
  6. Yeung, Neil Z. "Californian Soil – London Grammar". AllMusic. Archived from the original on 17 April 2021. Retrieved 17 April 2021.
  7. Beech, Dave (15 April 2021). "London Grammar – Californian Soil". Clash. Archived from the original on 17 April 2021. Retrieved 17 April 2021.
  8. Brown, Helen (16 April 2021). "London Grammar review, Californian Soil: Sun-dazed album is braced by Hannah Reid's sense of purpose". The Independent. Archived from the original on 18 April 2021. Retrieved 15 March 2022.
  9. Hamilton-Peach, Christopher (16 April 2021). "London Grammar - Californian Soil | Album Review". The Line of Best Fit. Retrieved 17 April 2021.
  10. Jocelyn, Hannah (16 April 2021). "London Grammar: Californian Soil". Pitchfork. Retrieved 17 April 2021.
  11. Von Pip, Andy (13 May 2021). "London Grammar: Californian Soil". Under the Radar. Retrieved 15 March 2022.
  12. Californian Soil (liner notes). London Grammar. Metal & Dust. 2021. MADART3.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  13. "Austriancharts.at – London Grammar – Californian Soil" (in German). Hung Medien. Retrieved 29 April 2021.
  14. "Ultratop.be – London Grammar – Californian Soil" (in Dutch). Hung Medien. Retrieved 23 April 2021.
  15. "Ultratop.be – London Grammar – Californian Soil" (in French). Hung Medien. Retrieved 23 April 2021.
  16. "Dutchcharts.nl – London Grammar – Californian Soil" (in Dutch). Hung Medien. Retrieved 23 April 2021.
  17. "Charts.nz – London Grammar – Californian Soil". Hung Medien. Retrieved 16 May 2021.
  18. "Jaaroverzichten 2021 – Albums" (in Dutch). Ultratop. Retrieved 5 January 2022.
  19. "Rapports annuels 2021 – Albums" (in French). Ultratop. Retrieved 5 January 2022.
  20. "Top de l'année Top Albums 2021" (in French). SNEP. Retrieved 15 April 2022.
  21. "Schweizer Jahreshitparade 2021". hitparade.ch (in German). Retrieved 26 December 2021.
  22. "End of Year Album Chart Top 100 – 2021". Official Charts Company. Retrieved 6 January 2022.
  23. "Californian Soil (CD) – London Grammar". store.londongrammar.com. Archived from the original on 29 January 2021. Retrieved 25 January 2021.
  24. "Californian Soil (LP) – London Grammar". store.londongrammar.com. Archived from the original on 29 January 2021. Retrieved 25 January 2021.
  25. "Californian Soil (Hannah Cover / White Cassette) – London Grammar". store.londongrammar.com. Archived from the original on 29 January 2021. Retrieved 25 January 2021.
  26. "Californian Soil (Book) – London Grammar". store.londongrammar.com. Retrieved 25 January 2021.

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