Awards

Bruce Cohen, Best Picture co-winner

Sam Mendes, Best Director winner

Kevin Spacey, Best Actor winner

Hilary Swank, Best Actress winner

Michael Caine, Best Supporting Actor winner

Angelina Jolie, Best Supporting Actress winner

Alan Ball, Best Screenplay Written Directly for the Screen winner

John Irving, Best Screenplay Based on Material Previously Produced or Published winner

Pedro Almodóvar, Best Foreign Language Film winner

Kevin Macdonald, Best Documentary Feature co-winner

Phil Collins, Best Original Song winner

John Gaeta, Best Visual Effects co-winner

Winners are listed first, highlighted in boldface, and indicated with a double dagger (‡).^[16]

Academy Honorary Award

• Andrzej Wajda^[17]

Irving G. Thalberg Award

• Warren Beatty^[18]

Films with multiple nominations and awards

Presenters (in order of appearance)

Performers (in order of appearance)

Box office performance of nominees

At the time of the nominations announcement on February 15, the combined gross of the five Best Picture nominees was $521 million with an average of $104 million per film.^[31] The Sixth Sense was the highest earner among the Best Picture nominees with $278.4 million in domestic box office receipts.^[31] The film was followed by The Green Mile ($120.7 million), American Beauty ($74.7 million), The Cider House Rules ($20.7 million), and finally The Insider ($26.6 million).^[31]

Of the top 50 grossing movies of the year, 37 nominations went to 11 films on the list.^[32] Only The Sixth Sense (2nd), The Green Mile (13th), The Talented Mr. Ripley (26th), and American Beauty (27th) were nominated for directing, acting, screenwriting, or Best Picture. The other top 50 box office hits that earned the nominations were Star Wars Episode I: The Phantom Menace (1st), Toy Story 2 (3rd), The Matrix (5th), Tarzan (6th), The Mummy (8th), Stuart Little (11th), and Sleepy Hollow (20th).^[32]

Missing paper ballots

Nearly two weeks before Oscar voting was finished, AMPAS reported that 4,000 of the ballots mailed to Academy members were missing. The bags that carried the ballots were mislabeled as third-class mail.^[33] On March 6, 2000, 1,000 of the ballots were discovered at a US Postal Service regional distribution center in Bell, California.^[34] In response to affected members, AMPAS sent replacement ballots sealed in yellow envelopes, and extended the voting deadline by two days to March 23.^[35]

Oscar statuettes theft

On March 10, 2000, 55 Oscar statuettes were stolen from a Roadway Express loading dock in Bell, California.^[35][36] In the event the stolen awards were to be still missing during the festivities, AMPAS announced that R.S. Owens & Company, the manufacturer of the awards would produce a new batch of the golden statuettes.^[37] Nine days later, 52 of the stolen statuettes were discovered in a trash bin at a Food 4 Less supermarket located in the Koreatown neighborhood of Los Angeles by a man named Willie Fulgear.^[38][39] For the safe recovery of the stolen statuettes, Roadway Express rewarded Fulgear with $50,000, and the academy invited him and his son Allen to the ceremony.^[40] Two Roadway Express employees, truck driver Lawrence Ledent and dock worker Anthony Hart, were arrested for the theft of the Oscars. Both men pleaded no contest. Lawrence served six months in prison and Anthony received probation. A third man who was Mr. Fulgear's half-brother was initially charged with the crime, but police dropped those charges after Mr. Fulgear divulged that they were estranged from each other.^[38][41] Three years later, one of three remaining missing Oscar statuettes was discovered during a drug bust at a mansion in Miami, Florida; the other two have yet to be found.^[42]

Critical reviews

The show received a positive reception from most media publications. Television critic Monica Collins of the Boston Herald praised producers Richard and Lili Fini Zanuck for overseeing a show that was "clean, snappy, high-gloss and very well produced." She also quipped that host Billy Crystal did not need to save the show this time because "everything seemed to come together.^[43] The San Francisco Examiner's Wesley Morris wrote "the show was downright hip, more so than it's been in decades." He also gave high marks for the "techno-chic" production elements from the music and stage design.^[44] Columnist Paul Brownfield of the Los Angeles Times raved that "the 72nd annual Academy Awards telecast was hipper than in years past, sleeker in look and edgier in tone." He added that Crystal was "the perfect antidote to the entire evening's self-serious posturing."^[45]

Some media outlets were more critical of the show. John Carman of the San Francisco Chronicle lamented that despite being solid and tidy, "the show never quite managed the big surprises, sloppy excesses and emotional highs we hope to see."^[46] Pittsburgh Post-Gazette television critic Rob Owen criticized the uneven pacing of the ceremony writing that the telecast "started slowly – 20 minutes of Billy Crystal's spoofs and singing that weren't as funny as his past Oscar intros – and never got up to speed."^[47] Caryn James of The New York Times remarked that "the four-hour show turned into a zombie." She also stated that the telecast was bloated with too many tributes to Hollywood's past.^[48]

Ratings and reception

The American telecast on ABC drew in an average of 46.52 million viewers over its length, which was a 3% increase from the previous year's ceremony.^[6] An estimated 79.11 million total viewers watched all or part of the awards.^[6] The show also drew higher Nielsen ratings compared to the previous ceremony with 29.64% of households watching over a 48.32 share.^[49] It also drew a higher 18–49 demo rating with a 19.86 rating over a 39.34 share among viewers in that demographic.^[49]

In July 2000, the show received nine nominations at the 52nd Primetime Emmy Awards.^[50] Two months later, the ceremony won one of those nominations for Louis J. Horvitz's direction of the telecast.^[51]