Bowl_lyre

List of musical instruments by Hornbostel–Sachs number: 321.21

List of musical instruments by Hornbostel–Sachs number: 321.21

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This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.21 under that system. These instruments may be known as bowl lyres.

3: Instruments in which sound is produced by one or more vibrating strings (chordophones, string instruments).
32: Instruments in which the resonator and string bearer are physically united and can not be separated without destroying the instrument
321: Instruments in which the strings run in a plane parallel to the sound table (lutes)
321.2: Instruments in which the string is attached to a yoke that consists of a cross-bar and two arms, with the yoke lying in the same plane as the sound-table (lyres or yoke lutes)
321.21: Instruments in which the resonator is bowl-shaped, either carved or natural

These instruments may be classified with a suffix, based on how the strings are caused to vibrate.

  • 4: Hammers or beaters
  • 5: Bare hands and fingers
  • 6: Plectrum
  • 7: Bowing
    • 71: Using a bow
    • 72: Using a wheel
    • 73: Using a ribbon
  • 8: Keyboard
  • 9: Using a mechanical drive

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References

  • von Hornbostel, Erich M.; Curt Sachs (March 1961). "Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann". The Galpin Society Journal. 14. Galpin Society: 3–29. doi:10.2307/842168. JSTOR 842168.

Notes

  1. [1]
    Wachsmann, Klaus (1964). "The Migration of Musical Instruments: Human Migration and African Harps". Journal of the International Folk Music Council. 16: 84–88. doi:10.2307/835087. JSTOR 835087.
  2. [2]
    Dawes, Kevin (October 2003). "Lyres and the body politic: studying musical instruments in the Cretan musical landscape". Popular Music and Society. 26.3 (21): 263. The island's "national" instrument, the lyra has become emblematic of the struggle that many Cretans experience in their attempt to retain a sense of a local identity.
  3. [3]
    "Review of Midiaeval Music: An Historical Sketch by Robert Charles Hope" (pdf). Saturday Review of Books and Art. New York Times. December 16, 1899. Retrieved December 21, 2007.
  4. [4]
    Roberts, Helen (February 1981). "Reconstructing the Greek Tortoise-Shell Lyre". Archaeology and Musical Instruments. 12 (3): 303–312. doi:10.1080/00438243.1981.9979805. JSTOR 124242.
  5. [5]
    Nidel, Richard (2005). World Music: The Basics. Routledge. pp. 58. ISBN 0-415-96800-3. Much of Kenya's music is derivative of other Afropop forms, most obviously Congolese, but the singing, high-pitched guitar work, use of the national instrument, the nyatiti (a seven-stringed harp), and bottle percussion give it a unique, identifiable sound.
  6. [6]
    Verjee, Zain (August 30, 1999). "Journey through a rhythm nation". Kenya. BBC News. Retrieved February 19, 2008.
  7. [7]
    Radano, Ronald Michael; Philip Vilas Bohlman (2000). Music and the Racial Imagination. Houston A Baker, Jr. and Houston A. Baker. University of Chicago Press. ISBN 0-226-70199-9.
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